|
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and ballroom dance, dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga (music), conga and Cuban rumba, rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music (genre), Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor Talking Machine Company, Victor, be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Xavier Cugat
Xavier Cugat (; ; 1 January 1900 – 27 October 1990) was an American musician and bandleader who was a leading figure in the spread of Latin music. Originally from Girona, Spain, he spent his formative years in Havana, Cuba, before arriving in New York City in 1915. A trained violinist and arranger, he was the leader of the resident orchestra at the Waldorf–Astoria before and after World War II. Also a restaurateur in West Hollywood, he and his band appeared in numerous motion pictures in the 1930s and 1940s. He was also a cartoonist. The personal papers of Xavier Cugat are preserved in the Library of Catalonia. Life and career Cugat was born Francisco de Asís Javier Cugat Mingall de Bru y DeulofeuXavier Cugat official webpage xaviercugat.com; accessed 8 November 2015. in |
Lecuona Cuban Boys
The Lecuona Cuban Boys (Spanish: ''Muchachos cubanos de Lecuona'') was a popular Cuban orchestra which toured the world for over forty years. The band was founded by Ernesto Lecuona, whose role was that of a patron-entrepreneur. He did not actually play with the band, but sometimes gave a piano recital before the band played. The core of the band was put together in 1931 as ''Orquesta Encanto''; the band changed name early in 1934. On tour in Europe, in 1934, Lecuona returned to Cuba, and Armando Oréfiche took charge of the band in Europe. Ernesto gave them the gift of his name, which, at the time, was a property well worth having, and the right to use a number of his compositions. The LCB was exceptionally strong in arrangements, compositions and instrumental quality (most of them could play two or three instruments). Their only weak spot was the lack of a really first-rate Cuban singer, but that was not so important as might seem because they played so often to non-Latin audien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Boleros
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Ballroom Dance
Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television. ''Ballroom dance'' may refer, at its widest definition, to almost any recreational dance with a partner. However, with the emergence of dance competition (now known as Dancesport), two principal schools have emerged and the term is used more narrowly to refer to the dances recognized by those schools. The International School, originally developed in EnglandFranks A.H. 1963. ''Social dance: a short history''. Routledge & Kegan Paul, London. and now regulated by the World Dance Council (WDC) and the World DanceSport Federation (WDSF), is most prevalent in Europe. It encompasses two categories, Standard and Latin, each of which consist of five dances—International Waltz, International Tango, International Viennese Waltz, Intern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
El Manisero
"El manisero", known in English as "The Peanut Vendor", is a Cuban son-pregón (street vendor's cry) composed by Moisés Simons. The song has been recorded more than 200 times,Listed in Díaz Ayala, Cristóbal 1988. ''Si te quieres por el pico divertir: historia del pregón musical latinoamericano''. Cubanacan, San Juan P.R. p317–322. airly complete up to 1988/ref> Sales of its sheet music topped 1 million, and it also was the first million-selling 78 rpm recording of Cuban music in the U.S.< "The Peanut Vendor" was inducted into the Latin Grammy Hall of Fame in 2001 and was added to the 's |
Latin Music (genre)
Latin music ( Portuguese and ) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America, which encompasses Latin America, Spain, Portugal, and the Latino population in Canada and the United States, as well as music that is sung in either Spanish and/or Portuguese. It may also include music from other territories where Spanish- and Portuguese-language music is made. Terminology and categorization Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean. The popularization of bossa nova and Herb Alpert's Mexican-influenced sounds in the 1960s did little to change the perceived image of Latin music. In 1969, the first international organization which attempted to define Latin music was the Festival Mundial de la Canción Latina which included Spanish, Portuguese, French, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Rumba Dance Pattern
The term rumba may refer to a variety of unrelated music styles. Originally, "rumba" was used as a synonym for "party" in northern Cuba, and by the late 19th century it was used to denote the complex of secular music styles known as Cuban rumba. Since the early 20th century the term has been used in different countries to refer to distinct styles of music and dance, most of which are only tangentially related to the original Cuban rumba, if at all. The vague etymological origin of the term rumba, as well as its interchangeable use with guaracha in settings such as bufo theatre, is largely responsible for such worldwide polysemy of the term. In addition, "rumba" was the primary marketing term for Cuban music in North America, as well as West and Central Africa, during much of the 20th century, before the rise of mambo, pachanga and salsa. "Rumba" entered the English lexicon in the early 20th century, at least as early as 1919, and by 1935 it was used as a verb to denote the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Armando Oréfiche
