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Pendant Piece
In art, a pendant is one of two paintings, statues, reliefs or other type of works of art intended as a pair. Typically, pendants are related thematically to each other and are displayed in close proximity. For example, pairs of portraits of married couples are very common, as are symmetrically arranged statues flanking an altar. How they work Pendants may be the work of a single artist or of two artists, who in some instances might be in competition with one another. An example of the latter case is the pairing of the marble groups ''The Triumph of Faith over Idolatry'' by Jean-Baptiste Théodon and ''Religion Overthrowing Heresy and Hatred'' by Pierre Le Gros the Younger on the ''Altar of Saint Ignatius of Loyola'' (1695–1697/98), in the Church of the Gesù, Rome. When J. M. W. Turner bequeathed two of his paintings to the National Gallery in London with the clause that they should in perpetuity hang next to two landscape paintings by Claude Lorrain Claude Lorrain (; b ...
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Giovanni Paolo Panini
Giovanni Paolo, also known as Gian Paolo Panini or Pannini (17 June 1691 – 21 October 1765), was an Italian Baroque painter and architect who worked in Rome and is primarily known as one of the ''vedutisti'' ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon, Rome, Pantheon (on behalf of Francesco Algarotti), and his ''vedute''—paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of ''capriccio (painting), capriccio'' themes. In this they resemble the ''capricci'' of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV. Biography As a young man, Panini trained in his native town of Piacenza, under Giuseppe Natali and Andrea Galluzzi, and with stage designer Francesco Galli-Bibiena. In ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art, colloquially referred to as the Met, is an Encyclopedic museum, encyclopedic art museum in New York City. By floor area, it is the List of largest museums, third-largest museum in the world and the List of largest art museums, largest art museum in the Americas. With 5.36 million visitors in 2023, it is the List of most-visited museums in the United States, most-visited museum in the United States and the List of most-visited art museums, fifth-most visited art museum in the world. In 2000, its permanent collection had over two million works; it currently lists a total of 1.5 million works. The collection is divided into 17 curatorial departments. The Met Fifth Avenue, The main building at 1000 Fifth Avenue, along the Museum Mile, New York, Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's list of largest art museums, largest art museums. The first portion of the approximately building ...
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Painting
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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Statue
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or Casting (metalworking), cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size. A sculpture that represents persons or animals in full figure, but that is small enough to lift and carry is a ''statuette'' or figurine, whilst those that are more than twice life-size are regarded as '':colossal statues, colossal statues''. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Colors Ancient statues often show the bare surface of the material of which they are made. For example, many people as ...
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Reliefs
Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are m ...
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Altar
An altar is a table or platform for the presentation of religion, religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, Church (building), churches, and other places of worship. They are used particularly in Christianity, Buddhism, Hinduism, and modern paganism. Many historical-medieval faiths also made use of them, including the Religion in ancient Rome, Roman, Religion in ancient Greece, Greek, and Norse paganism, Norse religions. Etymology The modern English language, English word ''wikt:altar#English, altar'' was derived from Middle English ''wikt:alter#Latin, altar'', from Old English ''wikt:alter, alter'', taken from Latin ''wikt:altare#Latin, altare'' ("altar"), probably related to ''wikt:adolere#Etymology 2, adolere'' ("burn"); thus "burning place", influenced by ''wikt:altus#Latin, altus'' ("high"). It displaced the native Old English word ''wikt:weofod#Old English, wēofod''. Altars in antiquity In antiquity, alta ...
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Jean-Baptiste Théodon
Jean-Baptiste Théodon (1645–1713) was a French sculptor. Born at Vendrest (Seine-et-Marne), he formed his style working in the Manufacture royale des Gobelins organized by Jean-Baptiste Colbert, who saw to it that he was admitted to the newly founded French Academy at Rome in 1675.Roman Baroque Sculpture: The Industry of Art, by Jennifer Montagu, Yale University Press, 1992, page 107 Following the successive reinstallations of the Academy, in the company of his wife, Théodon remained in Rome for three decades, working for the popes at the Lateran and the Basilica of St. Peter, and above all for the Jesuits. After a brief visit to Paris in 1704, he returned once and for all in 1705, to participate, among sculptors of greater renown, in the installation of the Chapelle Royale at Versailles under the general direction of Jules Hardouin-Mansart, whose last major project this was, and the more immediate supervision of Robert de Cotte Robert de Cotte (; 1656 – 15 ...
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Pierre Le Gros The Younger
Pierre Le Gros (12 April 1666 Paris – 3 May 1719 Rome) was a French sculptor, active almost exclusively in Baroque Rome where he was the pre-eminent sculptor for nearly two decades.Gerhard Bissell, ''Pierre le Gros, 1666–1719'', Reading, Berkshire 1997. He created monumental works of sculpture for the Jesuits and the Dominicans and found himself centre stage of the two most prestigious artistic campaigns of his era, the ''Altar of Saint Ignatius of Loyola'' in the Gesù and the cycle of the twelve huge ''Apostle statues'' in the nave of the Lateran basilica. Le Gros' handling of the marble attracted powerful patrons like the papal treasurer Lorenzo Corsini (much later to become Pope Clement XII) and Cardinal de Bouillon, as Dean of the Sacred College the highest ranking cardinal. He also played a prominent role in more intimate settings like the chapel of the Monte di Pietà and the Cappella Antamori in San Girolamo della Carità, both little treasures of the Roma ...
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Ignatius Of Loyola
Ignatius of Loyola ( ; ; ; ; born Íñigo López de Oñaz y Loyola; – 31 July 1556), venerated as Saint Ignatius of Loyola, was a Basque Spaniard Catholic priest and theologian, who, with six companions, founded the religious order of the Society of Jesus (Jesuits), and became its first Superior General, in Paris in 1541. Ignatius envisioned the purpose of the Society of Jesus to be missionary work and teaching. In addition to the vows of chastity, obedience and poverty of other religious orders in the church, Loyola instituted a fourth vow for Jesuits of obedience to the Pope, to engage in projects ordained by the pontiff. Jesuits were instrumental in leading the Counter-Reformation. As a former soldier, Ignatius paid particular attention to the spiritual formation of his recruits and recorded his method in the '' Spiritual Exercises'' (1548). In time, the method has become known as Ignatian spirituality. He was beatified in 1609 and was canonized as a saint on 12 M ...
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Church Of The Gesù
The Church of the Gesù (, ), officially named (), is a church located at Piazza del Gesù in the Pigna (rione of Rome), Pigna ''Rioni of Rome, rione'' of Rome, Italy. It is the mother church of the Society of Jesus (best known as Jesuits). With its façade, described as "the first truly Baroque architecture, baroque façade", the church served as a model for innumerable Jesuit churches all over the world, especially in Central Europe and in Portuguese Empire, Portuguese colonies. Its paintings in the nave, Crossing (architecture), crossing, and Side chapel, side chapels became models for art in Jesuit churches throughout Italy and Europe, as well as those of other orders. The Church of the Gesù is one of the great 17th-century preaching churches built by Counter-Reformation orders like the Jesuits in the Centro Storico of Romethe others being Sant'Ignazio, Rome, Sant'Ignazio, also of the Jesuits, San Carlo ai Catinari of the Barnabites, Sant'Andrea della Valle of the Theatines ...
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Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2,746,984 residents in , Rome is the list of cities in the European Union by population within city limits, third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4,223,885 residents, is the most populous metropolitan cities of Italy, metropolitan city in Italy. Rome metropolitan area, Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City (the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See) is an independent country inside the city boun ...
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National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-third ...
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