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Paradox (literature)
In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence. Literary or rhetorical paradoxes abound in the works of Oscar Wilde and G. K. Chesterton. Most literature deals with paradox of situation; Rabelais, Cervantes, Sterne, Borges, and Chesterton are recognized as masters of the situation as well as a verbal paradox. Statements such as Wilde's "I can resist anything except temptation" and Chesterton's "spies do not look like spies"From "A Tall Story" in '' The Paradoxes of Mr. Pond''. are examples of rhetorical paradox. Further back, Polonius' observation that "though this be madness, yet there is a method in't" is a memorable third. Also, statements that are illogical and metaphoric may be called ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature
Literature is any collection of Writing, written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, Play (theatre), plays, and poetry, poems. It includes both print and Electronic literature, digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed.; see also Homer. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role. Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composed Upon Westminster Bridge, September 3, 1802
"Composed upon Westminster Bridge, September 3, 1802" is a Petrarchan sonnet by William Wordsworth describing London and the River Thames, viewed from Westminster Bridge in the early morning. It was first published in the collection '' Poems, in Two Volumes'' in 1807. History The sonnet was originally dated 1803, but this was corrected in later editions and the date of composition given precisely as 31 July 1802, when Wordsworth and his sister Dorothy were travelling to Calais to visit Annette Vallon and his daughter Caroline by Annette, prior to his forthcoming marriage to Mary Hutchinson. The sonnet has always been popular, escaping the generally excoriating reviews from critics such as Francis Jeffrey in the ''Edinburgh Review'' when ''Poems in Two Volumes'' was first published. The reason undoubtedly lies in its great simplicity and beauty of language, turning on Dorothy's observation that this man-made spectacle is nevertheless one to be compared to nature's grandest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imre Szeman
Imre Szeman (born 26 July 1968) is a Canadian cultural theorist, professor, and public intellectual. He is Director of the Institute for Environment, Conservation, and Sustainability and Professor of Human Geography at the University of Toronto Scarborough. Szeman was previously University Research Chair of Environmental Communication at the University of Waterloo (2017–2022), Canada Research Chair of Cultural Studies at the University of Alberta (2009–2016), and Senator William McMaster Chair in Globalization and Cultural Studies at McMaster University. In 2020, Szeman was named as a Fellow of the Royal Society of Canada. In 2022, he was the Leverhulme Visiting professor in Critical Studies at the University of Glasgow. From 2021 to 2022, Szeman served as the Climate Critic for the Green Party of Canada. In 2024, he became the Critic for Electoral Reform in the Green Party's Shadow Cabinet but resigned from the party in early 2025. Career Szeman received his B.A. from Quee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Entendre
A double entendre (plural double entendres) is a figure of speech or a particular way of wording that is devised to have a double meaning, one of which is typically obvious, and the other often conveys a message that would be too socially unacceptable, or offensive to state directly. A double entendre may exploit puns or word play to convey the second meaning. Double entendres generally rely on multiple meanings of words, or different interpretations of the same primary meaning. They often exploit ambiguity and may be used to introduce it deliberately in a text. Sometimes a homophone can be used as a pun. When three or more meanings have been constructed, this is known as a "triple entendre", etc. Etymology According to the Merriam-Webster Unabridged Dictionary and the Oxford English Dictionary, the expression comes from the rare and obsolete French (language), French expression, which literally meant "double meaning" and was used in the senses of "double understanding" or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Affective Fallacy
Affective fallacy is a term from literary criticism used to refer to the supposed error of judging or evaluating a text on the basis of its emotional effects on a reader. The term was coined by W.K. Wimsatt and Monroe Beardsley in 1949 as a principle of New Criticism which is often paired with their study of ''The Intentional Fallacy''. Concept The concept of affective fallacy is an answer to the idea of impressionistic criticism, which argues that the reader's response to a poem is the ultimate indication of its value. It is the antithesis of affective criticism, which is the practice of evaluating the effect that a literary work has on its reader or audience. The concept was presented after the authors had presented their paper on ''The Intentional Fallacy''. First defined in an article published in ''The Sewanee Review'' in 1946, the concept of an affective fallacy was most clearly articulated in ''The Verbal Icon'', Wimsatt's collection of essays published in 1954. Wimsatt use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intentional Fallacy
In literary theory and aesthetics, authorial intent refers to an author's intention, intent as it is encoded in their Work of art, work. Authorial intentionalism is the Hermeneutics, hermeneutical view that an author's intentions should constrain the ways in which a text is properly interpreted. Opponents, who dispute its hermeneutical importance, have labelled this position the intentional fallacy and count it among the informal fallacies. There are in fact two types of Intentionalism: Actual Intentionalism and Hypothetical Intentionalism. Actual Intentionalism is the standard intentionalist view that the meaning of a work is dependent on authorial intent. Hypothetical Intentionalism is a more recent view; it views the meaning of a work as being what an ideal reader would hypothesize the writer's intent to have been — for hypothetical intentionalism, it is ultimately the hypothesis of the reader, not the truth, that matters. Types of actual intentionalism Extreme intentionali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet
''The Tragedy of Romeo and Juliet'', often shortened to ''Romeo and Juliet'', is a Shakespearean tragedy, tragedy written by William Shakespeare about the romance between two young Italians from feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with ''Hamlet'', is one of his most frequently performed. Today, the Title character, title characters are regarded as Archetype, archetypal young lovers. ''Romeo and Juliet'' belongs to a tradition of tragic Romance (love), romances stretching back to Ancient history, antiquity. The plot is based on an Italian tale written by Matteo Bandello, translated into verse as ''The Tragical History of Romeus and Juliet'' by Arthur Brooke (poet), Arthur Brooke in 1562, and retold in prose in ''Palace of Pleasure'' by William Painter (author), William Painter in 1567. Shakespeare borrowed heavily from both but expanded the plot by developing a number of supporting characters, in particular Mercutio a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakespeare
William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" or simply "the Bard". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592 he began a successful career in Lon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide, or obscure, clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an Analogy, analogy. Analysts group metaphors with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. According to Grammarly, "Figurative language examples include similes, metaphors, personification, hyperbole, allusions, and idioms." One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from ''As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, ''As You Like It'', 2/7 This quotation expresses a metaphor because the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Canonization
"The Canonization" is a poem by English metaphysical poet John Donne. First published in 1633, the poem is viewed as exemplifying Donne's wit and irony. It is addressed to one friend from another, but concerns itself with the complexities of romantic love: the speaker presents love as so all-consuming that lovers forgo other pursuits to spend time together. In this sense, love is asceticism, a major conceit in the poem. The poem's title serves a dual purpose: while the speaker argues that his love will canonise him into a kind of sainthood, the poem itself functions as a canonisation of the pair of lovers. New Critic Cleanth Brooks used the poem, along with Alexander Pope's " An Essay on Man" and William Wordsworth's " Composed upon Westminster Bridge, September 3, 1802", to illustrate his argument for paradox as central to poetry. Imagery The poem features images typical of the Petrarchan sonnet, yet they are more than the "threadbare Petrarchan conventionalities". In cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Donne
John Donne ( ; 1571 or 1572 – 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a clergy, cleric in the Church of England. Under Royal Patronage, he was made Dean of St Paul's, Dean of St Paul's Cathedral in London (1621–1631). He is considered the preeminent representative of the metaphysical poets. His poetical works are noted for their metaphorical and sensual style and include sonnets, love poems, religious poems, Latin translations, epigrams, elegies, songs and satires. He is also known for his sermons. Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