Armando Oréfiche (Havana, Cuba 5 June 1911 – Las Palmas de Gran Canaria, December 2000) was a Cuban composer and pianist in the mid-20th century. Oréfiche was one of many artists who played with the Lecuona Cuban Boys between 1935 and 1938. Oréfiche led the Armando Oréfiche and his Havana Cuban Boys band, a ballroom rumba band, until the 1980s when they dissolved. Oréfiche subsequently took a position as pianist at the five-star Hotel Reina Isabel of Las Palmas Las Palmas (, ; ), officially Las Palmas de Gran Canaria, is a Spanish city and capital of Gran Canaria, in the Canary Islands, in the Atlantic Ocean. It is the capital city of the Canary Islands (jointly with Santa Cruz de Tenerife) and the m ... de Gran Canaria. References Cuban bandleaders Cuban male composers Rhumba musicians 1911 births 2000 deaths 20th-century Cuban pianists 20th-century Cuban composers Musicians from Havana Cuban male musicians {{Cuba-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Jimmy Dorsey
James Francis Dorsey (February 29, 1904 – June 12, 1957) was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards " I'm Glad There Is You (In This World of Ordinary People)" and " It's the Dreamer in Me". His other major recordings were "Tailspin", " John Silver", " So Many Times", " Amapola", "Brazil ( Aquarela do Brasil)", " Pennies from Heaven" with Bing Crosby, Louis Armstrong, and Frances Langford, "Grand Central Getaway", and " So Rare". He played clarinet on the seminal jazz standards " Singin' the Blues" in 1927 and the original 1930 recording of "Georgia on My Mind", which were inducted into the Grammy Hall of Fame. Early life Jimmy Dorsey was born on Leap Day 1904 in Shenandoah, Pennsylvania, United States, the first son of Theresa Langton Dorsey and Thomas Francis Dorsey. His father, Thomas, was initially a coal miner, but would later become a music teacher and marching-band director. Both Jimmy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Antonio Machín
Antonio Abad Lugo Machín (11 February 1903, in Sagua la Grande, Cuba – 4 August 1977, in Madrid, Spain) was a Spanish-Cuban singer and musician. His version of ''El Manisero'', recorded in New York, 1930, with Don Azpiazú's orchestra, was the first million record seller for a Cuban artist. Although this was labelled a rhumba, it was in reality a son pregón, namely, a song based on a street-seller's cry. Biography Machín was a mixed-race son of a Cuban woman, Leoncia Machín, and a Spanish father, José Lugo Padrón, who emigrated to Cuba from Galicia, Spain. Machín was one of sixteen children. His early years were difficult: he was forced to work at the age of eight to help pay some of his father's numerous debts. One day, he was in the street by his house singing quietly. A priest that walked by heard him and immediately encouraged him to sing at a party. He sang '' Ave María'' by Schubert. From that day on Machín was determined to become a singer. Machín's ambition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Conga (music)
The term conga refers to the music groups within Cuban comparsas and the music they play. Comparsas are large ensembles of musicians, singers and dancers with a specific costume and choreography which perform in the street carnivals of Santiago de Cuba, Camaguey, and Havana.Millet, José and Brea Rafael 1989. Del carnival santiaguero: congas y paseos. In Oscar Ruiz Miyares (ed) ''Guía cultural de Santiago de Cuba''. The instrumentation differs between ''congas santiagueras'' and ''congas habaneras''. ''Congas santiagueras'' include the ''Trompeta china, corneta china'' (Chinese cornet), which is an adaptation of the Cantonese suona introduced in Oriente Province, Oriente in 1915, and its percussion section comprises bocúes (similar to African ashiko drums), the quinto (drum), quinto (highest pitched conga drum), galletas and the pilón, as well as brakes which are struck with metal sticks. ''Congas habaneras'' lack the ''corneta china'' but include trumpets, trombones and saxoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Enric Madriguera
Enric R. Madriguera (17 February 1902 – 7 September 1973) was a violinist of Catalan people, Catalan origin who was playing concerts as a child before he studied at the Barcelona Conservatory (the Castilian Spanish, Castilian form of his name is Enrique, which he sometimes used on records). Biography Madriguera was born in Barcelona, Spain. His sister was pianist Paquita Madriguera, the second wife of Andres Segovia. Whilst still in his twenties, Madriguera was lead violinist at Boston's Symphony orchestras, before becoming the conductor of the Cuban Philharmonic. In the late 1920s, Madriguera played in Ben Selvin's studio orchestra at Columbia Records in New York City, New York, and served briefly as that company's director of Latin music recording. In 1932, Madriguera began his own orchestra at the New York Bilt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
