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Romanesca
Romanesca is a melodic-harmonic formula popular from the mid–16th to early–17th centuries that was used as an aria formula for singing poetry and as a subject for instrumental variation. The pattern, which is found in an endless collection of compositions labeled ''romanesca'', perhaps from northern-central Italy, is a descending descant formula within a chordal progression that has a bass which moves by 4ths. The formula was not to be viewed as a fixed tune, but as a framework over which elaborate ornamentation can occur.Gerbino, Giuseppe. (2001). Romanesca. In John Tyrrell and Stanley Sadie (Eds.), The New Grove Dictionary of music and musicians (2nd ed., Vol. 21, pp. 577-578). New York: Grove It was most popular with Italian and Spanish composers of the Renaissance and early Baroque period. It was also used by vihuelistas including Luis de Narváez, Alonso Mudarra, Enríquez de Valderrábano, and Diego Pisador. Origins Scholars are uncertain of the precise origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greensleeves
"Greensleeves" is a traditional English folk song. A broadside ballad by the name "A Newe Northen Dittye of ye Ladye Greene Sleves" was registered by Richard Jones at the London Stationers' Company in September 1580,Frank Kidson, ''English Folk-Song and Dance''. READ BOOKS, 2008, p.26. John M. Ward, "'And Who But Ladie Greensleeues?'", in ''The Well Enchanting Skill: Music, Poetry, and Drama in the Culture of the Renaissance: Essays in Honour of F. W. Sternfeld'', edited by John Caldwell, Edward Olleson, and Susan Wollenberg, 181–211 (Oxford:Clarendon Press; New York: Oxford University Press, 1990): 181. . and the tune is found in several late 16th-century and early 17th-century sources, such as ''Ballet's MS Lute Book'' and '' Het Luitboek van Thysius'', as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge. Origin A broadside ballad by this name was registered at the London Stationer's Company in September 1580, by Ric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passamezzo Antico
The passamezzo antico is a ground bass or chord progression that was popular during the Italian Renaissance and known throughout Europe in the 16th century.Peter van der Merwe (musicologist), van der Merwe, Peter. 1989. ''Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music'', p.207. Oxford: Clarendon Press. . The progression is a variant of the double tonic: its major mode variant is known as the passamezzo moderno. The sequence consists of two phrase (music), phrases as follows: ''(For an explanation of this notation see Chord progression)'' Though usually in the key of G minor, in the key of A minor this gives: The romanesca is a variant of the passamezzo antico, where the first chord is the III (e.g., a C major chord in A minor). A famous example is "Greensleeves". The passamezzo antico chord changes are found, knowingly or not, in modern popular music culture: Carrie Underwood's debut album ''Some Hearts (Carrie Underwood album), Some Hearts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string instrument, string player. A composer of both Secular music, secular and Church music, sacred music, and a pioneer in the Origins of opera, development of opera, he is considered a crucial Transition from Renaissance to Baroque in instrumental music, transitional figure between the Renaissance music, Renaissance and Baroque music, Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of St Mark's Basilica, San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of List of compositions by Claudio Monteverdi, Monteve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesco Dialect
Romanesco () is one of the Central Italian dialects spoken in the Metropolitan City of Rome Capital, especially in the core city. It is linguistically close to Tuscan and Standard Italian, with some notable differences from these two. Rich in vivid expressions and sayings, Romanesco is used in a typical diglossic setting, mainly for informal/colloquial communication, with code-switching and translanguaging with the standard language. History First traces The vernacular language of Rome, of which the short Commodilla catacomb inscription () might be considered the earliest attestation, is believed to have been regarded as low-prestige, as can be seen in the 11th-century Saint Clement and Sisinnius inscription, featuring a dialogue wherein the saint is given higher moral ground by juxtaposing his liturgical language with the common speech employed by Sisinnius and his servants. Old Romanesco The 13th century saw the first works of literature written in Roman vernacular, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Note
