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Prelude And Fugue
{{Unreferenced, date=June 2019, bot=noref (GreenC bot) A prelude and fugue is a musical form generally consisting of two Movement (music), movements in the same key for solo keyboard music, keyboard. In classical music, the combination of Prelude (music), prelude and fugue is one with a long history. Many composers have written works of this kind. The use of this format is generally inspired by Johann Sebastian Bach's two books of preludes and fugues — ''The Well-Tempered Clavier'' — completed in 1722 and 1742 respectively. Bach, however, was not the first to compose such a set: Johann Caspar Ferdinand Fischer wrote a 20-key cycle in his 1702 work ''Ariadne musica''. A number of composers wrote sets of pieces covering Music written in all major and/or minor keys, all 24 major and/or minor keys. Many of these have been sets of 24 preludes and fugues, or 24 preludes. The first movement may be alternatively titled, resulting in a Fantasia and Fugue (other), Fantasy and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section (music), section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude And Fugue In E Minor, BWV 548
Prelude and Fugue in E minor, BWV 548 is a piece of organ music written by Johann Sebastian Bach sometime between 1727 and 1736, during his time in Leipzig. The work is sometimes called "The Wedge" due to the chromatic outward motion of the fugue theme. Unlike most other organ preludes and fugues of Bach, the autograph fair copy of the score survives, though the handwriting changes twenty two measures into the fugue to the hand of Johann Peter Kellner,Williams 1980, 164. a likely pupil and acquaintance of Bach who played an important role in the copying of his manuscripts. Because of the work's immense scope, it has been referred to as "a two-movement symphony" for the organ.Williams 2003, 119. History The autograph manuscript, along with that of the Prelude and Fugue in B minor, BWV 544, which is believed to have been written around the same time, share the same watermark and style of handwriting, which points to a composition period of 1727-1731. It has been suggested by Christop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hindemith
Paul Hindemith ( ; ; 16 November 189528 December 1963) was a German and American composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (New Objectivity) style of music in the 1920s, with compositions such as ''Kammermusik (Hindemith), Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), Das Unaufhörliche (1931), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler (opera), Mathis der Maler'' (1938), the ''Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd (Hindemith), When Lilacs Last in the Dooryard Bloom'd'' (1946), a requiem based on When Lilacs Last in the Dooryard Bloom'd, Walt Whitman's poem. Hindem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introduktion, Passacaglia Und Fuge
Introduction, Passacaglia and Fugue (German: ) in E minor, Op. 127, is an extended composition for organ by Max Reger, composed in 1913 and dedicated to Karl Straube who played the premiere in Breslau on 24 September. It was published in November that year in Berlin by Bote & Bock. History Reger composed the work in Meiningen, Thuringia, Germany in April and May 1913. He wrote the organ piece with the intent for it to be performed for organ concerts, rather than for church services, called "in grand style" ("ganz großen Stils"). Reger composed the work on a commission for the opening celebrations of a new concert hall in Breslau, the Centennial Hall (''Jahrhunderthalle''). Reger revived organ concert music which had become unfashionable. In Karl Straube, he had an organist and friend who was able to play technically difficult music, and to influence the composition. The markings for expression are believed to have been influenced by Straube. Reger dedicated the work to Str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and a music director at the court of George II, Duke of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic family moved to Weiden in der Oberpfalz, Weid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Franck
César Auguste Jean Guillaume Hubert Franck (; 10 December 1822 – 8 November 1890) was a French Romantic music, Romantic composer, pianist, organist, and music teacher born in present-day Belgium. He was born in Liège (which at the time of his birth was part of the United Kingdom of the Netherlands). He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha. After a brief return to Belgium, and a disastrous reception of an early oratorio ''Ruth'', he moved to Paris, where he married and embarked on a career as teacher and organist. He gained a reputation as a formidable musical improviser, and travelled widely within France to demonstrate new instruments built by Aristide Cavaillé-Coll. In 1859, he became titular organist at the church Basilica of St. Clotilde, Paris, Sainte-Clotilde, a position he retained for the rest of his life. He became professor at the Conservatoire de Paris, Paris Conservatoire in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasy And Fugue On The Theme B-A-C-H
