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Prastara
Prastara (, extension, flat top) is a sort of entablature in Hindu temple architecture. Overview It is a horizontal superstructure of bands and moldings above column capitals, sometimes functioning as a parapet of a story. Prastara is both functional and decorative element located above the architrave of the temple. Being the third part of the building counting from the bottom, prastara is a very important element of the overall architectural composition of the temple. Meaning In the Dravidian context, prastara signifies a meeting place, where the two divisions of the temple, ''prasada varga'' (the Earth) and the ''pada varga'' (the Heaven), meet each other. Parts Prastara consists of several parts from bottom to top: uttara, valabhi (stringcourse A belt course, also called a string course or sill course, is a continuous row or layer of stones or brick set in a wall. Set in line with window sills, it helps to make the horizontal line of the sills visually more prominent. Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Temple Architecture
Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the ''Garbhagriha, garbha griha'' or womb-chamber, where the primary ''Murti'' or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like ''shikhara'', also called the ''Vimana (architectural feature), vimana'' in the south. ''Gopuram'' gateways are elaborate in the south. The shrine building often includes an circumambulatory passage for circumambulation, parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In additi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architrave
In classical architecture, an architrave (; , also called an epistyle; ) is the lintel or beam, typically made of wood or stone, that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan order, it only consists of a plain face, crowned with a fill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1834 Sketch Of Prastaras, Entablature Elements In Hindu Temple Architecture
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dravidian Architecture
Dravidian architecture, or the Southern Indian temple style, is an architectural idiom in Hindu temple architecture that emerged from Southern India, reaching its final form by the sixteenth century. In contrast with North Indian temple styles, Dravidian architecture uses shorter and more pyramidal towers, called vimana, over the garbhagriha or sanctuary, where the north has taller towers, usually curving inwards as they rise, called shikharas. Larger modern Dravidian style temples, however, include one or more high gopura or gatehouse entrances to the compound as their dominating feature; large temples have several dwarfing the vimana, although these are a much more recent development. There are numerous other distinct features, such as the '' dvarapalakas'' – twin guardians at the main entrance and the inner sanctum of the temple and ''goshtams'' – deities carved in niches on the outer side walls of the garbhagriha. Mentioned as one of three styles of temple building ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stringcourse
A belt course, also called a string course or sill course, is a continuous row or layer of stones or brick set in a wall. Set in line with window sills, it helps to make the horizontal line of the sills visually more prominent. Set between the floors of a house, it helps to make the separate floors distinguishable from the exterior of the building. The belt course often projects from the side of the building. Georgian architecture is notable for the use of belt courses. Although the belt course has its origins as a structural component of a building, by the 18th century it was almost purely a decorative element and had no functional purpose. In brick or stone buildings taller than three stories, however, a shelf angle is usually used to transfer the load of the wall to a hidden, interior steel wall. Flashing is used to cover the space exposed by the shelf angle to help limit the intrusion of water. Where flashing is considered aesthetically unpleasing, a belt course is often us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hood Mould
In architecture, a hood mould, hood, label mould (from Latin , lip), drip mould or dripstone is an external moulded projection from a wall over an opening to throw off rainwater, historically often in form of a '' pediment''. This moulding can be terminated at the side by ornamentation called a ''label stop''. The hood mould was introduced into architecture in the Romanesque period, though they became much more common in the Gothic period. Later, with the increase in rectangular windows they became more prevalent in domestic architecture. Styles of hood moulding File:IMG 0817 - Perugia - Finestra - Foto G. Dall'Orto - 6 ago 2006 - 01.jpg, Circular hood moulding (in Perugia, Italy). File:StBeesSchoolMusicBlock.JPG, Rectangular hood mouldings on a rendered Victorian building (in Cumbria, England). File:Mercer House 2017.jpg, Every window of the Mercer House (in Savannah, Georgia, U.S.) is crowned with a cast-iron hood moulding. File:Magdalene College SCR Window.jpg, Tudor-style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
