Pseudo-mythological
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Pseudo-mythological
Pseudo-mythology ( or ''kabinetnaya mifologiya'', "office mythology", literally "cabinet mythology") are myths and deities which are not properly attested in traditional mythology and folklore or their existence is doubtful or disproved. It may be created by researchers who liberally interpret scarce sources. Pseudo-mythology should not be confused with the term "false mythology" in the derogatory meanings of "false beliefs" or "false/fabricated stories". The term is also not applicable to mythological elements in literary works invented for artistic reasons. Philosopher Vincent Descombes maintains that "a myth is what is told as a myth and what is transmitted as a myth". Therefore, in his opinion, the correct term would be "poor mythology" or "insipid mythology", rather than "pseudo-mythology". Slavic mythology There is a scarcity of reliable sources for the Slavic religion.Norbert Reiter, "Mythologie der alten Slaven", In: ''Die Mythologie der alten Kulturvölker. Band 2: Das ...
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Mythology
Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion. Myths are often endorsed by religious (when they are closely linked to religion or spirituality) and secular authorities. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. Etymology The word "myth" comes from Ancient ...
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Juris Alunāns
Juris Alunāns (official name Gustavs Georgs Frīdrihs Alunāns; May 13, 1832 – April 18, 1864) was a Latvian writer and philologist in the Russian Empire. He was one of the first contributors of the Latvian language. He was one of the members of the Young Latvia movement. Alunāns created about 500 neologisms, most of which were quickly incorporated in the everyday Latvian language and are still being used. References External links Bio
1832 births 1864 deaths People from Madona Municipality People from Cēsis county Latvian people from the Russian Empire Latvian philologists Linguists from the Russian Empire Writers from the Russian Empire 19th-century Latvian writers University of Tartu alumni {{Latvia-writer-stub ...
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Mythology
Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion. Myths are often endorsed by religious (when they are closely linked to religion or spirituality) and secular authorities. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. Etymology The word "myth" comes from Ancient ...
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Lusatia
Lusatia (; ; ; ; ; ), otherwise known as Sorbia, is a region in Central Europe, formerly entirely in Germany and today territorially split between Germany and modern-day Poland. Lusatia stretches from the Bóbr and Kwisa rivers in the east to the Pulsnitz and Black Elster rivers in the west, and is located within the German states of Saxony and Brandenburg as well as in the Polish voivodeships of Lower Silesia and Lubusz. Major rivers of Lusatia are the Spree and the Lusatian Neisse, which defines the border between Germany and Poland. The Lusatian Mountains of the Western Sudetes separate Lusatia from Bohemia (Czech Republic) in the south. Lusatia is traditionally divided into Upper Lusatia, the hilly southern part, and Lower Lusatia, the flat northern part. The areas east and west along the Spree in the German part of Lusatia are home to the Slavic Sorbs, one of Germany’s four officially recognized indigenous ethnic minorities. The Upper Sorbs inhabit Saxon U ...
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Invented Tradition
Invented traditions are cultural practices that are presented or perceived as traditional, arising from people starting in the distant past, but which are relatively recent and often consciously invented by historical actors. The concept was highlighted in the 1983 book ''The Invention of Tradition'', edited by Eric Hobsbawm and Terence Ranger. Hobsbawm's introduction argues that many "traditions" which "appear or claim to be old are often quite recent in origin and sometimes invented." This "invention" is distinguished from "starting" or "initiating" a tradition that does not then claim to be old. The phenomenon is particularly clear in the modern development of the nation and of nationalism, creating a national identity promoting national unity, and legitimising certain institutions or cultural practices. Background A set of practices, typically ritualistic or symbolic, aims to instill values and behavioral norms through repetition, such as saluting a flag before class. These p ...
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Mythopoeia
Mythopoeia (, ), or mythopoesis, is a subgenre of speculative fiction, and a theme in modern literature and film, where an artificial or fictionalized mythology is created by the writer of prose fiction, prose, poetry, or other literary forms. The concept was widely popularised by #Tolkien, J. R. R. Tolkien in the 1930s, although it long predated him. The authors in this genre integrate traditional mytheme, mythological themes and archetypes into fiction. Mythopoeia is also the act of creating a mythology. Genre The term ''mythopoeia'' comes from Koine Greek, Hellenistic Greek (), meaning 'myth-making'; an alternative is ''mythopoesis'' () of similar meaning. The definition of ''mythopoeia'' as "a creating of myth" is first recorded from 1846. In early use, it meant the making of myths in ancient times. While many literary works carry mythic Theme (literature), themes, only a few approach the dense Self-reference, self-referentiality and purpose of mythopoesis. Mythopoeic ...