Fantasie und Fuge über das Thema B-A-C-H (also in the first version known as ''Präludium und Fuge über das Motiv B-A-C-H''), title in English: ''Fantasy and Fugue on the Theme B-A-C-H'') ( S.260i/ii st/2nd version S.529i/ii iano arrangement of 1st/2nd version is an organ fantasy on the BACH motif composed by Franz Liszt in 1855, later revised in 1870. Both versions were transcribed for solo piano by the composer. The piece was dedicated to Alexander Winterberger (who also played it on the premiere, 13 May 1856) and published by Breitkopf & Härtel in 1856. It is, along with the Fantasy and Fugue on the chorale Ad nos, ad salutarem undam, one of Liszt's most famous organ works. It was composed for the consecration of the Ladegast organ in the Merseburg Cathedral. The piece is a recurring piece in the organ repertory and is frequently performed. External links * Compositions by Franz Liszt Compositions for organ 1870 compositions Fugues Liszt Franz Liszt (22 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasy And Fugue On The Chorale Ad Nos Ad Salutarem Undam
Fantasy is a genre of speculative fiction that involves supernatural or magical elements, often including imaginary places and creatures. The genre's roots lie in oral traditions, which later became fantasy literature and drama. From the twentieth century onward, it has expanded into various media, including film, television, graphic novels, manga, animation, and video games. The expression ''fantastic literature'' is often used for this genre by Anglophone literary critics. An archaic spelling for the term is ''phantasy''. Fantasy is generally distinguished from the genres of science fiction and horror by an absence of scientific or macabre themes, although these can occur in fantasy. In popular culture, the fantasy genre predominantly features settings that reflect the actual Earth, but with some sense of otherness. Characteristics Many works of fantasy use magic or other supernatural elements as a main plot element, theme, or setting. Magic, magic practitioners ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preludes And Fugues, Op
Prelude may refer to: Music *Prelude (music), a musical form * Prelude (band), an English-based folk band * Prelude Records (record label), a former New York-based dance independent record label *Chorale prelude, a short liturgical composition for organ using a chorale as its basis Albums and songs * ''Prelude'' (Jack McDuff album), a 1963 album by jazz organist Brother Jack McDuff * ''Prelude'' (Deodato album), a 1973 album by Eumir Deodato * ''Prelude'' (The Moody Blues album), a 1987 album by The Moody Blues * ''Prelude'' (EP), a 2017 EP by April *''Prelude'', a 2021 EP by Lauren Jauregui *"Prelude", a song by Flobots from '' Flobots Present... Platypus'' *"Prelude", a song by Hieroglyphics from '' Full Circle'' *"Prelude", an instrumental by Kate Bush from '' Aerial'' *"Prelude", a song by Killswitch Engage from ''Killswitch Engage'' (2000 album) *"Prelude", a song by the Oh Hellos from '' Dear Wormwood'' *"Prelude", a song by Pete Townshend from '' All the Best Cowboys Have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions include symphony, symphonies, concertos, piano music, organ music and chamber music. His best-known works include the Overture#Concert overture, overture and incidental music for ''A Midsummer Night's Dream (Mendelssohn), A Midsummer Night's Dream'' (which includes his "Wedding March (Mendelssohn), Wedding March"), the ''Symphony No. 4 (Mendelssohn), Italian'' and ''Symphony No. 3 (Mendelssohn), Scottish'' Symphonies, the oratorios ''St. Paul (oratorio), St. Paul'' and ''Elijah (oratorio), Elijah'', the ''The Hebrides (overture), Hebrides'' Overture, the mature Violin Concerto (Mendelssohn), Violin Concerto, the Octet (Mendelssohn), String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's ''Songs W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adagio And Fugue In C Minor (Mozart)
The Adagio and Fugue in C minor, K. 546, is a composition by Wolfgang Amadeus Mozart for strings. Mozart entered it into his own work catalogue on 26 June 1788 in Vienna as "A short Adagio for two violins, viola and bass, for a fugue which I wrote some time ago for two Pianos".Ferguson (1999) pp. 11–12. The fugue in question was the two piano fugue in C minor, K. 426, written in December 1783. Form The work is in two sections: # Adagio # Fuga (Allegro) The 52-bar ''Adagio'' has a very ominous and foreboding tone; musicologist Robert D. Levin said: "Angular outbursts alternate with an unearthly hush; its suggestions of violence and mysticism make the ensuing geometry of the fugue seem a relief". The adagio section is notated in time, and the fugue is written as an Allegro common time. Composition The reason for the work's composition remains a mystery, as there is no known commission for it. One theory is that it was composed on a suggestion by F. A. Hoffmeister, who origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
