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Pastourelle
The pastourelle (; also ''pastorelle'', ''pastorella'', or ''pastorita'' is a typically Old French lyric form concerning the romance of a shepherdess. In most of the early pastourelles, the poet knight meets a shepherdess who bests him in a battle of wit and who displays general coyness. The narrator usually has sexual relations, either consensual or rape, with the shepherdess, and there is a departure or escape. Later developments moved toward pastoral poetry by having a shepherd and sometimes a love quarrel. The form originated with the troubadour poets of the 12th century and particularly with the poet Marcabru ( pastorela). This troubadour form melded with goliard poetry and was practiced in France and Occitania until the '' Carmina Burana'' of ''c.'' 1230. In Spanish literature, the pastourelle influenced the ''serranilla'', and fifteenth century pastourelles exist in French, German, English, and Welsh. One short Scots example is '' Robene and Makyne''. Adam d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastorela
The ''pastorela'' (, "little/young shepherdess") was an Occitan lyric genre used by the troubadours. It gave rise to the Old French ''pastourelle The pastourelle (; also ''pastorelle'', ''pastorella'', or ''pastorita'' is a typically Old French lyric form concerning the romance of a shepherdess. In most of the early pastourelles, the poet knight meets a shepherdess who bests him in a bat ...''. The central topic was always the meeting of a knight with a shepherdess, which could lead to any of a number of possible conclusions. They were usually humorous pieces. The genre was allegedly invented by Cercamon, whose examples do not survive, and was most famously taken up by his (alleged) pupil Marcabru. Table of ''pastorelas'' Only a few pastorelas have survived; Audiau counts 24 "true" Old Occitan examples, mentioning 10 others which resemble them but belong to other genres and one which is a translation from French. Zemp reduces this number further, to 17. Notes Reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastoral Poetry
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, define ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a '' trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, '' trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his '' De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmina Burana
''Carmina Burana'' (, Latin for "Songs from Benediktbeuern" 'Buria'' in Latin is a manuscript of 254 poems and dramatic texts mostly from the 11th or 12th century, although some are from the 13th century. The pieces are mostly bawdy, irreverent, and satirical. They were written principally in Medieval Latin, a few in Middle High German and old Arpitan. Some are macaronic, a mixture of Latin and German or French vernacular. They were written by students and clergy when Latin was the lingua franca throughout Italy and western Europe for travelling scholars, universities, and theologians. Most of the poems and songs appear to be the work of Goliards, clergy (mostly students) who satirized the Catholic Church. The collection preserves the works of a number of poets, including Peter of Blois, Walter of Châtillon and an anonymous poet referred to as the Archpoet. The collection was found in 1803 in the Benedictine monastery of Benediktbeuern, Bavaria, and is now housed in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robene And Makyne
"Robene and Makyne" is a short poem by the 15th-century Scottish makar Robert Henryson. It is an early example of Scottish ''pastourelle'' written in a form of ballad stanza and is almost unique of its kind. Very simple in structure and plot, yet highly compressed, multi-layered and open in its possible interpretations, it exemplifies Henryson's ability to combine complexity and restraint. The brevity and balanced structure of the poem creates effects that invite comparisons with music. Outline Robene and Makyne (also spelt ''Mawkin'') are stock names for peasant characters, a shepherd and a country maiden. Henryson presents the two characters in the sparest of terms and much in the poem has to be inferred. Strictly speaking, nothing in the text verifies precisely who Makyne might be. In the first half of the poem she declares longstanding love for Robene but he is indifferent to her feelings. Minds quickly change and in the closing arc the hopeless declaration is from Roben ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms ( Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Welsh Language
Welsh ( or ) is a Celtic language of the Brittonic subgroup that is native to the Welsh people. Welsh is spoken natively in Wales, by some in England, and in Y Wladfa (the Welsh colony in Chubut Province, Argentina). Historically, it has also been known in English as "British", "Cambrian", "Cambric" and "Cymric". The Welsh Language (Wales) Measure 2011 gave the Welsh language official status in Wales. Both the Welsh and English languages are ''de jure'' official languages of the Welsh Parliament, the Senedd. According to the 2021 census, the Welsh-speaking population of Wales aged three or older was 17.8% (538,300 people) and nearly three quarters of the population in Wales said they had no Welsh language skills. Other estimates suggest that 29.7% (899,500) of people aged three or older in Wales could speak Welsh in June 2022. Almost half of all Welsh speakers consider themselves fluent Welsh speakers and 21 per cent are able to speak a fair amount of Welsh. The Welsh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Poetry
French poetry () is a category of French literature. It may include Francophone poetry composed outside France and poetry written in other languages of France. French prosody and poetics The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables ee "musique mesurée". The most common Meter (poetry)">metric lengths are the ten-syllable line (decasyllable), the eight-syllable line (octosyllable) and the twelve-syllable line (the so-called "French alexandrine, alexandrin"). In traditional French poetry, all permissible Liaison (linguistics), liaisons are made between words. Furthermore, unlike modern spoken French (at least in the north of France), a silent or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Medieval Lyric Forms
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The Baffled Knight
"The Baffled Knight" or "Blow Away the Morning Dew" () is a traditional ballad existing in numerous variants. The first-known version was published in Thomas Ravenscroft's ''Deuteromelia'' (1609) with a matching tune, making this one of the few early ballads for which there is extant original music. The song was included in such notable collections as '' Pills to Purge Melancholy'' by Thomas d'Urfey (1719–1720) and ''Reliques of Ancient English Poetry'' by Thomas Percy (1765). Versions were collected in England, Scotland, the USA, Canada. One version was recorded by Cecil Sharp from John Dingle (Coryton, Devon, 12 September 1905). The "Blow Away the Morning Dew" version was used in the third movement of Ralph Vaughan Williams' '' English Folk Song Suite'' (1923). Norfolk fisherman Sam Larner sang this same melody to Ewan MacColl and Peggy Seeger in 1958-60, then was filmed performing the song in 1962. Synopsis A knight (or in later versions a farmer's son or a shepherd's son) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faerie Queene
''The Faerie Queene'' is an English epic poem by Edmund Spenser. Books IIII were first published in 1590, then republished in 1596 together with books IVVI. ''The Faerie Queene'' is notable for its form: at over 36,000 lines and over 4,000 stanzas it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian stanza. On a literal level, the poem follows several knights as a means to examine different virtues, and though the text is primarily an allegorical work, it can be read on several levels of allegory, including as praise (or, later, criticism) of Queen Elizabeth I. In Spenser's "Letter of the Authors", he states that the entire epic poem is "cloudily enwrapped in Allegorical devices", and that the aim of publishing ''The Faerie Queene'' was to "fashion a gentleman or noble person in virtuous and gentle discipline". Spenser presented the first three books of ''The Faerie Queene'' to Elizabeth I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Spenser
Edmund Spenser (; 1552/1553 – 13 January 1599) was an English poet best known for '' The Faerie Queene'', an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse and is often considered one of the greatest poets in the English language. Life Edmund Spenser was born in East Smithfield, London, around the year 1552; however, there is still some ambiguity as to the exact date of his birth. His parenthood is obscure, but he was probably the son of John Spenser, a journeyman clothmaker. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge. While at Cambridge he became a friend of Gabriel Harvey and later consulted him, despite their differing views on poetry. In 1578, he became for a short time secretary to John Young, Bishop of Rochester. In 1579, he published ''The Shepheardes Calender'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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