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Phurba
The phurba (; alternate transliterations: ''phurpa'', ''phurbu'', ''purbha'', or ''phurpu'') or ''kīla'' (Sanskrit Devanagari: कील; IAST: kīla) is a three-sided peg, stake, knife, or nail-like ritual implement deeply rooted in Indo-Tibetan Buddhism and Bön traditions. Its primary association is with the meditational deity Vajrakīlaya (Dorje Phurba), embodying the essence of transformative power. The etymology and historical context of the term reveal some debate. Both the Sanskrit word ''kīla'' and the Tibetan ''phurba'' are used interchangeably in sources. The construction of the phurba is diverse, featuring a pommel, handle, and a blade with three triangular facets. The composition often revolves around the numerological significance of three and nine, with materials ranging from wood and metal to bone and crystal. Phurba blades can be made from meteoric iron, which holds symbolic importance. The pommel typically displays faces of Vajrakīlaya or other sacred m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrakīlaya
In Tibetan Buddhism, Vajrakilaya (, also ; or Vajrakumara (; ) is a wrathful heruka yidam deity who embodies the enlightened activity of all the Buddhas. His practice is known for being the most powerful for removing obstacles and destroying the forces hostile to compassion. Vajrakilaya is one of the eight deities of Kagyé. Vajrakilaya is a wrathful form of the Buddha Vajrasattva. His distinctive iconographic trait is that he holds the dagger called ''phurba'' or '' kīla''. Vajrakilaya is commonly represented with three faces of different colors in a crown of skulls. The central face is blue, the left is red and the right is white. He also has six arms: two hold the ''phurba'', two hold one ''vajra'' each, one holds a flaming snare, and one a trident. He crushes under his feet demons representing the obstacles to spiritual realization. As deity Vajrakilaya is a significant Vajrayana deity who transmutes and transcends obstacles and obscurations. Padmasambhava achieved realisat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thokcha
''Thokcha'' (; also alternatively ) are Tibetan amulets which are said to have fallen from the sky in traditional Tibetan folklore. These are traditionally believed to contain a magical, protective power comparable to Tibetan dzi beads. Most ''thokcha'' are made of a copper alloy. The use of meteoric iron has been common throughout the history of ferrous metallurgy. Historically, ''thokcha'' were prized for the metallurgical Fabrication (science), fabrication of weapons, musical instruments, and sacred tools, such as the ''phurba''. ''Thokcha'' are an auspicious addition in the metallurgical fabrication of sacred objects cast from ''panchaloha''. Writer Robert Beer regards meteoric iron as "the supreme substance for forging the physical representation of the ''vajra'' or other iron weapons." It was believed that these amulets had been tempered by the celestial gods before falling to Earth. Beer describes the metal falling from space as a metaphor for "the indivisibility of fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indo-Tibetan Buddhism
''Vajrayāna'' (; 'vajra vehicle'), also known as Mantrayāna ('mantra vehicle'), Guhyamantrayāna ('secret mantra vehicle'), Tantrayāna ('tantra vehicle'), Tantric Buddhism, and Esoteric Buddhism, is a Mahāyāna Buddhist tradition that emphasizes esoteric practices and rituals aimed at rapid spiritual awakening. Emerging between the 5th and 7th centuries CE in medieval India, Vajrayāna incorporates a range of techniques, including the use of mantras (sacred sounds), dhāraṇīs (mnemonic codes), mudrās (symbolic hand gestures), mandalas (spiritual diagrams), and the visualization of deities and Buddhas. These practices are designed to transform ordinary experiences into paths toward enlightenment, often by engaging with aspects of desire and aversion in a ritualized context. A distinctive feature of Vajrayāna is its emphasis on esoteric transmission, where teachings are passed directly from teacher (guru or vajrācārya) to student through initiation ceremonies. Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajra
The Vajra (, , ), is a legendary and ritualistic tool, symbolizing the properties of a diamond (indestructibility) and a thunderbolt (irresistible force). It is also described as a "ritual weapon". The use of the bell and vajra together as symbolic and ritual tools is found in all schools of Tibetan Buddhism. The vajra is a round, symmetrical metal scepter with two ribbed spherical heads. The ribs may meet in a ball-shaped top, or they may be separate and end in sharp points. The vajra is considered inseparable from the bell, and both are sold in dharma stores only in matching sets. The bell is also metal with a ribbed spherical head. The bell also depicts the face of Dhatvisvari, a female buddha and the consort of Akshobhya. The vajra has also been associated as the weapon of Indra, the Vedic king of the Deva (Hinduism), devas and Svarga, heaven. It is used symbolically by the dharma, dharmic traditions of Hinduism, Buddhism, and Jainism, often to represent firmness of spir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kleshas (Buddhism)
Kleshas (; ''kilesa''; ''nyon mongs''), in Buddhism, are mental states that cloud the mind and manifest in unwholesome actions. ''Kleshas'' include states of mind such as anxiety, fear, anger, jealousy, desire, etc. Contemporary translators use a variety of English words to translate the term ''kleshas'', such as: afflictions, defilements, destructive emotions, disturbing emotions, negative emotions, mind poisons, and neuroses. In the contemporary Mahayana and Theravada Buddhist traditions, the three kleshas of ignorance, attachment, and aversion are identified as the root or source of all other kleshas. These are referred to as the ''three poisons'' in the Mahayana tradition, or as the three ''unwholesome roots'' in the Theravada tradition. While the early Buddhist texts of the Pali Canon do not specifically enumerate the three root kleshas, the ''three poisons'' (and the kleshas generally) came to be seen as the very roots of samsaric existence. Pali literature In the Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stupa