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Demogorgon
Demogorgon is a deity or demon associated with the underworld. Although often ascribed to Greek mythology, the name probably arises from an unknown copyist's misreading of a commentary by a fourth-century scholar, Lactantius Placidus. The concept itself can be traced back to the original misread term demiurge. Etymology The origins of the name ''Demogorgon'' are not entirely clear, though the most prevalent scholarly view now considers it to be a misreading of the Greek δημιουργόν (''dēmiourgón'', accusative case form of δημιουργός, 'demiurge') based on the manuscript variations in the earliest known explicit reference in Lactantius Placidus (Jahnke 1898, Sweeney 1997, Solomon 2012). Boccaccio, in his influential ''Genealogia Deorum Gentilium'', cites a now-lost work by Theodontius and that master's acknowledged Byzantine source " Pronapides the Athenian" as authority for the idea that Demogorgon is the antecedent of all the gods. Art historian Jean Seznec co ...
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Fakelore
Invented traditions are cultural practices that are presented or perceived as traditional, arising from people starting in the distant past, but which are relatively recent and often consciously invented by historical actors. The concept was highlighted in the 1983 book ''The Invention of Tradition'', edited by Eric Hobsbawm and Terence Ranger. Hobsbawm's introduction argues that many "traditions" which "appear or claim to be old are often quite recent in origin and sometimes invented." This "invention" is distinguished from "starting" or "initiating" a tradition that does not then claim to be old. The phenomenon is particularly clear in the modern development of the nation and of nationalism, creating a national identity promoting national unity, and legitimising certain institutions or cultural practices. Background A set of practices, typically ritualistic or symbolic, aims to instill values and behavioral norms through repetition, such as saluting a flag before class. These p ...
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Vanemuine
Vanemuine () is a theatre in Tartu, Estonia. It is the first Estonian language, Estonian-language theatre. Stemming from the Vanemuine Society (1865), the theatre's first performance was Lydia Koidula's ''Saaremaa Onupoeg'' ("The cousin from Saaremaa") at the society's fifth anniversary. In subsequent years, Vanemuine has expanded to include a symphony orchestra and ballet company, while its repertoire has included a range of operettas and music theatre through operas and dramas. Under Karl Menning, the theatre served a vocational purpose, with a great emphasis on educating future talent. Subsequent directors prioritized entertainment value, while Kaarel Ird—who led Vanemuine for more than forty years—oversaw a blend of genres as well as tours of the Soviet Union. In recent years, content has varied extensively. Vanemuine has occupied a series of venues. The original Vanemuine Society House on Jaama Street operated for 33 years before being destroyed by fire in 1903 ...
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Väinämöinen
() is a deity, demigod, hero and the central character in Finnish folklore and the main character in the national epic ''Kalevala'' by Elias Lönnrot. Väinämöinen was described as an old and wise man, and he possessed a potent, magical singing voice. Name The name Väinämöinen has often been explained as coming from the Finnish word ''väinä'' ("stream pool") or ''väineä'' ("slow"). Janne Saarikivi brought forth a hypothesis of the name's possible connection of early Germanic forms of Odin's name: ''*wātenos'' could've been loaned into Proto-Karelian language, Proto-Karelian as ''*vätnä'' or ''*väinä'', and ''Auðunn'' could be compared to ''Äinemöinen''. In Finnish mythology The first extant mention of Väinämöinen in literature is in a list of Tavastia (historical province), Tavastian gods by Mikael Agricola in 1551, where it says: ''"Aeinemöinen wirdhet tacoi."'' () He and other writers described Väinämöinen as the god of chants, songs and poetry; in ...
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Vanemuine (god)
Vanemuine (''Eldermost'') is a god of music in the artificial Estonian mythology created by Friedrich Robert Faehlmann and Friedrich Reinhold Kreutzwald. His name is probably derived from the Finnish Väinämöinen. Vanemuine is mentioned in the opening strophe of the epic Kalevipoeg by Kreutzwald. In 1865, the Vanemuine Cultural Society was founded in Tartu, which evolved into the first Estonian-language theatre, Vanemuine Vanemuine () is a theatre in Tartu, Estonia. It is the first Estonian language, Estonian-language theatre. Stemming from the Vanemuine Society (1865), the theatre's first performance was Lydia Koidula's ''Saaremaa Onupoeg'' ("The cousin from S ..., which remains Tartu's primary theatre. References Estonian gods {{Deity-stub ...
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