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Recording Studio As An Instrument
In music production, the recording studio is often treated as a musical instrument when it plays a significant role in the music composition, composition of music. Sometimes called "playing the studio", the approach is typically embodied by artists or producers who favor the creative use of studio technology in record production, as opposed to simply documenting live performances in studio. Techniques include the incorporation of noise in music, non-musical sounds, overdubbing, magnetic tape, tape edits, sound synthesis, Audio_signal_processing#Audio_effects, audio signal processing, and combining segmented performances (Take#Music_recording, takes) into a unified whole. Composers have exploited the potential of multitrack recording from the time the technology was first introduced. Before the late 1940s, musical recordings were typically created with the idea of presenting a faithful rendition of a real-life performance. Following the advent of three-track tape recorders in the m ...
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Studer J37 4-track Tape Recorder (1964-1972), Abbey Road Studios
Studer is a designer and manufacturer of professional audio equipment for recording studios and broadcasters. The company was founded in Zürich, Switzerland, in 1948 by Willi Studer. It initially became known in the 1950s for its professional tape recorders. In the 1990s the company moved into the manufacture of mixing consoles. Management, sales, engineering, R&D and customer service were based in Regensdorf, Switzerland, until owners Harman International Industries closed down the Swiss entity in March 2018 transferring the now decentralized operation to China, Hungary, and the US. Manufacturing, marketing, and customer support were part of the Soundcraft facility in Potters Bar, England until Harman closed the Potters Bar facility in June 2016 and moved manufacturing and customer support to Hungary. Studer was a subsidiary of Harman International Industries. On February 9, 2021, Evertz Microsystems acquired the Studer audio brand from Harman. History Willi Studer began ...
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Brian Eno
Brian Peter George Jean-Baptiste de la Salle Eno (, born 15 May 1948), also mononymously known as Eno, is an English musician, songwriter, record producer, visual artist, and activist. He is best known for his pioneering contributions to ambient music and electronica, and for producing, recording, and writing works in rock music, rock and pop music. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music. Born in Suffolk, Eno studied painting and experimental music at the art school of Ipswich Civic College in the mid-1960s, and then at Winchester School of Art. He joined the glam rock group Roxy Music as its synthesiser player in 1971 and recorded two albums with them before departing in 1973. He then released solo albums, beginning with ''He ...
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Tom Dowd
Thomas John Dowd (October 20, 1925 – October 27, 2002) was an American recording engineer and producer for Atlantic Records. He was credited with innovating the multitrack recording method. Dowd worked on a veritable "who's who" of recordings that encompassed blues, jazz, pop, rock, and soul records. Career Early years Born in Manhattan, New York City, Dowd grew up playing piano, tuba, violin, and string bass. His mother was an opera singer and his father was a concertmaster. Dowd graduated from Stuyvesant High School in June 1942 at the age of 16. He continued his musical education at City College of New York. Dowd also played in a band at New York's Columbia University, where he became a conductor. He was also employed at the physics laboratory of Columbia University. Military work At age 18, Dowd was drafted into the military with the rank of sergeant. He continued his work in physics at Columbia University. He worked on the Manhattan Project, which developed ...
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Les Paul
Lester William Polsfuss (June 9, 1915 – August 12, 2009), known as Les Paul, was an American jazz guitarist, jazz, country guitarist, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid body, solid-body electric guitar, and his prototype, called the Log, served as inspiration for the Gibson Les Paul. Paul taught himself how to play guitar, and while he is mainly known for jazz and popular music, he had an early career in country music. In the 1950s, he and his wife, singer and guitarist Mary Ford, made numerous recordings, selling millions of copies. Paul is credited with many recording innovations. His early experiments with overdubbing (also known as History of sound recording#Electrical recording, sound on sound), Delay (audio effect), delay effects such as tape delay, Phaser (effect), phasing, and multitrack recording were among the first to attract widespread attention. His Lick (music), licks, Trill (music), trills, cho ...
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Bill Putnam
Milton Tasker "Bill" Putnam (February 20, 1920 – April 13, 1989) was an American audio engineer, songwriter, producer, studio designer, and businessman. He has been described as "the father of modern recording". He was the inventor of the modern recording console and is recognized as having been a key figure in the development of the postwar commercial recording industry. Former colleague Bruce Swedien described Putnam's achievements: :"Bill Putnam was the father of recording as we know it today. The processes and designs which we take for granted — the design of modern recording desks, the way components are laid out and the way they function, console design, cue sends, multitrack switching — they all originated in Bill's imagination." Early life and education Bill Putnam was born on February 20, 1920 in Danville, Illinois. Putnam's father owned several business enterprises related to the coal mining business and also ran a radio program at WDZ in Tuscola, Illinois. Whi ...
