Pediment Sculpture
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Pediment Sculpture
Pedimental sculpture is a form of architectural sculpture designed for installation in the Tympanum (architecture), tympanum, the space enclosed by the architectural element called the pediment. Originally a feature of Ancient Greek architecture, pedimental sculpture started as a means to decorate a pediment in its simplest form: a low triangle, like a gable, above an horizontal base or entablature. However, as classical architecture developed from the basis of Ancient Greek and Roman architecture, the varieties of pedimental sculpture also developed. The sculpture can be either freestanding or relief sculpture, in which case it is attached to the back wall of the pediment. Cyril M. Harris, Harris in ''The Illustrated Dictionary of Historic Architecture'' defines pediment as "In classical architecture, the triangular gable end of the roof above the horizontal cornice, often filled with sculpture." Pediments can also be used to crown doors or windows. In Romanesque architecture ...
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Paris Église Madeleine Fronton Détail 2014
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of cities in the European Union by population within city limits, fourth-most populous city in the European Union and the List of cities proper by population density, 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, Fashion capital, fashion, and gastronomy. Because of its leading role in the French art, arts and Science and technology in France, sciences and its early adoption of extensive street lighting, Paris became known as the City of Light in the 19th century. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an official estimated population of 12,271,794 inhabitants in January 2023, or ...
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Ionic Order
The Ionic order is one of the three canonic classical order, orders of classical architecture, the other two being the Doric order, Doric and the Corinthian order, Corinthian. There are two lesser orders: the Tuscan order, Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital (architecture), capital, which have been the subject of mu ...
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Amulet
An amulet, also known as a good luck charm or phylactery, is an object believed to confer protection upon its possessor. The word "amulet" comes from the Latin word , which Pliny's ''Natural History'' describes as "an object that protects a person from trouble". Anything can function as an amulet; items commonly so used include statues, coins, drawings, plant parts, animal parts, and written words. Amulets which are said to derive their extraordinary properties and powers from magic or those which impart luck are typically part of folk religion or paganism, whereas amulets or Sacramental, sacred objects of Organized religion, formalised mainstream religion as in Christianity are believed to have no power of their own without faith in Jesus and being blessing, blessed by a clergyman, and they supposedly will also not provide any preternatural benefit to the bearer who does not have an Disposition#Religion, appropriate disposition. Talisman and amulets have interchangeable meanings. ...
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Apotropaic
Apotropaic magic (From ) or protective magic is a type of magic intended to turn away harm or evil influences, as in deflecting misfortune or averting the evil eye. Apotropaic observances may also be practiced out of superstition or out of tradition, as in good luck charms (perhaps some token on a charm bracelet), amulets, or gestures such as crossed fingers or knocking on wood. Many different objects and charms were used for protection throughout history. Symbols and objects Ancient Egypt Apotropaic magical rituals were practiced throughout the ancient Near East and ancient Egypt. Fearsome deities were invoked via ritual in order to protect individuals by warding away evil spirits. In ancient Egypt, these household rituals (performed in the home, not in state-run temples) were embodied by the deity who personified magic itself, Heka. The two gods most frequently invoked in these rituals were the hippopotamus-formed fertility goddess, Taweret, and the lion-deity, ...
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Medusa
In Greek mythology, Medusa (; ), also called Gorgo () or the Gorgon, was one of the three Gorgons. Medusa is generally described as a woman with living snakes in place of hair; her appearance was so hideous that anyone who looked upon her was Petrifaction in mythology and fiction, turned to stone. Medusa and her Gorgon sisters Euryale and Stheno were usually described as daughters of Phorcys and Ceto; of the three, only Medusa was mortal. Medusa was beheaded by the Greek hero Perseus, who then used her head, which retained its ability to turn onlookers to stone, as a weapon until he gave it to the goddess Athena to place on her Aegis, shield. In classical antiquity, the image of the head of Medusa appeared in the apotropaic magic, evil-averting device known as the ''Gorgoneion''. According to Hesiod and Aeschylus, she lived and died on Sarpedon, somewhere near Cisthene (Mysia), Cisthene. The 2nd-century BC novelist Dionysios Skytobrachion puts her somewhere in Ancient Libya, ...
