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Phrase (music)
In music theory, a phrase () is a unit of Meter (music), musical meter that has a complete musical sense of its own, built from figure (music), figures, motif (music), motifs, and Cell (music), cells, and combining to form Melody, melodies, period (music), periods and larger Section (music), sections. Terms such as ''sentence'' and ''verse'' have been adopted into the vocabulary of music from linguistic syntax. Though the analogy between the musical and the phrase, linguistic phrase is often made, still the term "is one of the most ambiguous in music....there is no consistency in applying these terms nor can there be...only with melodies of a very simple type, especially those of some dances, can the terms be used with some consistency." John D. White defines a phrase as "the smallest musical unit that conveys a more or less complete musical thought. Phrases vary in length and are terminated at a point of full or partial repose, which is called a ''cadence''." Edward T. Cone, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haydn - Feldpartita Period
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet". Haydn arose from humble origins, the child of working people in a rural village. He established his career first by serving as a chorister at St. Stephen's Cathedral, Vienna, then through an arduous period as a freelance musician. Eventually he found career success, spending much of his working life as music director for the wealthy Esterházy family at their palace of Eszterháza in rural Hungary. Though he had his own orchestra there, it isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". During this period his music circulated widely in publication, eventually making him the most celebrated compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Burkhart
Charles Burkhart (born 29 May 1928) is an American musicologist, theorist, composer, and pianist. He holds the title of Professor Emeritus in the Aaron Copland School of Music, Queens College, and the Graduate Center, City University of New York. He is known especially as a scholar in Schenkerian analysis and as a successful lecturer and master class presenter. Career Burkhart was a student of Felix Salzer. He holds a M.Mus. degree from Yale University. His M.A. thesis for Colorado College, written in 1952, concentrated on the musical culture of Old Order Amish and of Old Colony Mennonites. Among Burkhart's many students are Channan Willner, Stephen Lindeman, Stephen Slottow, Roy Nitzberg, William Renwick, and Gary S. Karpinski. Research Burkhart is known for work on the relations between Schenkerian readings, analysis of rhythm and meter, and implications for performance. Most of the compositions he discusses are for keyboard, especially Bach, Beethoven, and Chopin, but he ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolyn Abbate
Carolyn Abbate (born November 20, 1956) is an American musicologist, described by the '' Harvard Gazette'' as "one of the world’s most accomplished and admired music historians". She is currently Paul and Catherine Buttenwieser University Professor at Harvard University."Abbate named University Professor" ''Harvard Gazette'', November 20, 2013. Accessed 10 December 2014 From her earliest essays she has questioned familiar approaches to well-known works, reaching beyond their printed scores and composer intentions, to explore the particular, physical impact of the medium upon performer and audience alike. Her research focuses primarily on the tic repertory of the 19th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lick (music)
In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what others have done, allowing them to build a vocabulary of their own. In a jazz band, a lick may be performed during an improvised solo, either during an accompanied solo chorus or during an unaccompanied solo break. Jazz licks are usually original short phrases which can be altered so they can be used over a song's changing harmonic progressions. Similar concepts A lick is different from the related concept of a riff, as riffs can include repeated chord progressions. Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Pattern
In music and jazz improvisation, a melodic pattern (or motive) is a cell or germ serving as the basis for repetition (music), repetitive pattern. It is a figure that can be used with any scale (music), scale. It is used primarily for solo (music), solos because, when practiced enough, it can be extremely useful when musical improvisation, improvising. "Sequence" refers to the repetition of a part at a higher or lower pitch, and melodic sequence is differentiated from sequence (music), harmonic sequence. One example of melodic motive and sequence are the pitches of the first line, "Send her victorious," repeated, a step lower, in the second line, "Happy and glorious," from "God Save the Queen". "A melodic pattern is just what the name implies: a melody with some sort of fixed pattern to it." "The strong subject (music), theme or motif (music), motive is stated. It is repeated more or less exactly, but at a different pitch level."Haerle, Dan (1993). ''Jazz Improvisation for Keyyb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophe
A strophe () is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term '' stichic'' applies. In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to '' Samson Agonistes'', with the strophe chanted by a Greek chorus as it moved from right to left across the scene. Etymology Strophe (from Greek στροφή, "turn, bend, twist") is a concept in versification which properly means a turn, as from one foot to another, or from one side of a chorus to the other. Poetic structure In a more general sense, the strophe is a pair of stanzas of alte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Period (music)
In music theory, the term period refers to forms of repetition and contrast between adjacent small-scale Musical form, formal structures such as phrases. In twentieth-century music scholarship, the term is usually used similarly to the definition in the ''Oxford Companion to Music'': "a period consists of two phrases, antecedent and consequent, each of which begins with the same basic motif (music), motif." Earlier and later usages vary somewhat, but usually refer to notions of symmetry, difference, and an open section followed by a closure. The concept of a musical period originates in comparisons between music structure and rhetoric at least as early as the 16th century. Western art music In Western art music or Classical music, a period is a group of phrase (music), phrases consisting usually of at least one antecedent phrase and one consequent phrase totaling about 8 bar (music), bars in length (though this varies depending on meter and tempo). Generally, the antecedent end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrase Segments In Beethoven Opus 68 I
In grammar, a phrasecalled expression in some contextsis a group of words or singular word acting as a grammatical unit. For instance, the English expression "the very happy squirrel" is a noun phrase which contains the adjective phrase "very happy". Phrases can consist of a single word or a complete sentence. In theoretical linguistics, phrases are often analyzed as units of syntactic structure such as a constituent. There is a difference between the common use of the term ''phrase'' and its technical use in linguistics. In common usage, a phrase is usually a group of words with some special idiomatic meaning or other significance, such as " all rights reserved", " economical with the truth", " kick the bucket", and the like. It may be a euphemism, a saying or proverb, a fixed expression, a figure of speech, etc.. In linguistics, these are known as phrasemes. In theories of syntax, a phrase is any group of words, or sometimes a single word, which plays a particular role wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozart - Piano Sonata In F, K
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age resulted in more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoires. Mozart is widely regarded as one of the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. At age five, he was already competent on keyboard and violin, had begun to compose, and performed before European royalty. His father Leopold Mozart took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gestalt Theory
Gestalt may refer to: Psychology * Gestalt psychology, a school of psychology * Gestalt therapy, a form of psychotherapy Arts and media * ''Gestalt'' (album), a 2012 album by the Spill Canvas * ''Gestalt'' (manga), a manga series by Yun Kōga * Gestalt et Jive, a rock group from West Germany * Gestalt intelligence, or group mind, a science fiction plot device * Gestalt Publishing, an Australian publishing house Miscellaneous * GESTALT Gestalt may refer to: Psychology * Gestalt psychology, a school of psychology * Gestalt therapy Gestalt therapy is a form of psychotherapy that emphasizes Responsibility assumption, personal responsibility and focuses on the individual's exp ..., method of genetic lineage tracing See also * * {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Riemann
Karl Wilhelm Julius Hugo Riemann (18 July 1849 – 10 July 1919) was a German musicologist and composer who was among the founders of modern musicology. The leading European music scholar of his time, he was active and influential as both a music theorist and music historian. Many of his contributions are now termed as Riemannian theory, a variety of related ideas on many aspects of music theory. Biography Riemann was born at Grossmehlra, Schwarzburg-Sondershausen. His first musical training came from his father Robert Riemann, a land owner, bailiff and, to judge from locally surviving listings of his songs and choral works, an active music enthusiast. Hugo Riemann was educated by Heinrich Frankenberger, the Sondershausen Choir Master, in Music theory. He was taught the piano by August Barthel and Theodor Ratzenberger (who had once studied under Liszt). He graduated from the gymnasiums at Sondershausen and Arnstadt. Riemann studied law and finally philosophy and histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Classical music, Western musical theory, a cadence () is the end of a Phrase (music), phrase in which the melody or harmony creates a sense of full or partial resolution (music), resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a chord progression, progression of two or more chord (music), chords that conclusion (music), concludes a phrase, section (music), section, or composition (music), piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
