|
Piano Sextet
A piano sextet is a composition for piano and five other musical instruments, or a group of six musicians who perform such works. There is no standard grouping of instruments with that name, and compared to the string quartet or piano quintet literature, relatively few such compositions exist. The best-known piano sextet is probably the ''Sextet'' by Poulenc, one of the pinnacles of the wind and piano repertoire. Chausson's ''Concert'' is widely regarded as one of the masterpieces of French strings and piano chamber music literature (for example, the critic Jean Gallois describes it as "superb"). The following is an incomplete list of piano sextet composers and their works in this genre: * Theodor Blumer (1881-1964), Sextet, Op. 45, composed 1921, for piano and wind quintet * Philippe Boesmans (1936–2022), Sextuor à clavier, composed 2005, for piano and string quintet * Ernest Chausson (1855–1899), ''Concert'' in D major, Op. 21, composed 1891, for piano, violin, and strin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Huber (composer)
Hans Huber (28 June 185225 December 1921) was a Swiss composer. Between 1894 and 1918, he composed five operas. He also wrote a set of 24 Preludes and Fugues, Op. 100, for piano four-hands in Music written in all major and/or minor keys, all major and minor keys. Biography He was born in Eppenberg-Wöschnau (Canton of Solothurn). The son of an amateur musician, Huber became a chorister and showed an early talent for the piano. In 1870 he entered Leipzig Conservatory, where his teachers included Oscar Paul. In 1877 he returned to Basel to teach, but did not obtain a post in the Conservatory there until 1889; seven years later he became director. Among his notable students were Hans Münch (conductor), Hans Münch and Hermann Suter. In 1889 Huber wrote an A major symphony, which was conducted in December 1889 by Friedrich Hegar, and whose full score survives.See the manuscript full score at Basel Library, together with information taken from ''Repertorium Schweizer Komponisten d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Trio
A string trio is a group of three string instruments or a piece written for such a group. From at least the 19th century on, the term "string trio" with otherwise unspecified instrumentation normally refers to the combination violin, viola and cello. The classical string trio emerged during the mid-18th century and later expanded into four subgenres: the grand trio, the concertant trio, the brilliant trio, and the Hausmusik trio. Early history The earliest string trio, found during the mid 18th century, consisted of two violins and a cello, a grouping which had grown out of the Baroque trio sonata. Over the course of the late 18th century, the string trio scored for violin, viola, and cello came to be the predominant type.Tilmouth, Michael (2001). “String trio”. ''Grove Music Online.'' Oxford University Press, 2001. String trios scored for two violins and viola were also used, although much less frequently.Brook, Barry S. (1983). “Haydn's String Trios: A Misunderstood Genre.” ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sextet (Penderecki)
The Sextet is a two-movement composition for clarinet, horn, violin, viola, cello, and piano by Polish composer Krzysztof Penderecki. The composition was written in 2000 and is, according to some critics, the composer's most substantial chamber work. Composition This composition takes approximately 30 minutes to perform. The movement list is as follows: # Allegro moderato # Larghetto Given its very unusual nature, for Penderecki's chamber music is rare, the melodic lines of this composition are very well defined, because Penderecki usually writes scores for large orchestras and ensembles. This work is remarkable for its chromatic scales, present all along the piece. This sextet was commissioned by Auftragswerk der Gesellschaft der Musikfreunde and was eventually premiered on June 7, 2000 in Vienna's Musikverein by Paul Meyer (clarinet), Radovan Vlatkovic (horn), Julian Rachlin (violin), Yuri Bashmet (viola), fellow musician Mstislav Rostropovich (cello), and Dmitri Alexeev ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krzysztof Penderecki
Krzysztof Eugeniusz Penderecki (; 23 November 1933 – 29 March 2020) was a Polish composer and conductor. His best-known works include '' Threnody to the Victims of Hiroshima'', Symphony No. 3, his '' St Luke Passion'', '' Polish Requiem'', '' Anaklasis'' and '' Utrenja''. His ''oeuvre'' includes five operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works. Born in Dębica, Penderecki studied music at Jagiellonian University and the Academy of Music in Kraków. After graduating from the academy, he became a teacher there and began his career as a composer in 1959 during the Warsaw Autumn festival. His ''Threnody to the Victims of Hiroshima'' for string orchestra and the choral work ''St. Luke Passion'' have received popular acclaim. His first opera, '' The Devils of Loudun'', was not immediately successful. In the mid-1970s, Penderecki became a professor a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Sextet (Mendelssohn)
