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Pulp Era Of Science Fiction
In the history of science fiction, the pulp era (occasionally pulp age) is a period subject to various definitions. It is commonly held to have begun in 1926, the year the first science fiction magazine—Hugo Gernsback's ''Amazing Stories''—was launched. The end point is usually placed in the 1950s, when the pulp magazines ceased publication. Various largely similar definitions exist that differ by a few years in either direction at the beginning or end of the period, though there are some outliers—by the broadest definition the era began in 1896 with the first (albeit genre-nonspecific) pulp magazine '' Argosy'', and by the narrowest it ended in 1937 with the onset of the Golden Age of Science Fiction. Background The first pulp magazine appeared in 1896 when Frank Munsey changed the format of '' Argosy'' and started printing it on pulp paper. ''Argosy'' and the magazines that followed in its wake carried general fiction, including science fiction; the first science ficti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of US Science Fiction And Fantasy Magazines To 1950
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as '' Argosy'', but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out ''Detective Story Magazine''. The first magazine to focus solely on fantasy and horror was ''Weird Tales'', which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 ''Weird Tales'' was joined by ''Amazing Stories'', published by Hugo Gernsback; ''Amazing'' printed only science fiction, and no fantasy. Gernsback included a letter column in ''Amazing Stories'', and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crime Fiction
Crime fiction, detective story, murder mystery, crime novel, mystery novel, and police novel are terms used to describe narratives or fiction that centre on criminal acts and especially on the investigation, either by an amateur or a professional detective, of a crime, often a murder. Most crime drama focuses on criminal investigation and does not feature the courtroom. Suspense and Mystery fiction, mystery are key elements that are nearly ubiquitous to the genre. It is usually distinguished from mainstream fiction and other genres such as historical fiction and science fiction, but the boundaries are indistinct. Crime fiction has several subgenres, including detective fiction (such as the whodunit), courtroom drama, hardboiled, hard-boiled fiction, and legal thrillers. History Proto-science and crime fictions have been composed across history, and in this category can be placed texts as varied as the Epic of Gilgamesh from Mesopotamia, the Mahabharata from History of India, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Verne
Jules Gabriel Verne (;''Longman Pronunciation Dictionary''. ; 8 February 1828 – 24 March 1905) was a French novelist, poet and playwright. His collaboration with the publisher Pierre-Jules Hetzel led to the creation of the ''Voyages extraordinaires'', a series of bestselling adventure novels including ''Journey to the Center of the Earth'' (1864), ''Twenty Thousand Leagues Under the Seas'' (1870), and ''Around the World in Eighty Days'' (1872). His novels are generally set in the second half of the 19th century, taking into account contemporary scientific knowledge and the technological advances of the time. In addition to his novels, he wrote numerous plays, short stories, autobiographical accounts, poetry, songs, and scientific, artistic and literary studies. His work has been adapted for film and television since the beginning of cinema, as well as for comic books, theater, opera, music and video games. Verne is considered to be an important author in France and most of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria, as in literary genres, film genres, music genres, comics genres, etc. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. The proper use of a specific genre is important for a successful transfer of information ( media-adequacy). Critical discussion of genre perhaps began with a classification system for ancient Greek literature, as set out in Aristotle' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astounding Stories Of Super-Science
''Analog Science Fiction and Fact'' is an American science fiction magazine published under various titles since 1930. Originally titled ''Astounding Stories of Super-Science'', the first issue was dated January 1930, published by William Clayton (publisher), William Clayton, and edited by Harry Bates (author), Harry Bates. Clayton went bankrupt in 1933 and the magazine was sold to Street & Smith. The new editor was F. Orlin Tremaine, who soon made ''Astounding'' the leading magazine in the nascent pulp science fiction field, publishing well-regarded stories such as Jack Williamson's ''Legion of Space Series, Legion of Space'' and John W. Campbell's Twilight (Campbell short story), "Twilight". At the end of 1937, Campbell took over editorial duties under Tremaine's supervision, and the following year Tremaine was let go, giving Campbell more independence. Over the next few years Campbell published many stories that became classics in the field, including Isaac Asimov's Found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasy