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Gorgon
The Gorgons ( ; ), in Greek mythology, are three monstrous sisters, Stheno, Euryale, and Medusa, said to be the daughters of Phorcys and Ceto. They lived near their sisters the Graeae, and were able to turn anyone who looked at them to stone. Euryale and Stheno were immortal, but Medusa was not and was slain by the hero Perseus. Gorgons were dread monsters with terrifying eyes. A Gorgon head was displayed on Athena's aegis, giving it the power both to protect her from any weapon, and instill great fear in any enemy. Gorgon blood was said to have both the power to heal and harm. Representations of full-bodied Gorgons and the Gorgon face, called a gorgoneion (pl. gorgoneia), were popular subjects in Ancient Greek, Etruscan and Roman iconography. While Archaic Gorgons and gorgoneia are universally depicted as hideously ugly, over time they came to be portrayed as beautiful young women. Etymology The name 'Gorgon' is associated with the Ancient Greek adjective (), which, of ...
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Archaeological Museum Of Corfu
The Archaeological Museum of Corfu () in Corfu, Greece was built between 1962 and 1965. The museum land was donated by the Corfu (city), city of Corfu. Its initial purpose was to house the archaeological finds from the Temple of Artemis (Corfu), Temple of Artemis in Corfu. In 1994 it was expanded with the addition of two more exhibit halls that display the more recent finds at the ancient citadel of Corfu. It is located on 1 Vraila Armeni St. Collections The collections of the museum include: *A collection of unknown origin. *Finds from excavations from the ancient city of Corfu. *Finds from the region of Cassiope in Corfu. *Finds from excavations in the district of Thesprotia. The main exhibits are: * The cenotaph of Menecrates/Menekrates. * The Gorgon pediment from the Temple of Artemis (Corfu), Artemis temple of Corfu. It is the oldest stone pediment in Greece dated to 590-580 BC and is described in the New York Times review of the museum as: ''the finest example of Archai ...
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Temple Of Artemis, Corfu
The Temple of Artemis is an Archaic Greece, Archaic Greek temple in Corfu, Greece, built in around 580 BC in the ancient city of Korkyra (polis), Korkyra (or Corcyra), now called Corfu (city), Corfu. It is found on the property of the Saint Theodore monastery, which is located in the suburb of Garitsa. The temple was dedicated to Artemis. It is known as one of the first Doric temples built exclusively of stone. It is also considered one of the first buildings to have incorporated all the elements of the Doric architectural style. Sharing these historical records with the Temple of Apollo (Syracuse), Temple of Apollo in Syracuse in Sicily (Italy). Very few Greek temple reliefs from the Archaic period have survived, and the large fragments of the group from the pediment are the earliest significant survivals. It was excavated from 1911 onwards. The temple was a peripteral–styled building with a pseudodipteral configuration. Its perimeter was rectangular, with width of and lengt ...
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Ancient Greek Art
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in Ancient Greek sculpture, sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery. Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament (art), ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the ...
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Terracotta
Terracotta, also known as terra cotta or terra-cotta (; ; ), is a clay-based non-vitreous ceramic OED, "Terracotta""Terracotta" MFA Boston, "Cameo" database fired at relatively low temperatures. It is therefore a term used for earthenware objects of certain types, as set out below. Usage and definitions of the term vary, such as: *In art, pottery, applied art, and craft, "terracotta" is a term often used for red-coloured earthenware sculptures or functional articles such as flower pots, water and waste water pipes, and tableware. *In archaeology and art history, "terracotta" is often used to describe objects such as figurines and loom weights not made on a potter's wheel, with vessels and other objects made on a wheel from the same material referred to as earthenware; the choice of term depends on the type of object rather than the material or shaping technique. *Terracotta is also used to refer to the natural brownish-orange color of most terracotta. *In architecture, ...
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Acroteria
An acroterion, acroterium, (pl. akroteria) is an architectural ornament placed on a flat pedestal called the ''acroter'' or plinth, and mounted at the apex or corner of the pediment of a building in the classical style. An acroterion placed at the outer angles of the pediment is an ''acroterion angularium'' (' means ‘at the corners’). The acroterion may take a wide variety of forms, such as a statue, tripod, disc, urn, palmette or some other sculpted feature. Acroteria are also found in Gothic architecture. They are sometimes incorporated into furniture designs. Etymology The word comes from the Greek ' ( 'summit, extremity'), from the comparative form of the adjective ἄκρος, ("extreme", "endmost") + -τερος (comparative suffix) + -ιον (substantivizing neuter form of adjectival suffix -ιος). It was Latinized by the Romans as '. ''Acroteria'' is the plural of both the original Greek and the Latin form. According to Webb, during the Hellenistic perio ...
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