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Salon Music
Salon music was a popular music genre in Europe during the 19th century. It was usually written for solo piano in the Romantic music, romantic style, and is often performed by the composer at events known as "Salon (gathering), Salons". Salon compositions are usually fairly short and often focus on virtuoso pianistic displays or emotional expression of a sentimental character. Common subgenres of salon music are the operatic paraphrase or fantasia, in which multiple themes from a popular opera are the basis of the composition, and the musical character-piece, which portrays in music a particular situation or narrative. Salon composers Many popular composers wrote at least a few pieces which fall into the category of salon music. Some pianists composed only salon music, but many of these specialists have become highly obscure. The following is a list of nineteenth- and early twentieth-century composers in whose work salon music was predominant. * Franz Behr * Carl Bohm * Mélanie Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Genre
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. Genre is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in numerous ways, sometimes broadly and with polarity, e.g., popular music as opposed to art music or folk music, or, as another example, religious music and secular music. Often, however, classification draws on the proliferation of derivative subgenres, fusion genres, and microgenres that has started to accrue, e.g., screamo, country pop, and mumble rap, respectively. The artistic nature of music means that these classifications are often subjective and controversial, and some may overlap. As genres evolve, novel music is sometimes lumped into existing categories. Definitions Douglass M. Green distinguishes between genre and Musical form, form in his book ''Form in Tonal Music''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse Hasselmans
Alphonse Jean Hasselmans (5 March 1845 – 19 May 1912) was a Belgium-born French harpist, composer, and pedagogue. Biography Hasselmans was born in Liège, Belgium. He studied initially at the Conservatory in Strasbourg, which was led since 1854 by his father Joseph Hasselmans (1814–1902). He continued his studies with Gottlieb Krüger (1824–1895) in Stuttgart and with Ange-Conrad Prumier (1820–1884) in Paris. He began his performing career in the orchestra of the Théâtre Royal de la Monnaie in Brussels. A series of eight solo concerts in Paris in 1877 resulted in contracts for performances as a soloist with several Paris orchestras. At the death of Prumier in 1884, Hasselsmans succeeded him as professor of harp at the Conservatoire de Paris where he had Caroline Luigini as assistant, a position he held until his sudden death in Paris at age 67. Hasselmans trained a generation of the most important French harpists of the 20th century, including Henriette Renié, Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph O'Kelly
Joseph O'Kelly (29 January 1828 – 9 January 1885), composer, pianist and choral conductor, was the most prominent member of a family of Irish musicians in 19th- and early 20th-century France. He wrote nine operas, four cantatas, numerous piano pieces and songs as well as a limited amount of chamber music. Life O'Kelly, the first child of the Dublin-born piano teacher Joseph Kelly (1804–1856) and his wife Marie Duval (1803–1889), was born as Joseph Toussaint Kelly on 29 January 1828 in Boulogne-sur-Mer. Of his four brothers, two also became notable musicians: the music publisher Auguste O'Kelly (1829–1900) and the composer and pianist George O'Kelly (1831–1914). Around 1835 the family moved to Paris, where they lived at various addresses in the Faubourg Poissonnière area of the 9th arrondissement. Joseph received his early musical training from his father. As a foreign national he was not allowed to attend the Paris Conservatoire, instead he continued his education ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Oberthür (composer)
Charles Oberthür (born as Carl Oberthür) (4 March 1819 – 8 November 1895) was a German harpist and composer active in Germany, Switzerland and England. Biography The son of a violin maker, Oberthür was born in Munich and studied the harp there with Elisa Brauchle and composition with Georg Valentin Röder (1776–1848), music director at the Bavarian court. He was successively employed at theatres in Zürich (1837), Wiesbaden (1839), and Mannheim (1842), before he settled in London in 1844, initially as harpist at the Royal Italian Opera House. In 1861, he became the first Professor of Harp at the Royal Academy of Music The Royal Academy of Music (RAM) in London, England, is one of the oldest music schools in the UK, founded in 1822 by John Fane and Nicolas-Charles Bochsa. It received its royal charter in 1830 from King George IV with the support of the firs ..., London. He died in London in 1895. Oberthür was the composer of over 450 works, most for or including the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moritz Moszkowski
Moritz Moszkowski (23 August 18544 March 1925) was a German-Polish composer, pianist, and teacher.Encyclopædia Britannica states that he was "German" born while other sources call him Jewish, for instance, Lewis Stevens in ''Composers of classical music of Jewish descent.'' His brother Alexander Moszkowski was a famous writer and satirist in Berlin. Ignacy Paderewski said: "After Chopin, Moszkowski best understands how to write for the piano, and his writing embraces the whole gamut of piano technique." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano in the Conservatory. Life Early life and career Moscheles was born 1794 in Prague, Bohemia, the son of Klara Popper (Lieben) and Joachim Moises Moscheles. He was from an affluent German-speaking Jewish merchant family. His first name was originally Isaac. His father played the guitar and was keen for one of his children to become a musician. Initially his hopes fixed on Ignaz's sister, but when she demurred, her piano lessons were transferred to her brother. Ignaz developed an early passion for the (then revolutionary) piano music of Beethoven, which the Mozartean Bedřich Diviš Weber, his teacher at the Prague Conservatory, attempted to curb, urging him to focus on Bach, Mozart and Muzio Clementi. After his father's early death, Moscheles sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanny Mendelssohn
