|
Pre-Raphaelites
The Pre-Raphaelite Brotherhood (PRB), later known as the Pre-Raphaelites, was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Gabriel Rossetti
Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti ( ; ), was an English poet, illustrator, painter, translator, and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolism (movement), Symbolists and was a major precursor of the Aesthetic movement. Rossetti's art was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by John Keats and William Blake. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence ''The House of Life''. Poetry and image are closely entwined in Rossetti's work. He frequently wrote sonnets to accompany his pictures, spanning from ''The Girlhood of Mary Virgin' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English polymath a writer, lecturer, art historian, art critic, draughtsman and philanthropist of the Victorian era. He wrote on subjects as varied as art, architecture, Critique of political economy, political economy, education, museology, geology, botany, ornithology, literature, history, and myth. Ruskin's writing styles and literary forms were equally varied. He wrote essays and treatises, poetry and lectures, travel guides and manuals, letters and even The King of the Golden River, a fairy tale. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. Ruskin was hugely influential in the latter half of the 19th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Morris
William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, artist, writer, and socialist activist associated with the British Arts and Crafts movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he campaigned for socialism in ''fin de siècle'' Great Britain. Morris was born in Walthamstow, Essex, to a wealthy middle-class family. He came under the strong influence of medievalism while studying Literae Humaniores, classics at Oxford University, where he joined the Birmingham Set. After university, he married Jane Morris, Jane Burden, and developed close friendships with Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with Gothic Revival architecture, Neo-Gothic architect Philip Webb. Webb and Morris designed Red House, Bexleyheath, Red House in Kent where Morris lived from 1859 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August 183317 June 1898) was an English painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter. Burne-Jones worked with William Morris as a founding partner in Morris & Co., Morris, Marshall, Faulkner & Co in the design of decorative arts. His early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery, a new rival to the Royal Academy of Arts. These included ''The Beguiling of Merlin''. The timing was right and he was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestry, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the production of which was a revived craft during the 19th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Spartali Stillman
Marie Stillman (née Spartali) (Greek: Μαρία Σπαρτάλη; 10 March 1844 – 6 March 1927) was a British painter, of Greek descent. A member of the second generation of the Pre-Raphaelite Brotherhood, she is regarded as the greatest female artist of that movement. Of the Pre-Raphaelites, she had one of the longest-running careers, spanning sixty years and producing over one hundred and fifty works, including '' Love's Messenger'' and numerous romantic scenes from the ''Divine Comedy''. Though her work with the Brotherhood began as a favourite model, she soon trained and became a respected painter, earning praise from Dante Gabriel Rossetti and others. Early life Marie Spartali was the eldest child of Michael Spartali, a wealthy merchant, principal of the firm Spartali & Co and Greek consul-general based in London from 1866 to 1879. He had moved to London around 1828, where he married Euphrosyne Varsini, the daughter of a Greek merchant from Genoa. The family split tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Everett Millais
Sir John Everett Millais, 1st Baronet ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting '' Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classicism
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Ancient Rome, Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection and restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the ''Discobolus'' Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John William Waterhouse
John William Waterhouse (baptised 6 April 184910 February 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His paintings are known for their depictions of women from both ancient Greek mythology and Arthurian legend. A high proportion depict a single young and beautiful woman in a historical costume and setting, though there are some ventures into Orientalist painting and genre painting, still mostly featuring women. Born in Rome to English parents who were both painters, Waterhouse later moved to London, where he enrolled in the Royal Academy of Art Schools. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Many of his paintings are based on authors such as Homer, Ovid, Shakespeare, Tennyson, or Keats. Waterhouse's work is displayed in m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Germ (periodical)
''The Germ, thoughts towards nature in art and literature'' (1850) was a periodical established by the Pre-Raphaelite Brotherhood to disseminate their ideas. The magazine was edited by William Michael Rossetti. ''The Germ'' was renamed ''Art and Poetry, being Thoughts towards Nature, conducted principally by Artists'' for its last two issues. It was not a success, only surviving for four issues between January and April 1850. Illustrations were provided by members of the brotherhood. Every issue began with an original etching. William Holman Hunt provided an illustration to Woolner's poem ''My Beautiful Lady'' in the first issue. Collinson illustrated his own poem, ''The Child Jesus'', in the second issue. Madox Brown created a two-page illustration of the King Lear and his daughters for the third issue, accompanying his article on the mechanics of a history painting. Walter Deverell depicted ''Viola and Olivia'' from Shakespeare's ''Twelfth Night'' in the last issue. ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Holman Hunt
William Holman Hunt (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximise the popular appeal and public visibility of his works. Biography Born at Cheapside, City of London, as William Hobman Hunt, to warehouse manager William Hunt (1800–1856) and Sarah (–1884), daughter of William Hobman, of Rotherhithe Hunt adopted the name "Holman" instead of "Hobman" when he discovered that a clerk had misspelled the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ford Madox Brown
Ford Madox Brown (16 April 1821 – 6 October 1893) was a British painter of moral and historical subjects, notable for his distinctively graphic and often William Hogarth, Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was ''Work (painting), Work'' (1852–1865). Brown spent the latter years of his life painting the twelve works known as ''The Manchester Murals'', depicting History of Manchester, Mancunian history, for Manchester Town Hall. Early life Brown was the grandson of the medical theorist John Brown (physician, born 1735), John Brown, founder of the Brunonian system of medicine. His great-grandfather was a Scottish labourer. His father Ford Brown served as a purser in the Royal Navy, including a period serving under Sir Isaac Coffin, 1st Baronet, Sir Isaac Coffin and a period on HMS Arethusa (1781), HMS ''Arethusa''. He left the Navy after the end of the Napoleonic Wars. In 1818, Ford Brown married Caroline Madox, of an old ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Woolner
Thomas Woolner (17 December 1825 – 7 October 1892) was an English sculptor and poet who was one of the founder-members of the Pre-Raphaelite Brotherhood. He was the only sculptor among the original members. After participating in the foundation of the PRB, Woolner emigrated for a period to Australia. He returned to Britain to have a successful career as a sculptor, creating many important public works as well as memorials, tomb sculptures and narrative reliefs. He corresponded with many notable men of the day and also had some success as a poet and as an art dealer. One of his notable portrait medallions is that of the poet William Wordsworth in St Oswald's Church, Grasmere; Wordsworth is buried in the adjoining graveyard. Art career Born in Hadleigh, Suffolk, Woolner trained with the sculptor William Behnes, exhibiting work at the Royal Academy from 1843. He became friendly with Dante Gabriel Rossetti and was invited by him to join the Pre-Raphaelite Brotherhood. Woolne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