In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice (the note furthest in the bass.) Three situations are possible: # The bass note is the root or fundamental of the chord. The chord is in root position. # One of the other pitches of the chord is in the bass. This makes it an inverted chord # The bass note is ''not'' one of the notes in the chord. Such a bass note is an additional note, coloring the chord above it. Such a chord is also called a slash chord. In pre- tonal theory (Early music Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750) or Ancient music (before 500 AD). Originating in Europe, early music is a broad Dates of classical ...), root notes were not considered and thus the bass was the most defining note of a sonority. See: thoroughbass. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred
Sacred describes something that is dedicated or set apart for the service or worship of a deity; is considered worthy of spiritual respect or devotion; or inspires awe or reverence among believers. The property is often ascribed to objects (a " sacred artifact" that is venerated and blessed), or places (" sacred ground"). French sociologist Émile Durkheim considered the dichotomy between the sacred and the profane to be the central characteristic of religion: "religion is a unified system of beliefs and practices relative to ''sacred things'', that is to say, things set apart and forbidden." Durkheim, Émile. 1915. '' The Elementary Forms of the Religious Life''. London: George Allen & Unwin. . In Durkheim's theory, the sacred represents the interests of the group, especially unity, which are embodied in sacred group symbols, or using team work to help get out of trouble. The profane, on the other hand, involve mundane individual concerns. Etymology The word ''sacred' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or Part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a Musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coherence, cadence (music), cadence, and shape. Function and elements Johann Philipp Kirnberger arg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant (music)
In music Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all hum ..., the dominant is the fifth degree (music), scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic (music), tonic. In the Solfège#Movable do solf%C3%A8ge, movable do solfège system, the dominant note is sung as "So(l)". The Triad (music), triad built on the dominant note is called the dominant chord. This chord is said to have dominant Function (music), function, which means that it creates an instability that requires the tonic (music), tonic for resolution (music), resolution. Dominant triads, Seventh chord, seventh chords, and Ninth chord, ninth chords typically have dominant function. Leading-tone triad, Leading-tone triads and Leadin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "" if it is major and by "" if it is minor. These chords may also appear as seventh chords: in major, as M7, or in minor as 7 or rarely M7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subtonic
In music, the subtonic is the degree of a musical scale which is a major second, whole step below the tonic (music), tonic note. In a major key, it is a lowered, or flattened, seventh Degree (music), scale degree (). It appears as the seventh scale degree in the Natural minor scale, natural minor and Descending melodic minor scale, descending melodic minor scales but not in the major scale. In major keys, the subtonic sometimes appears in Borrowed chord, borrowed chords. In the Solfège#Movable do solf%C3%A8ge, movable do solfège system, the subtonic note is sung as ''te'' (or ''ta''). The subtonic can be contrasted with the leading-note, leading note, which is a minor second, ''half step'' below the tonic. The distinction between leading note and subtonic has been made by theorists since at least the second quarter of the 20th century. Before that, the term ''subtonic'' often referred to the leading tone triad, for example. The word ''subtonic'' is also used as an English transl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mediant
In music, the mediant (''Latin'': "being in the middle") is the third scale degree () of a diatonic scale, being the note halfway between the tonic and the dominant.Benward & Saker (2003), p.32. In the movable do solfège system, the mediant note is sung as ''mi''. While the fifth scale degree is almost always a perfect fifth, the mediant can be a major or minor third. Schenkerian analysts consider the ''mediant'' (third scale degree) as an expansion or extension of the tonic since they are both common tones of the tonic chord. Thus, the third degree of a tonic triad is also the mediant iii note; furthermore, the 5th degree of the submediant chord vi is also the mediant iii note. On the other hand, in German theory derived from Hugo Riemann the mediant in major is considered the dominant parallel, Dp, and in minor the tonic parallel, tP. In Roman numeral analysis, the mediant chord can take several forms. In major scales, the mediant chord is a minor triad and is symboli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