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Hip-hop Music
Hip-hop or hip hop (originally disco rap) is a popular music Music genre, genre that emerged in the early 1970s from the African Americans, African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip-hop includes rapping often enough that the terms can be used synonymously. However, "hip-hop" more properly denotes an entire hip-hop culture, subculture. Other key markers of the genre are the disc jockey, turntablism, scratching, beatboxing, and hip hop production, instrumental tracks. Cultural interchange has always been central to the hip-hop genre. It simultaneously borrows from its social environment while commenting on it. The hip-hop genre and culture emerged from block parties in ethnic minority neighborhoods of New York City, particularly The Bronx, Bronx. DJs began expanding the instrumental Break (music), breaks of popular records when they noticed how excited it would make the crowds. The extend ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom.S. Frith, W. Straw, and J. Street, eds, ''iarchive:cambridgecompani00frit, The Cambridge Companion to Pop and Rock'' (Cambridge: Cambridge University Press), , pp. 95–105. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock music, Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, wikt:ephemeral, ephemeral, and accessible. Identifying factors of pop music usually include repeated choruses and Hook (music), hooks, short to medium-length songs written in a basic format (often the verse–chorus form, verse–chorus structure), and rhythms or tempos that can be easily danced to. Much of pop music also borrows elements from other styles such as rock, hip hop, urban contemporary, ...
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The Tornados
The Tornados were an English instrumental rock group of the 1960s that acted as backing group for many of record producer Joe Meek's productions and also for singer Billy Fury. They enjoyed several chart hits in their own right, including the UK and US no. 1 "Telstar" (named after the satellite and composed and produced by Meek), the first US no. 1 single by a British group. History The Tornados were formed in 1961 as a session band for Joe Meek, although the name did not come until early 1962. In 1961 they provided the instrumentals for the film short ''The Johnny Leyton Touch'', including a jazzed up version of "Taboo", originally by Margarita Lecuona. From January 1962 to August 1963, the Tornados were the backing band for Billy Fury (as well as recording and performing as an act in their own right); they toured and recorded with Fury as the Tornados. Their recordings with Fury were produced by Mike Smith and Ivor Raymonde. The Tornados made a scopitone film (an ea ...
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Joe Meek
Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer and songwriter considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Meek pioneered space age and experimental pop music, and assisted in the development of recording practices like overdubbing, sampling and reverberation. Charting singles Meek produced for other artists include " Johnny Remember Me" ( John Leyton, 1961), " Just Like Eddie" (Heinz, 1963), "Angela Jones" ( Michael Cox, 1960), " Have I the Right?" ( the Honeycombs, 1964), and " Tribute to Buddy Holly" ( Mike Berry, 1961). The Tornados' instrumental "Telstar" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five weeks at number one in t ...
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Wall Of Sound
The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as " the Wrecking Crew". The intention was to exploit the possibilities of studio recording to create an unusually dense orchestral aesthetic that came across well through radios and jukeboxes of the era. Spector explained in 1964: "I was looking for a sound, a sound so strong that if the material was not the greatest, the sound would carry the record. It was a case of augmenting, augmenting. It all fit together like a jigsaw." A popular misconception holds that the Wall of Sound was created simply through a maximum of noise and distortion, but the method was actually far more nuanced. To attain the Wall of Sound, Spector's arrangements called for large ensembles (including some instruments not generally used for en ...
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Phil Spector
Harvey Phillip Spector (December 26, 1939 – January 16, 2021) was an American record producer and songwriter who is best known for pioneering recording practices in the 1960s, followed by his trials and conviction for murder in the 2000s. Spector developed the Wall of Sound, a production technique involving a densely texture (music), textured sound created through layering tone colors, resulting in a compression (music), compression and chorus (effect), chorusing effect not replicable through electronic means. Considered the first ''auteur'' of the music industry, he is widely regarded as one of the most influential figures in pop music history and one of the most successful producers of the 1960s. Born in the Bronx, Spector relocated to Los Angeles as a teenager and co-founded the Teddy Bears in 1958, writing their chart-topping single "To Know Him Is to Love Him". Mentored by Jerry Leiber and Mike Stoller, by 1960, he co-established Philles Records, becoming the youngest U ...
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Reverberation
In acoustics, reverberation (commonly shortened to reverb) is a persistence of sound after it is produced. It is often created when a sound is reflection (physics), reflected on surfaces, causing multiple reflections that build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 millisecond, ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. ...
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