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Pasindhèn
A pasindhèn () (informally ) is an Indonesian female solo singer who sings with a gamelan. They may perform in dance, wayang or ''klenèngan'' (pure music or "concert") performances. The ''pesindhèn'' may sing together with a gerong (male chorus), but their styles and words will be different. The part of the ''sindhèn'' is largely improvised within strict parameters (similar to instrumental cengkok). The ''sindhèn'' is also allowed a much freer rhythm, similar to the rebab and suling, instead of the strict rhythm of the gerong. Sindhen can also refer to the choir of male and female singers used to accompany the bedhaya and serimpi court dances. In this usage, ''pesindhen'' refers to the individual members of the choir. History The original term for ''pasindhèn'' was ''waranggana'', and the women were exclusively background singers for ''wayang'' and ''klenèngan'' performances. This word was derived from ronggeng, which had undertones of lasciviousness, so in 1948 the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan (; ; , ; ) is the traditional musical ensemble, ensemble music of the Javanese people, Javanese, Sundanese people, Sundanese, and Balinese people, Balinese peoples of Indonesia, made up predominantly of percussion instrument, percussive instruments. The most common instruments used are metallophones (played with mallets) and a set of hand-drums called ''kendang'', which keep the beat (music), beat. The ''kemanak'', a banana-shaped idiophone, and the ''gangsa'', another metallophone, are also commonly used gamelan Musical instrument, instruments on Bali. Other notable instruments include xylophones, bamboo flutes (similar to the Indian ''bansuri''), a bowed string instrument called a ''rebab'' (somewhat similar to the ''gadulka'' of Bulgaria), and a zither-like instrument called a ''siter'', used in Javanese gamelan. Additionally, vocalists may be featured, being referred to as ''sindhen'' for females or ''gerong'' for males.Sumarsam (1998)''Introduction to Javanese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayang
( , ) is a traditional form of puppet theatre play originating from the Indonesian island of Java. The term refers both to the show as a whole and the puppet in particular. Performances of wayang puppet theatre are accompanied by a ''gamelan'' orchestra in Java, and by '' gender wayang'' in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the ''Ramayana'' and the ''Mahabharata'', as well as local adaptations of cultural legends. Traditionally, a is played out in a ritualized midnight-to-dawn show by a , an artist and spiritual leader; people watch the show from both sides of the screen. performances are still very popular among Indonesians, especially in the islands of Java and Bali. performances are usually held at certain rituals, certain ceremonies, certain events, and even tourist attractions. In ritual contexts, puppet shows are used for prayer rituals (held in temples in Bali), ritual (cleansing children from bad luck), and ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerong
''Gerong'' () is the Javanese verb meaning "to sing in a chorus." ''Penggerong'' is the proper name of a member of the chorus, but often the word gerong is used to refer to the unison male chorus that sings with the gamelan. The chorus or the melody may also be called the gerongan. The gerong generally sings in distinct sections of a gamelan composition. Certain standard texts in Javanese poetic meters of various structures are used in many compositions; some are based in Javanese poetic forms known as macapat. Some pieces have specific texts written for them, but this is often a special treatment. Female singers are referred to as ''pesindhen'', and may sing in a separate group, a combined group with the men, or as a solo female voice, with or without a male chorus. A gerong part is different from that of a single female singer sindhen, in that the chorus must sing together, and is generally more connected to the steady pulse of the underlying gamelan parts. While vocal parts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cengkok
Céngkok () (old orthography: ''tjengkok'') are patterns played by the elaborating instruments used in Indonesian Javanese gamelan. They are melodic formula that lead to a '' sèlèh'',Brinner, Benjamin (2008). ''Music in Central Java'', p.157. . following the rules of the ''pathet'' of the piece. The most elaborate ''cengkok'' repertoire is that of the '' gendér barung''. The '' gambang'' and '' siter'', on the other hand, do not have such formalized sets of ''cengkok'', and therefore may vary more from performer to performer. Most ''cengkok'' derive from the vocal repertoire, and many have names that originally came from lyrics, like the well-known " Ayu kuning". They may incorporate pre-existent melodic patterns through a process of centonization. See also * Gamelan * Seleh * Sekaran * Pathet * Music of Indonesia * Music of Java The Music of Java embraces a wide variety of styles, both traditional and contemporary, reflecting the diversity of the island and its leng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebab
''Rebab'' (, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Middle East, Central Asia, Southeast Asia, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly three main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this variant have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; plucked versions like the '' Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suling
