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Philosophy Of Film
The philosophy of film is a branch of aesthetics within the discipline of philosophy that seeks to understand the most basic questions about film. Philosophy of film has significant overlap with film theory, a branch of film studies. History The earliest person to explore philosophical questions regarding film was Hugo Münsterberg. During the so-called silent film era, he sought to understand what it was about film that made it conceptually distinct from theater. He concluded that the use of close-ups, flash-backs, and edits were unique to film and constituted its nature. Rudolf Arnheim, with the beginning of the era of synchronized sound for film, argued that earlier films were aesthetically superior to the "talkies". He held that by adding technologically synchronized sound to replace previous live-accompaniment of otherwise silent moving images, the unique status of film had been removed. Instead of being a unique art form that could carefully study bodies in motion, film had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and taste (sociology), taste, which in a broad sense incorporates the philosophy of art.Slater, B. H.Aesthetics ''Internet Encyclopedia of Philosophy,'' , accessed on 15 September 2024. Aesthetics examines values about, and Critical thinking, critical judgments of, artistic taste and preference. It thus studies how Artist, artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people consider certain things beautiful and not others, as well as how objects of beauty and art can affect our moods and our beliefs. Aesthetics tries to find answers to what exactly is art and what makes good art. It considers what happens in our minds when we view Visual arts, visual art, listen to music, read poetry, enjoy delicious food, and engage in large artistic projects like creating and experiencing plays, fashion shows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noël Carroll
Noel Carroll (born December 25, 1947, in Far Rockaway, New York City) is an American philosopher and a leading figure in the contemporary philosophy of art. In 2016 in ''Leiter Reports: A Philosophy Blog'', Carroll was ranked sixth in a list of the Best Anglophone Philosophers of Art post-1945.  In addition to his work in the philosophy of art, Carroll also works in the philosophies of particular artforms, including literature, painting, theater, dance and, most notably, cinema and television where he is a prominent proponent of cognitive theories of the moving image. In addition, he has contributed to the theory of media, the philosophy of history, and the philosophy of the emotions. Carroll has also worked as a journalist and has written five documentary motion pictures.  Since 2007, he has held the position of Distinguished Professor in the philosophy program at the CUNY Graduate Center. Education Carroll originally graduated from Hofstra University in 1969 with a Bachel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Applied Aesthetics
Applied aesthetics is the application of the branch of philosophy of aesthetics to cultural constructs. In a variety of fields, artifacts (whether physical or abstract) are created that have both practical functionality and aesthetic affectation. In some cases, aesthetics is primary, and in others, functionality is primary. At best, the two needs are synergistic, in which "beauty" makes an artifact work better, or in which more functional artifacts are appreciated as aesthetically pleasing. This achievement of form and function, of art and science, of beauty and usefulness, is the primary goal of design, in all of its domains. Architecture and interior design Although structural integrity, cost, the nature of building materials, and the functional utility of the building contribute heavily to the design process, architects can still apply aesthetic considerations to buildings and related architectural structures. Common aesthetic design principles include ornamentation, edge d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Sinnerbrink
Robert Sinnerbrink is an Australian philosopher and associate professor of Philosophy at Macquarie University. He is an ARC Future Fellowship recipient and a former Chair of the Australasian Society for Continental Philosophy (2007–2010). Sinnerbrink is known for his research on aesthetics and philosophy of film. Books * ''Cinematic Ethics: Exploring Ethical Experience through Film'', Abingdon and New York: Routledge, 2016 * ''New Philosophies of Film: Thinking Images'', New York/London: Continuum, 2011 * ''Understanding Hegelianism'', Chesham: Acumen Press, 2007 * ''Critique Today'', edited with Jean-Philippe Deranty, Nicholas H. Smith, and Peter Schmiedgen, Leiden: Brill, 2006 * ''Recognition, Work, Politics: New Directions in French Critical Theory'', edited with Jean-Philippe Deranty, Danielle Petherbridge, and John Rundell, Leiden: Brill, 2007 References External links Robert Sinnerbrink at Macquarie UniversityRobert Sinnerbrink Google Scholar Google Scholar is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éditions Hermann
Éditions Hermann () is a French publishing house founded in 1876, by the French professor of mathematics Arthur Hermann. It publishes books on science and the arts. ''Éléments de mathématique'' Hermann is noted for publishing several volumes of the ''Éléments de mathématique'', a treatise in pure mathematics by the pseudonymous collective Nicolas Bourbaki. Publication of the series began in the 1930s, the decade when the Bourbaki group was founded; at that time, Hermann was led by Enrique Freymann, a friend of the collective who agreed to publish volumes of the group's project, despite financial risk. During the 1950s and 1960s, installments of the series appeared regularly, and sold well. The ''Éléments'' became an influential series in 20th century mathematics, and Hermann benefitted in its role as publisher. Decades later, during the 1970s, Bourbaki and Hermann entered an extended legal battle over matters of copyright and royalty payment. The suit was resolved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linguistic Film Theory