Felix Mendelssohn's Sextet in D major, Op. 110, MWV Q 16, for piano, violin, two violas, cello, and double bass was composed in April–May 1824, when Mendelssohn was only 15, the same time he was working on a comic opera '' Die Hochzeit des Camacho''. Its composition took place between the Viola Sonata and the Piano Quartet No. 3. It also preceded the famous Octet, Op. 20 by about a year. 1824 is also the probable year of the composition of the Clarinet Sonata. Like the latter, the Sextet was not published during the composer's lifetime. Its first edition was issued in 1868 as a part of a complete collection of Mendelssohn's works, hence the misleadingly high opus number. The composer's autograph of the score (in his ''Nachlass'' at the Berlin State Library) has a date at the end of it: May 10, 1824.R. Larry Todd. ''Booklet notes to'' musica omnimo0205/ref> The manuscript is relatively clean and contains too few corrections to let us track the evolution of the work. It is als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions include symphony, symphonies, concertos, piano music, organ music and chamber music. His best-known works include the Overture#Concert overture, overture and incidental music for ''A Midsummer Night's Dream (Mendelssohn), A Midsummer Night's Dream'' (which includes his "Wedding March (Mendelssohn), Wedding March"), the ''Symphony No. 4 (Mendelssohn), Italian'' and ''Symphony No. 3 (Mendelssohn), Scottish'' Symphonies, the oratorios ''St. Paul (oratorio), St. Paul'' and ''Elijah (oratorio), Elijah'', the ''The Hebrides (overture), Hebrides'' Overture, the mature Violin Concerto (Mendelssohn), Violin Concerto, the Octet (Mendelssohn), String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's ''Songs W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Revue De Cuisine
LA most frequently refers to Los Angeles, the second most populous city in the United States of America. La, LA, or L.A. may also refer to: Arts and entertainment Music *La (musical note), or A, the sixth note *"L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson *''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 *The La's, an English rock band *L.A. Reid, a prominent music producer *Yung L.A., a rapper *Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 *"La", a song by Australian-Israeli singer-songwriter Old Man River *''La'', a Les Gordon album Other media * l(a, a poem by E. E. Cummings *La (Tarzan), fictional queen of the lost city of Opar (Tarzan) *''Lá'', later known as Lá Nua, an Irish language newspaper *La7, an Italian television channel *LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bohuslav Martinů
Bohuslav Jan Martinů (; December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music. He wrote 6 symphony, symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber music, chamber, vocal and instrumental works. He became a violinist in the Czech Philharmonic Orchestra, and briefly studied under Czech composer and violinist Josef Suk (composer), Josef Suk. After leaving Czechoslovakia in 1923 for Paris, Martinů deliberately withdrew from the Romantic style in which he had been trained. During the 1920s he experimented with modern French stylistic developments, exemplified by his orchestral works ''Half-time'' and ''La Bagarre''. He also adopted jazz idioms, for instance in his ''La revue de cuisine, Kitchen Revue'' (''Kuchyňská revue''). In the early 1930s he found his main fount for compositional style: Neoclassicism (music), neoclassicism, creating textures far denser than those found in composers treating Stravinsky as a mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Sextet (Lyapunov)
Sextet in B minor, Op. 63 is the only piece of chamber music by Russian composer Sergei Lyapunov. It is scored for a rather unusual ensemble of piano, 2 violins, viola, cello and double bass. A typical performance takes 35–40 minutes. Composition history Lyapunov worked on the Sextet in January—March 1916, and the first performance took place on 30 April that year in a concert at the Petrograd Conservatory with the composer playing the piano part. It was one of the most important concerts in Lyapunov's career, in the second half of which the complete cycle of his '' 12 Transcendental Études'' was performed for the first time in Russia. Soon after that, the fair copy of the sextet was mislaid by composer in his country house (all the drafts and rough copies were destroyed by him, according to his habit), after the work was in print. However, in a war-time accident, all the printed copies were lost. Some portions of the proofs survived, and some separate instrumental voices, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Lyapunov
Sergei Mikhailovich Lyapunov (or Liapunov; , ; 8 November 1924) was a Russian composer, pianist and conductor. Life Lyapunov was born in Yaroslavl in 1859. After the death of his father, Mikhail Lyapunov, when he was about eight, Sergei, his mother, and his two brothers (one of them was Aleksandr Lyapunov, later a notable mathematician) went to live in the larger town of Nizhny Novgorod. There he attended the grammar school along with classes of the newly formed local branch of the Russian Musical Society. On the recommendation of Nikolai Rubinstein, the Director of the Moscow Conservatory of Music, he enrolled in that institution in 1878. His main teachers were Karl Klindworth (piano; a former pupil of Franz Liszt), and Sergei Taneyev (composition; a former pupil of Pyotr Ilyich Tchaikovsky and his successor at the Conservatory). He graduated in 1883, more attracted by the nationalist elements in music of the New Russian School than by the more cosmopolitan approach of Tchaikovsk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Juon
Paul Juon (, ''Pavel Fyodorovich Yuon''; 6 March 1872 – 21 August 1940) was a Russian-born Swiss composer. Life Juon was born in Moscow, where his father was an insurance official. His parents were Swiss, and he attended a German primary school in Moscow. In 1889, he entered the Moscow Conservatory, where he studied violin with Jan Hřímalý and composition with Anton Arensky and Sergei Taneyev. He completed his studies at the Hochschule für Musik in Berlin, under Woldemar Bargiel. His first (privately) printed works, two ''Romanzen'' (lieder) appeared in 1894, the year he began studies with Bargiel. During his time in Berlin he was a composition professor, employed by Joseph Joachim; his students included Hans Chemin-Petit, Werner Richard Heymann, Nikos Skalkottas, Henry Jolles, Pancho Vladigerov, Philipp Jarnach, Heinrich Kaminski, Lauri Ikonen, Max Trapp, Heino Kaski, Yrjö Kilpinen, Gerhart von Westerman, Hans Moltkau, Giannis Konstantinidis, Wilhelm Guttmann, Stefan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