The suling ( Sundanese: ) is a musical instrument of the Sundanese people in Indonesia. It is used in the Degung ensemble. Bamboo ring flute can also be found in Southeast Asia, especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. Construction Sulings are made mainly of ''tamiang'' bamboo (''Schizostachyum blumei'', Nees), a long, thin-walled bamboo tube. The mouthpiece of the suling is circled with a thin band made of rattan near a small hole. Playing method To play the suling, performers blow into a gap between the rattan band and the bamboo tube at one end of the instrument. There are two factors that affect a fine suling's tone: #Fingering position. #Speed of the airflow blown by the mouth. This factor also should be supported with the position of the mouth around the blowing hole. The fingering position changes the wavelength of sound resonance inside the suling's body. Depending on the distance of nearest hole to the suling's head, different notes c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bedhaya
The bedhaya (also written as bedoyo, beḍaya and various other transliterations) () is a sacred, ritualised Javanese dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. Along with the srimpi, the bedhaya epitomized the elegant () character of the royal court and became an important symbol of the ruler's power. The bedhaya has different forms in the two court cities, the ''bedhaya Ketawang'' in Surakarta (Solo) and the ''bedhaya Semang'' in Yogyakarta, the latter of which has not been performed for more than 20 years. The Solonese dance continues to be performed once per year on the second day of the Javanese month of Ruwah (May), to commemorate the ascension of the current Susuhunan (prince) of Surakarta. Nine females, relatives or wives of the Susuhunan, perform the dance before a private audience. An invitation to anyone outside of the inner circle of the court is a considerable honor.Becker, 143. History Some kind of female dance known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serimpi
The Srimpi () (also written as Serimpi) is a ritualised Javanese dance, dance of Java (island), Java, Indonesia, associated with the royal palaces of Yogyakarta Sultanate, Yogyakarta and Surakarta Sunanate, Surakarta. The ''srimpi'' dance is one of the classical dances of Central Java. Along with the ''bedhaya'', ''srimpi'' epitomised the elegant () character of the royal Javanese people, Javanese court, becoming a symbol of the ruler's power as well as the refinement of Javanese culture. Form and movement The ''srimpi'' dance is usually performed by four female dancers, but other numbers such as two, six or eight dancers are also possible, depending on the type of ''srimpi'' being performed. Similarity in looks, heights, and body types among dancers is preferred to achieve better aesthetics. ''Srimpi'' demonstrates soft, slow, and graceful movements, highly stylised hand positions, stances, and body poses, coupled with the shoulder-baring ''kemben'' outfit, to describe elegance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronggeng
Ronggeng () is a type of Javanese dance in which couples exchange poetic verses as they dance to the music of a rebab or violin and a gong. Ronggeng originated in Java, Indonesia. Ronggeng has probably existed in Java since ancient time as the bas reliefs in Karmawibhanga section of the eighth-century Borobudur display the scene of a travelling entertainment troupe with musicians and female dancers. In Java, a traditional ronggeng performance features a traveling dance troupe that travels from village to village. The dance troop consists of one or several professional female dancers, accompanied by a group of musicians playing musical instruments: rebab and gong. The term "ronggeng" also applied for this female dancers. During a ronggeng performance, the female professional dancers are expected to invite some male audiences or clients to dance with them as a couple with the exchange of some tips money for the female dancer, given during or after the dance. The couple dances inti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan (; ; , ; ) is the traditional musical ensemble, ensemble music of the Javanese people, Javanese, Sundanese people, Sundanese, and Balinese people, Balinese peoples of Indonesia, made up predominantly of percussion instrument, percussive instruments. The most common instruments used are metallophones (played with mallets) and a set of hand-drums called ''kendang'', which keep the beat (music), beat. The ''kemanak'', a banana-shaped idiophone, and the ''gangsa'', another metallophone, are also commonly used gamelan Musical instrument, instruments on Bali. Other notable instruments include xylophones, bamboo flutes (similar to the Indian ''bansuri''), a bowed string instrument called a ''rebab'' (somewhat similar to the ''gadulka'' of Bulgaria), and a zither-like instrument called a ''siter'', used in Javanese gamelan. Additionally, vocalists may be featured, being referred to as ''sindhen'' for females or ''gerong'' for males.Sumarsam (1998)''Introduction to Javanese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerongan
''Gerong'' () is the Javanese verb meaning "to sing in a chorus." ''Penggerong'' is the proper name of a member of the chorus, but often the word gerong is used to refer to the unison male chorus that sings with the gamelan. The chorus or the melody may also be called the gerongan. The gerong generally sings in distinct sections of a gamelan composition. Certain standard texts in Javanese poetic meters of various structures are used in many compositions; some are based in Javanese poetic forms known as macapat. Some pieces have specific texts written for them, but this is often a special treatment. Female singers are referred to as ''pesindhen'', and may sing in a separate group, a combined group with the men, or as a solo female voice, with or without a male chorus. A gerong part is different from that of a single female singer sindhen, in that the chorus must sing together, and is generally more connected to the steady pulse of the underlying gamelan parts. While vocal parts f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