Linguistic film theory''The Dualist'Vols. 1–6 Department of Philosophy, Stanford University, 1994, p. 56. is a form of film theory that studies the aesthetics of films by investigating the concepts and practices that comprise the experience and interpretation of movies. Overview Linguistic film theory was proposed by Stanley Cavell and it is based on the philosophical tradition begun by late Ludwig Wittgenstein. The theory itself is said to mirror aspects of the activity of Wittgenstein's own philosophising (e.g. Wittgenstein's thought experiments) as films are viewed capable of engaging the audience in a therapeutic process of 'dialogue' and even investigate the absurd and the limits of thought. Cavell's framework is seen as a distinctive way of approaching film and philosophy since question of style - the finding of words adequate to our aesthetic experience - is central to the understanding of the meaning of films. One of his ideas involved the position that "if one thinks o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Movement Image
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waking Life
''Waking Life'' is a 2001 American adult animated surrealist drama film written and directed by Richard Linklater. The film explores a wide range of philosophical issues, including the nature of reality, dreams and lucid dreams, consciousness, the meaning of life, free will, and existentialism. The series of insightful philosophical discussions at the core of the film are progressed by a young man who wanders through a succession of dreamlike realities wherein he encounters a series of interesting characters. Shot in Mini DV camera, the entire film was edited digitally in animation through rotoscoping. It contains several parallels to Linklater's 1991 film ''Slacker''. ''Waking Life'' premiered at the 2001 Sundance Film Festival, and was released on October 19, 2001, where it received critical acclaim; however, it underperformed at the box office. Plot An unnamed young man lives an ethereal existence that lacks transitions between everyday events and eventually progresses t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kendall Walton
Kendall Lewis Walton (born 1939) is an American philosopher, the Emeritus Charles Stevenson Collegiate Professor of Philosophy and Professor of Art and Design at the University of Michigan. His work mainly deals with theoretical questions about the arts and issues of philosophy of mind, metaphysics, and philosophy of language. His book ''Mimesis as Make Believe: On the Foundations of the Representational Arts'' develops a theory of make-believe and uses it to understand the nature and varieties of representation in the arts. He has also developed an account of photography as transparent, defending the idea that we see through photographs, much as we see through telescopes or mirrors, and written extensively on pictorial representation, fiction and the emotions, the ontological status of fictional entities, the aesthetics of music, metaphor, and aesthetic value. Education and career Walton studied as an undergraduate at the University of California, Berkeley, originally pursuing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Philosopher
American philosophy is the activity, corpus, and tradition of philosophers affiliated with the United States. The ''Internet Encyclopedia of Philosophy'' notes that while it lacks a "core of defining features, American Philosophy can nevertheless be seen as both reflecting and shaping collective American identity over the history of the nation"."American philosophy" at the Internet Encyclopedia of Philosophy Retrieved on May 24, 2009 The philosophy of the is largely seen as an extension of the |
Philosophy
Philosophy ('love of wisdom' in Ancient Greek) is a systematic study of general and fundamental questions concerning topics like existence, reason, knowledge, Value (ethics and social sciences), value, mind, and language. It is a rational and critical inquiry that reflects on its methods and assumptions. Historically, many of the individual sciences, such as physics and psychology, formed part of philosophy. However, they are considered separate academic disciplines in the modern sense of the term. Influential traditions in the history of philosophy include Western philosophy, Western, Islamic philosophy, Arabic–Persian, Indian philosophy, Indian, and Chinese philosophy. Western philosophy originated in Ancient Greece and covers a wide area of philosophical subfields. A central topic in Arabic–Persian philosophy is the relation between reason and revelation. Indian philosophy combines the Spirituality, spiritual problem of how to reach Enlightenment in Buddhism, enlighten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Bazin
André Bazin (; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. He started to write about movies in 1943 and was a co-founder of the renowned film magazine '' Cahiers du cinéma'' in 1951 alongside Jacques Doniol-Valcroze and Joseph-Marie Lo Duca. He is notable for arguing that realism is the most important function of cinema. His call for objective reality in film, as understood through the use of deep focus as well as the lack of montage, were linked to his belief that the interpretation of an entire movie or a specific scene should be left to the spectator. This placed him in opposition to prior film theorists, such as many writing during the 1920s and 1930s, who had emphasized how the cinema could manipulate reality. Bazin insisted that movies morally should serve as personalized projects by their directors to the degree that each and every one represents a director's individual vision, which reflected his broader p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