In Buddhism, a stupa (, ) is a domed hemispherical structure containing several types of sacred relics, including images, statues, metals, and '' śarīra''—the remains of Buddhist monks or nuns. It is used as a place of pilgrimage and meditation. Walking around a stupa in a clockwise direction, known as '' pradakhshina'', has been an important ritual and devotional practice in Buddhism since the earliest times, and stupas always have a ''pradakhshina'' path around them. The original South Asian form is a large solid dome above a tholobate, or drum, with vertical sides, which usually sits on a square base. There is no access to the inside of the structure. In large stupas, there may be walkways for circumambulation on top of the base as well as on the ground below it. Large stupas have, or had, ''vedikā'' railings outside the path around the base, often highly decorated with sculpture, especially at the torana gateways, of which there are usually four. At the top of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snow Lion
The Snow Lion (sometimes spelled snowlion; ; ) is a celestial animal of Tibet. It is the emblem of Tibet, representing the snowy mountain ranges and glaciers of Tibet, and may also symbolize power and strength, and fearlessness and joy, east and the earth element. It is one of the Four Dignities. It ranges over the mountains, and is commonly pictured as being white with a turquoise mane. In Journey to the West published in 1592, Snow Lion is depicted as one of monster-spirits. As national emblem of Tibet From 1909 until 1959, a single snow lion or a pair of them was used as the national emblem of Tibet on coins, postage stamps, banknotes and the national flag of Tibet. The version shown on right with two Snow Lions was introduced by the 13th Dalai Lama in 1912 based on old military banners, and is still used by the Government of Tibet in Exile. The flag is popularly known as the Snow Lion Flag (''gangs seng dar cha''). In Tibetan culture Snow lion is frequently mention ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tektite
Tektites () are gravel-sized bodies composed of black, green, brown or grey natural glass formed from terrestrial debris ejected during meteorite impacts. The term was coined by Austrian geologist Franz Eduard Suess (1867–1941), son of Eduard Suess. They generally range in size from millimetres to centimetres. Millimetre-scale tektites are known as microtektites.French, B. M. (1998) ''Traces of Catastrophe: A Handbook of Shock-Metamorphic Effects in Terrestrial Meteorite Impact Structures.'' LPI Contribution No. 954. Lunar and Planetary Institute, Houston, Texas. 120 pp.McCall, G. J. H. (2001) ''Tektites in the Geological Record: Showers of Glass from the Sky.'' The Geological Society Publishing House, Bath, United Kingdom. 256 pp. Montanari, A., and C. Koeberl (2000) ''Impact Stratigraphy. The Italian Record.'' Lecture Notes in Earth Sciences Series no. 93. Springer-Verlag, New York, New York. 364 pp. Tektites are characterized by: # a fairly homogeneous composition # an ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dunhuang Manuscripts
The Dunhuang manuscripts are a wide variety of religious and secular documents (mostly manuscripts, including Hemp paper, hemp, silk, paper and Woodblock printing, woodblock-printed texts) in Old Tibetan, Tibetan, Chinese, and other languages that were discovered by an itinerant Daoist monk called Wang Yuanlu in 1900 at the Mogao Caves of Sachu in East Turkestan (now Dunhuang, Gansu, China). Wang Yuanlu took control of the Mogao caves, and sold the manuscripts to Paul Pelliot and Aurel Stein for a very low price. Knowing the Philology, philological value of the Dunhuang manuscripts, Stein and Pelliot bought them from Wang and took them from China to Europe. The majority of the surviving texts come from a large cache of documents produced at the Sachu historic printing center between the late 4th and early 11th centuries, which had been sealed in the Mogao Caves#The Library Cave, Library Cave (Cave 17) at some point in the early 11th century. The printing center at Sachu (Dunhu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hayagriva
Hayagriva ( IAST , ) is a Hindus, Hindu deity, the horse-headed avatar of Vishnu. The purpose of this incarnation was to slay a Danava (Hinduism), danava also named Hayagriva (A descendant of Kashyapa and Danu), who had the head of a horse and the body of a human. Iconography Hayagriva is an avatara of the god Vishnu. He is worshipped as the god of knowledge and wisdom, with a human body and a horse's head, brilliant White horse (mythology), white in color, with white garments and seated on a white Nelumbo nucifera, lotus. Symbolically, the story represents the triumph of pure knowledge, guided by the hand of Divinity, over the demonic forces of passion and darkness. Vedanta Desika's ''dhyāna-śloka'' (meditative verse) on Hayagriva typifies this deity's depiction in Hindu iconography: He has Chaturbhuja, four hands, with one in the mode of bestowing knowledge; another holds books of wisdom, and the other two hold the Shankha, Conch and Sudarshana Chakra, Discus. His be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yidam
A ''yidam'' or ''iṣṭadevatā'' is a meditational deity that serves as a focus for meditation and spiritual practice, said to be manifestations of Buddhahood or enlightened mind. Yidams are an integral part of Vajrayana, including Tibetan Buddhism, Chinese Esoteric Buddhism and Shingon, which emphasize the use of esoteric practices and rituals to attain enlightenment more swiftly. The yidam is one of the three roots of the inner refuge formula and is also the key element of deity yoga. Yidam is sometimes translated by the term "tutelary deity". A yidam is considered to be a manifestation of enlightened qualities and a means to connect with specific aspects of the enlightened mind. The yidam is visualized during meditation in intricate detail, with the aim of internalizing its qualities and attributes. This practice is intended to facilitate the practitioner's transformation and realization of their own innate enlightened nature. It is believed to help purify the mind, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