Fanny Mendelssohn (14 November 1805 – 14 May 1847) was a German composer and pianist of the early Romantic era who was known as Fanny Hensel after her marriage. Her compositions include a string quartet, a piano trio, a piano quartet, an orchestral overture, four cantatas, more than 125 pieces for the piano and over 250 lieder, most of which were unpublished in her lifetime. Although lauded for her piano technique, she rarely gave public performances outside her family circle. She grew up in Berlin and received a thorough musical education from teachers including her mother, as well as the composers Ludwig Berger and Carl Friedrich Zelter. Her younger brother Felix Mendelssohn, also a composer and pianist, shared the same education and the two developed a close relationship. Owing to her family's reservations and to social conventions of the time about the roles of women, six of her songs were published under her brother's name in his Opus 8 and 9 collections. In 1829, sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic music, Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are ''Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the , in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, Drame lyrique, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Désiré Magnus
Désiré Magnus (né Magnus Deutz; 13 June 1828 – 17 December 1883) was a Belgian concert pianist, teacher and composer of salon music who published under the pseudonym D. Magnus. Biography Magnus was born in Brussels and studied piano with Georg Jacob Vollweiler (1770–1847) in Heidelberg and also at the Brussels Conservatory, receiving the First Prize in 1843.''A Biographical Dictionary of Musicians'', second edition (New York: Schirmer), 1905, p. 371.John Denison Champlin Jr.: ''Cyclopedia of Music and Musicians'', vol. 2 (New York: Charles Scribner's Sons, 1899), p. 504. After several successful concert tours in England, Germany, Russia, Spain and other countries, he settled in Paris, and quickly gained a reputation as pianist, teacher, composer, and music critic. Magnus' performance on the Steinway concert-grand piano at the Exhibition Universelle of 1867 inspired a lithograph by Amédée de Noé. He died in Paris. Selected works ;Opera * ''La Tolédane'' (Paris: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Lange
Gustav Lange (13 August 1830 – 20 July 1889) was a German composer known mainly for his melodious salon music for the piano. Life Lange was born in Schwerstedt, near Erfurt, Prussian Saxony, in 1830. He received initial musical training from his father on the piano and organ, followed by conservatory studies in piano, organ, thorough bass, and composition – probably at the Royal Institute for Church Music in Berlin. His teachers included August Wilhelm Bach, Eduard Grell, and Albert Löschhorn. He lived for many years in Berlin and died at Wernigerode in 1889. Music Encouraged by the success of some 1860s compositions, Lange produced a large number of works, most of which were light and popular piano pieces of which he wrote around 500. ''Edelweiss'' op. 31 and ''Blumenlied'' op. 39 (alternatively known as ''Flower Song'' in English) are perhaps two of his best-known works today. A contemporary English source says: "Many of these pieces are very pleasing and pretty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Lamothe
Marie Émile Georges Lamothe (1842 – 15 October 1894) was a prolific French composer, pianist and harmonium player. Apart from a large number of salon pieces for the piano, he was also known as an accompanist to popular theatrical performances including puppet plays. Career Lamothe was born in Paris in 1842, the exact date cannot be established. ''Baker's Dictionary'', which wrongly claims that he was born in 1837, also states that his work-list exceeded "over 1,000 op.-numbers". In contrast, the online catalogue of the French national library (Bibliothèque nationale de France), counts 503 entries under his name, which also includes arrangements of Lamothe's works by other composers. The highest opus number in this catalogue is 310, but many other works are listed without opus numbers, and around 15 to 20 opus numbers have been allocated two or three works. The exact quantity of works aside, he certainly was a very productive composer, with his first publications appearing in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théodore Lack
Théodore Lack (3 September 1846 – 25 November 1921) was a French pianist and composer. Life Born in Quimper, he studied under Antoine François Marmontel (pianoforte), Lefébure-Wély (composition) and François Bazin (harmony). He started teaching piano in Paris in 1863 and achieved acclaim as a piano pedagogue. A very precocious boy, he was appointed organist in his native town at the age of 10 and held this post until he entered the Paris Conservatory in 1860. He graduated in 1864 as winner of many prizes.Baker's Biographical dictionary of musicians 3rd edition 1919. The same year he was appointed teacher of pianoforte at the Conservatory. He published a piano method, for which he won Claude Debussy to contribute a piece, ''The Little Nigar''. He never left Paris after his admission to the Conservatory. From 1875 to 1905 he was a member of the committee on admission and of the jury of examinations. In 1881 he became an "Officier de l'Académie". He was known as represen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
