|
Pilasters
In architecture, a pilaster is both a load-bearing section of thickened wall or column integrated into a wall, and a purely decorative element in classical architecture which gives the appearance of a supporting column and articulates an extent of wall. As an ornament it consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a Classical pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition A pilaster is foremost a load-bearing architectural element used widely throughout the world and its history where a structural load is carried by a thickened section of wall or column integrated into a wall. It is also a purel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture and neoclassical architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact. It began in Florence in the early 15th century and reflected a revival of classical Greek and Roman principles such as symmetry, proportion, and geometry. This movement was supported by wealthy patrons, including the Medici family and the Catholic Church, who commissioned works to display both religious devot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leon Battista Alberti
Leon Battista Alberti (; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, Catholic priest, priest, linguistics, linguist, philosopher, and cryptography, cryptographer; he epitomised the nature of those identified now as polymaths. He is considered the founder of European cryptography, a claim he shares with Johannes Trithemius. He is often considered primarily an architect. However, according to James Beck, "to single out one of Leon Battista's 'fields' over others as somehow functionally independent and self-sufficient is of no help at all to any effort to characterize Alberti's extensive explorations in the fine arts". Although Alberti is known mostly as an artist, he was also a mathematician and made significant contributions to that field. Among the most famous buildings he designed are the churches of San Sebastiano (1460) and Sant'Andrea (1472), both in Mantua. Alberti's life was told in Giorgio Vasari's ''Lives of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giant Order
In classical architecture, a giant order, also known as colossal order, is an order whose columns or pilasters span two (or more) storeys. At the same time, smaller orders may feature in arcades or window and door framings within the storeys that are embraced by the giant order. The giant order was rare in antiquity. Vitruvius' depiction of the lost Basilica of Fanum contains columns spanning two stories. Roman architectural historian Mark Wilson Jones also cites the columns at the Basilica of Pompeii, the Baths of Diocletian, and the Temple of Baachus at Baalbek as early examples of the giant order. To an extent buildings with giant orders resemble a Roman temple adapted for post-classical use, as many were (the survivors have now usually been stripped of later filling-in). In Renaissance and Beaux-Arts architecture One of the earliest uses of this feature in the Renaissance was at the Basilica of Sant'Andrea, Mantua, designed by Leon Battista Alberti and begun in 1472; this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital (architecture)
In architecture, the capital () or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order was formalized in the 16th century following Roman Imperial examples such as the Arch of Titus in Rome. It adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Column
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term ''column'' applies especially to a large round support (the shaft of the column) with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a '' post''. Supports with a rectangular or other non-round section are usually called '' piers''. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital (architecture)
In architecture, the capital () or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order was formalized in the 16th century following Roman Imperial examples such as the Arch of Titus in Rome. It adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament (art)
In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale. Architectural ornament can be carved from stone, wood or precious metals, formed with plaster or clay, or painted or impressed onto a surface as applied ornament; in other applied arts the main material of the object, or a different one such as paint or vitreous enamel may be used. A wide variety of decorative styles and Motif (visual arts), motifs have been developed for architecture and the applied arts, including pottery, furniture, metalwork. In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in orna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archivolt
An archivolt (or voussure) is an ornamental Molding (decorative), moulding or band following the curve on the underside of an arch. It is composed of bands of ornamental mouldings (or other architectural elements) surrounding an arched opening, corresponding to the architrave in the case of a rectangular opening. The word is sometimes used to refer to the under-side or inner curve of the arch itself (more properly, the ''intrados''). Most commonly archivolts are found as a feature of the arches of church Portal (architecture), portals. The mouldings and sculptures on these archivolts are used to convey a Theology, theological story or depict religious figures and ideologies of the church in order to represent the gateway between the Sacredness, holy space of the church and the external world. The presence of archivolts on churches is seen throughout history, although their design, both architecturally and artistically, is heavily influenced by the period they were built in and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the '' cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as the ''cella''. The word ''pronaos'' () is Greek for "before a temple". In Latin, a pronaos is also referred to as an ''anticum'' or ''prodomus''. The pronaos of a Greek a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestantism, Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia, the Ottoman Baroque architecture, Ottoman Empire and the Spanish colonization of the Americas, Spanish and Portuguese colonization of the Americas, Portuguese colonies in Latin America. In about 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bracket (architecture)
A bracket is a structural or decorative architectural element that projects from a wall, usually to carry weight and sometimes to "strengthen an angle". It can be made of wood, stone, plaster, metal, or other media. A corbel or console are types of brackets. In mechanical engineering a bracket is any intermediate component for fixing one part to another, usually larger, part. What makes a bracket a bracket is that it is intermediate between the two and fixes the one to the other. Brackets vary widely in shape, but a prototypical bracket is the L-shaped metal piece that attaches a shelf (the smaller component) to a wall (the larger component): its vertical arm is fixed to one (usually large) element, and its horizontal arm protrudes outwards and holds another (usually small) element. This shelf bracket is effectively the same as the architectural bracket: a vertical arm mounted on the wall, and a horizontal arm projecting outwards for another element to be attached on top of it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
