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Petit Appartement Du Roi
The ''petit appartement du roi'' () of the Palace of Versailles is a suite of rooms used by Louis XIV, Louis XV, and Louis XVI. Located on the first floor of the palace, the rooms are found in the oldest part of the palace dating from the reign of Louis XIII. Under Louis XIV, these rooms housed the King's collections of artworks and books, forming a museum of sorts. Under Louis XV and Louis XVI, the rooms were modified to accommodate private living quarters. At this time, the rooms were transformed and their decoration represent some of the finest extant examples of the Louis XV style and Louis XVI style at Versailles (Kimball, 1943). Louis XIV Beginning in 1678, Louis XIV began to modify these rooms for his particular private needs. The configuration of the rooms dating from the time of Louis XIII was modified. The most significant alteration for this era was the relocation of the ''degré du roi'' from the exterior ''cour de marbre'' to the interior ''co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis XVI
Louis XVI (Louis-Auguste; ; 23 August 1754 – 21 January 1793) was the last king of France before the fall of the monarchy during the French Revolution. The son of Louis, Dauphin of France (1729–1765), Louis, Dauphin of France (son and heir-apparent of Louis XV, King Louis XV), and Maria Josepha of Saxony, Dauphine of France, Maria Josepha of Saxony, Louis became the new Dauphin of France, Dauphin when his father died in 1765. In 1770, he married Marie Antoinette. He became King of France and Navarre on his grandfather's death on 10 May 1774, and reigned until the proclamation of the abolition of the monarchy, abolition of the monarchy on 21 September 1792. From 1791 onwards, he used the style of king of the French. The first part of Louis XVI's reign was marked by attempts to reform the French government in accordance with Enlightened absolutism, Enlightenment ideas. These included efforts to increase Edict of Versailles, tolerance toward non-Catholics as well as abolishing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabinet Of Curiosities
Cabinets of curiosities ( and ), also known as wonder-rooms ( ), were encyclopedic collections of objects whose categorical boundaries were, in Renaissance Europe, yet to be defined. Although more rudimentary collections had preceded them, the classic cabinets of curiosities emerged in the sixteenth century. The term ''Cabinet (architecture), cabinet'' originally described a room rather than a Cabinet (furniture), piece of furniture. Modern terminology would categorize the objects included as belonging to natural history (sometimes faked), geology, ethnography, archaeology, religious or historical relics, works of art (including cabinet paintings), and antiquities. In addition to the most famous and best documented cabinets of rulers and aristocrats, members of the merchant class and early practitioners of science in Europe formed collections that were precursors to museums. Cabinets of curiosities served not only as collections to reflect the particular interests of their c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persephone
In ancient Greek mythology and Ancient Greek religion, religion, Persephone ( ; , classical pronunciation: ), also called Kore ( ; ) or Cora, is the daughter of Zeus and Demeter. She became the queen of the Greek underworld, underworld after her abduction by her uncle Hades, the king of the underworld, who would later take her into marriage. The myth of her abduction, her sojourn in the underworld, and her cyclical return to the surface represents her functions as the embodiment of spring and the personification of vegetation, especially grain crops, which disappear into the earth when sown, sprout from the earth in spring, and are harvested when fully grown. In Art in ancient Greece, Classical Greek art, Persephone is invariably portrayed robed, often carrying a wikt:sheaf, sheaf of grain. She may appear as a mystical divinity with a sceptre and a little box, but she was mostly represented in the process of being carried off by Hades. Persephone, as a vegetation deity, veg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspard And Balthazard Marsy
The brothers Gaspard (born 1624 or 1625, died 10 December 1681) and Balthazar Marsy (baptised 6 January 1628, died May 1674) were French sculptors. Originally from Cambrai, they moved to Paris and were employed by King Louis XIV, particularly for the decoration of the palace and gardens at Versailles. Their sister Jeanne was married to the sculptor Pierre Le Gros the Elder and was the mother of the sculptor Pierre Le Gros the Younger. Works *''Bassin d'Encelade'' (Basin of Enceladus; 1675–1677), Versailles The Palace of Versailles ( ; ) is a former royal residence commissioned by King Louis XIV located in Versailles, Yvelines, Versailles, about west of Paris, in the Yvelines, Yvelines Department of Île-de-France, Île-de-France region in Franc ... References * Gerhard Bissell''Marsy (family of sculptors)'' in: '' Allgemeines Künstlerlexikon (Artists of the World)'', Vol. 87, de Gruyter, Berlin 2015, from p. 308 (in German). *Thomas Hedin, ''The Sculpture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orithyia Of Athens
In Greek mythology, Orithyia or Oreithyia (Help:IPA/English, /ɒrɪˈθaɪ.ə/; Ancient Greek: Ὠρείθυια ''Ōreithuia''; Latin language, Latin: ''Ōrīthyia'') was an Athens, Athenian princess who was raped by Boreas (god), Boreas, the north wind, and gave birth to the twin Boreads, Zetes and Calaïs. Family Orithyia was the fifth daughter of King Erechtheus of Athens, Greece, Athens and his wife, Praxithea, daughter of Phrasimus and Cephissus (Boeotia), Diogeneia. She was sister to Cecrops II, Cecrops, Pandorus, Metion, Protogeneia, Pandora (Greek myth), Pandora, Procris, Creusa (daughter of Erechtheus), Creusa, and Chthonia. Her other possible siblings were Merope (Greek myth), Merope, Orneus, Thespius, Eupalamus and Sicyon (mythology), Sicyon. Orithyia gave Boreas two daughters, Chione (daughter of Boreas), Chione and Cleopatra (Greek myth), Cleopatra (the wife of Phineus) and two sons, Calais and Zetes, both known as the Boreads. These sons grew wings like their fath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Romano
Giulio Pippi ( – 1 November 1546), known as Giulio Romano and Jules Romain ( , ; ), was an Italian Renaissance painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the leading painter and architect Raphael. He became an important member of Raphael's large team working on the frescos in the Raphael Rooms and Vatican loggias using designs by Raphael and, later painting a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgione
Giorgio Barbarelli da Castelfranco (; 1470s – 17 September 1510), known as Giorgione, was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appears as ''Zorz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Platonism in the Renaissance, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at Vatican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Da Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena, where he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacotheca
A pinacotheca (Latin calque, borrowing from = + ) was a picture gallery in either ancient Greece or ancient Rome. The name is specifically used for the building containing pictures which formed the left wing of the Propylaea (Acropolis of Athens), Propylaea on the Acropolis at Athens, Greece. Though Pausanias (geographer), Pausanias speaks of the pictures "which time had not effaced",Pausanias (geographer), Pausanias, ''Description of Greece''book I, chapter xxii, page 31, section 6 translated by J. G. Frazer (1898) which seems to point to fresco painting, the fact that there is no trace of preparation for stucco on the walls implies that the paintings were easel pictures. The Romans adopted the term for the room in a private house containing pictures, statues, and other works of art. In the modern world the word is often used as a name for a public art gallery concentrating on paintings, mostly in Italy (as "Pinacoteca"), such as the Pinacoteca Vaticana of the Vatican Museums ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