Fantasy is a genre of speculative fiction that involves supernatural or Magic (supernatural), magical elements, often including Fictional universe, imaginary places and Legendary creature, creatures. The genre's roots lie in oral traditions, which later became fantasy literature, fantasy literature and drama. From the twentieth century onward, it has expanded into various media, including film, television, graphic novels, manga, animation, and video games. The expression ''fantastic literature'' is often used for this genre by Anglophone literary critics. An archaic spelling for the term is ''phantasy''. Fantasy is generally distinguished from the genres of science fiction and horror fiction, horror by an absence of scientific or macabre themes, although these can occur in fantasy. In popular culture, the fantasy genre predominantly features settings that reflect the actual Earth, but with some sense of otherness. Characteristics Many works of fantasy use magic (paranorma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supernatural Fiction
Supernatural fiction or supernaturalist fiction is a subgenre of speculative fiction that is centered on supernatural themes, often contradicting Naturalism (philosophy), naturalist assumptions of the real world. Description In its broadest definition, supernatural fiction overlaps with examples of weird fiction, horror fiction, vampire literature, ghost story, and fantasy. Elements of supernatural fiction can be found in writing from the genre of science fiction. Amongst academics, readers and collectors, however, supernatural fiction is often classed as a discrete genre defined by the elimination of "horror", "fantasy", and elements important to other genres. The one genre supernatural fiction appears to embrace in its entirety is the traditional ghost story. The fantasy and supernatural fiction genres often overlap and may be confused for each other, though there exist some crucial differences between the two genres. Fantasy usually takes place in another world, where fantast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adventure Fiction
Adventure fiction is a type of fiction that usually presents danger, or gives the reader a sense of excitement. Some adventure fiction also satisfies the literary definition of Romance (prose fiction)#Definition, romance fiction. History In the introduction to the ''Encyclopedia of Adventure Fiction'', Critic Don D'Ammassa defines the genre as follows: D'Ammassa argues that adventure stories make the element of danger the focus; hence he argues that Charles Dickens's novel ''A Tale of Two Cities'' is an adventure novel because the protagonists are in constant danger of being imprisoned or killed, whereas Dickens's ''Great Expectations'' is not because "Pip's encounter with the convict is an adventure, but that scene is only a device to advance the main plot, which is not truly an adventure." Adventure has been a common theme (literature), theme since the earliest days of written fiction. Indeed, the standard plot of Heliodorus, and so durable as to be still alive in Adventu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dime Novel
The dime novel is a form of late 19th-century and early 20th-century American popular fiction issued in series of inexpensive paperbound editions. The term ''dime novel'' has been used as a catchall term for several different but related forms, referring to story papers, five- and ten-cent weeklies, "thick book" reprints, and sometimes early pulp magazines.The English equivalents were generally called penny dreadfuls or shilling shockers. The German and French equivalents were called "Groschenromane" and "livraisons à dix centimes", respectively. American firms also issued foreign editions of many of their works, especially as series characters came into vogue. The term was used as a title as late as 1940, in the short-lived pulp magazine ''Western Dime Novels''. In the modern age, the term ''dime novel'' has been used to refer to quickly written, lurid potboilers, usually as a pejorative to describe a sensationalized but superficial literary work. History In 1860, the pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Thrill Book
''The Thrill Book'' was a U.S. pulp magazine published by Street & Smith in 1919. It was intended to carry "different" stories: this meant stories that were unusual or unclassifiable, which in practice often meant the stories were fantasy or science fiction. The first eight issues, edited by Harold Hersey, were a mixture of adventure and weird stories. Contributors included Greye La Spina, Charles Fulton Oursler, J. H. Coryell, and Seabury Quinn. Hersey was replaced by Ronald Oliphant with the July1 issue, probably because Street & Smith were unhappy with his performance. Oliphant printed more science fiction and fantasy than Hersey had done, though this included two stories by Murray Leinster which Hersey had purchased before being replaced. The most famous story from ''The Thrill Book'' is '' The Heads of Cerberus'', a very early example of a novel about alternative time tracks, by Francis Stevens. Oliphant was given a larger budget than Hersey, and was able to acquire ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weird Tales
''Weird Tales'' is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18. The first editor, Edwin Baird, printed early work by H. P. Lovecraft, Seabury Quinn, and Clark Ashton Smith, all of whom went on to be popular writers, but within a year, the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger, and refinanced ''Weird Tales'', with Farnsworth Wright as the new editor. The first issue to list Wright as editor was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks, it prospered over the next 15 years. Under Wright's control, the magazine lived up to its subtitle, "The Unique Magazine", and published a wide range of unusual fiction. Lovecraft's Cthulhu mythos stories first appeared in ''Weird Tales'', starting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
