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Sangita
Sangita (Devanagari: , IAST: ), also spelled Samgita or Sangeeta, refers to "music and associated performance arts" in the Indian traditions. According to Guy Beck, the root "saṃ-" implies "combining, coming together, convergent wholesome blending, unison" in the context of musical arts. ''Sangita'' connotes any form of singing with music, harmonious recitation or chorus singing in particular.Sangita Monier Williams Sanskrit English Dictionary with Etymology, Oxford University Press, page 1129 In some medieval era literary genre such as the Puranas and poetic texts such as ''Kathasaritsagar'', a related term ''Sangita-shastra'' and ''Sangita-vidya'' mean the "art, science or knowledge of singing and dancing with music". According to Alison Arnold and Bruno Nettl, the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangita Ratnakara
The ''Sangita-Ratnakara'', संगीतरत्नाकर, (IAST: Saṃgītaratnākara), literally "Ocean of Music ", is one of the most important musicological texts from India. Composed by Sharngadeva, Śārṅgadeva (शार्ङ्गदेव) in Sanskrit during the 13th century, both Carnatic music and Hindustani music traditions of Indian classical music regard it as a definitive text. The author was a part of the court of King Simhana (r. 1210–1247) of the Seuna (Yadava) dynasty, Yādava dynasty whose capital was Devagiri, Maharashtra. The text is divided into seven chapters. The first six chapters, ''Svaragatadhyaya'', ''Ragavivekadhyaya'', ''Prakirnakadhyaya'', ''Prabandhadhyaya'', ''Taladhyaya'' and ''Vadyadhyaya'' deal with the various aspects of music and musical instruments, while the last chapter ''Nartanadhyaya'' deals with dance. The medieval era text is one of the most complete historical Indian treatises on the structure, technique, and reasoning o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the art music, classical music of the Indian subcontinent. It is generally described using terms like ''Shastriya Sangeet'' and ''Marg Sangeet''. It has two major traditions: the North Indian classical music known as ''Hindustani classical music, Hindustani'' and the South Indian expression known as ''Carnatic classical music, Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal Empire, Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from the eastern part of India is ''Odissi music'', which has evolved over the last two thousand years. The roots of the classical music of India are found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vadya
''Vadya'' (, ), also called or , is one of the three components of (musical performance arts), and refers to "instrumental music" in the Indian traditions. The other two components of are (vocal music, song) and (dance, movement). In the general sense, ''vadya'' means an instrument and the characteristic music they produce, sound, or play out. Indian musicology The term in the sense of "music, sounded, played, uttered" appears in Vedic literature such as the , and in early post-Vedic era Sanskrit texts such as the , , , and .Monier Monier-Williams Oxford University Press, page 940 These texts refer to the musician or instrumental performer as . A stringed instrument is described with proportional lengths in and , and these are compared to poetical meters. The 17th-century text ''Sangita Darpana'' defines (musical arts) as "", meaning comprises (vocal music), (instrumental music), and (dance). Classification of instruments Sanskrit literature describes four type ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6,000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narada
Narada (, ), or Narada Muni, is a sage-divinity, famous in Hinduism, Hindu traditions as a travelling musician and storyteller, who carries news and enlightening wisdom. He is one of the Manasputra, mind-created children of Brahma, the creator god. He appears in a number of Hindu texts, notably the Mahabharata, telling Yudhishthira the story of Prahlada, Prahalada, and he also appears in the Ramayana and the Puranas. A common theme in Vaishnavism is the accompaniment of a number of deities such as Narada to offer aid to Vishnu upon his descent to earth to combat the forces of evil, or to enjoy a close view of epochal events. He is also referred to as ''Rishiraja'', meaning the king of all sages. He was gifted with the boon of knowledge regarding the past, present, and the future. Hinduism In Indian texts, Narada travels to distant worlds and realms (Sanskrit: ''lokas''). He is depicted carrying a khartal (musical instrument) and the veena, and is generally regarded as one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devanagari
