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Paraph
Paraph may refer to: * Paraph, a flourish at the end of a signature * Paraph, an alternative name for the pilcrow sign ¶ *''Paraphs'', a 1928 book by Hermann Püterschein illustrated by William Addison Dwiggins See also * * Paragraph {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signature
A signature (; from la, signare, "to sign") is a Handwriting, handwritten (and often Stylization, stylized) depiction of someone's name, nickname, or even a simple "X" or other mark that a person writes on documents as a proof of identity and intent. The writer of a signature is a signatory or signer. Similar to a handwritten signature, a signature work describes the work as readily identifying its creator. A signature may be confused with an autograph, which is chiefly an artistic signature. This can lead to confusion when people have both an autograph and signature and as such some people in the public eye keep their signatures private whilst fully publishing their autograph. Function and types The traditional function of a signature is to permanently affix to a document a person's uniquely personal, undeniable self-identification as physical evidence of that person's personal witness and certification of the content of all, or a specified part, of the document. For examp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilcrow
The pilcrow, ¶, is a handwritten or typographical character used to identify a paragraph. It is also called the paragraph mark (or sign or symbol), paraph, or blind P. The pilcrow may be used at the start of separate paragraphs or to designate a new paragraph in one long piece of copy, as Eric Gill did in his 1931 book ''An Essay on Typography''. The pilcrow was a type of rubrication used in the Middle Ages to mark a new train of thought, before the convention of visually discrete paragraphs was commonplace. In some medieval texts, it indicated a new sentence. In recent times, the symbol has been given a wider variety of roles, as listed below. The pilcrow is usually drawn similarly to a lowercase reaching from descender to ascender height; the bowl (loop) can be filled or unfilled. It may also be drawn with the bowl stretching further downwards, resembling a reversed ; this is more often seen in older printing. Origin and name The word 'pilcrow' originates from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Addison Dwiggins
William Addison Dwiggins (June 19, 1880 – December 25, 1956), was an American type designer, calligrapher, and book designer. He attained prominence as an illustrator and commercial artist, and he brought to the designing of type and books some of the boldness that he displayed in his advertising work. His work can be described as ornamented and geometric, similar to the Art Moderne and Art Deco styles of the period, using Oriental influences and breaking from the more antiquarian styles of his colleagues and mentors Updike, Cleland and Goudy. Career Dwiggins began his career in Chicago, working in advertising and lettering. With his colleague Frederic Goudy, he moved east to Hingham, Massachusetts, where he spent the rest of his life. He gained recognition as a lettering artist and wrote much on the graphic arts, notably essays collected in MSS by WAD (1949), and his ''Layout in Advertising'' (1928; rev. ed. 1949) remains standard. During the first half of the twentieth ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