Devanagari ( ; in script: , , ) is an Indic script used in the Indian subcontinent. It is a left-to-right abugida (a type of segmental Writing systems#Segmental systems: alphabets, writing system), based on the ancient ''Brāhmī script, Brāhmī'' script. It is one of the official scripts of India, official scripts of India and Nepal. It was developed in, and was in regular use by, the 8th century CE. It had achieved its modern form by 1000 CE. The Devanāgarī script, composed of 48 primary characters, including 14 vowels and 34 consonants, is the fourth most widely List of writing systems by adoption, adopted writing system in the world, being used for over 120 languages, the most popular of which is Hindi (). The orthography of this script reflects the pronunciation of the language. Unlike the Latin alphabet, the script has no concept of letter case, meaning the script is a unicase, unicameral alphabet. It is written from left to right, has a strong preference for symmetri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of India
Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid first millennium BC. Like in the areas of music and dance, the Indian theatre is also defined by the dramatic performance based on the concept of '' Nritya'', which is a Sanskrit word for drama but encompasses dramatic narrative, virtuosic dance, and music. Historically, Indian theatre has exerted influence beyond its borders, reaching ancient China and other countries in the Far East. With the Islamic conquests that began in the 10th and 11th centuries, theatre was discouraged or forbidden entirely.Brandon (1997, 72) and Richmond (1998, 516). Later, in an attempt to re-assert indigenous values and ideas, village theatre was encouraged across the subcontinent, developing in a large number of regional languages from the 15th to the 19th centuries. Modern Indian theatre developed during the period of colonial rule under the Brit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Indian Musical Instruments
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments). Chordophones Plucked strings Bowed strings • Chikara • Dhantara • Dilruba • Ektara violin • Esraj • Kamaicha • Kingri (string instrument) • Mayuri Vina or Taus • Onavillu • Behala (violin type) • Pena (musical instrument) • Pinaka vina • Pulluvan Veena - one stringed violin • Ravanahatha • Sarangi • Classical Sarangi • Sarinda • Tar Shehnai • Taus • Villu Paatu - arched bow instrument Other string instruments * Gethu or Jhallari – struck tanpura * Gubguba or Jamuku (khamak) * Pulluvan kutam * Santoor – Hammered dulcimer Aerophones Single reed *Pepa *Pungi or Been Double reed * Kuzhal * Mukhavina * Nadaswaram * Shehnai * Sundari * Tangmuri Flute * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saraswati
Saraswati (, ), also spelled as Sarasvati, is one of the principal Devi, goddesses in Hinduism, revered as the goddess of knowledge, education, learning, arts, speech, poetry, music, purification, language and culture. Together with the goddesses Lakshmi and Parvati, she forms the trinity of chief goddesses, known as the Tridevi. Sarasvati is a pan-Indian deity, venerated not only in Hinduism but also in Jainism and Buddhism.Ludvik (2007), pp. 1, 11. She is one of the prominent goddesses in the Historical Vedic religion, Vedic tradition (1500 to 500 BCE) who retains her significance in later Hinduism. In the Vedas, her characteristics and attributes are closely connected with the Sarasvati River, making her one of the earliest examples of a Rivers in Hinduism, river goddess in Indian tradition. As a deity associated with a river, Sarasvati is revered for her dual abilities to purify and to nurture fertility. In later Vedic literature, particularly the Brahmanas, Sarasvati is i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalogus Catalogorum
Catalogus Catalogorum (Latin, "Catalog of Catalogs") is a list of all existing works written in the ancient Indian language varieties, including Sanskrit, and their authors, begun in 1891 by the German Indologist and Sanskritist Theodor Aufrecht. Theodor Aufrecht himself wrote a total of three volumes between 1891 and 1903. In November 1935, this work was resumed under the name New Catalogus Catalogorum at the suggestion of A. C. Woolner, the then vice-chancellor of the University of the Punjab, and with the support of the British government, and is now under the leadership of the University of Madras The University of Madras is a public university, public State university (India), state university in Chennai (Madras), Tamil Nadu, India. Established in 1857, it is one of the oldest and most prominent universities in India, incorporated by an .... Just two years later, a new edition of the Catalogus Catalogorum was published based on Aufrecht's work. In 1949, the first volu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
