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Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment, generally combining gender-crossing actors and topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre developed in England in the 18th century, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. The origins of pantomime reach back to ancient Greek classical theatre. It developed partly from the 16th century commedia dell'arte tradition of Italy and partly from other European and British stage traditions, such as 17th-century masques and music hall. An important part of the pantomime, until the late 19th century, was the harlequinade. Modern pantomime is performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warne Pantomine 1890
Warne may refer to: * Warne (car), British 4-wheeled cyclecar made 1913–1915 * Warne (river), a river of Lower Saxony, Germany * Warne, North Carolina, an unincorporated community of North Carolina, United States * Warne, Victoria, a town in Victoria, Australia *Frederick Warne & Co, book publishers People with the surname * Baz Warne (born 1964), English musician * Bill Warne (1914–1945), Australian rules footballer * Charles Warne (1802–1887), English antiquarian and archæologist * Colston Warne, (1900–1987), professor of economics and one of the founders of Consumers Union * Frank Warne (1906–1994), Australian cricketer * Frank Julian Warne (1874–1948), American journalist, economist and statistician *Frederick Warne (1825–1901), British publisher * George Warne (organist) (1792–1868), English organist * George Warne (1881–1928), British politician * Helene Warne, British film editor who worked on American films during the 1920s and early 1930s * H. Rus Warne ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greece
Ancient Greece () was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity (), that comprised a loose collection of culturally and linguistically related city-states and communities. Prior to the Roman period, most of these regions were officially unified only once under the Kingdom of Macedon from 338 to 323 BC. In Western history, the era of classical antiquity was immediately followed by the Early Middle Ages and the Byzantine period. Three centuries after the decline of Mycenaean Greece during the Bronze Age collapse, Greek urban poleis began to form in the 8th century BC, ushering in the Archaic period and the colonization of the Mediterranean Basin. This was followed by the age of Classical Greece, from the Greco-Persian Wars to the death of Alexander the Great in 323 BC, and which included the Golden Age of Athens and the Peloponnesian War. The u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude-François Ménestrier
Claude-François Ménestrier (9 March 1631 – 21 January 1705) was a French Heraldry, heraldist, writer, member of the Society of Jesus [Jesuit], and attendant of the royal court. Ménestrier was born in Lyon. He composed numerous books on heraldry, in which he was one of the greatest authorities of his age, the professor of the colleges in Chambéry, Vienne (department), Vienne, Grenoble, and Lyon. During 1669-70 he traveled to Germany and Italy, but reached Paris and lived there to his death. Menestrier's early treatises clearly show the influence of Emanuele Tesauro's theoretical work, and in particular the content of his best-known treatise, the ''Cannocchiale aristotelico''. He was the most widely known heraldist of his time, and was from 1622 in close correspondence with Philipp Jakob Spener, the founder of the German scientific heraldry who refused the merely symbolic interpretation of arms. Ménestrier maintained that we can know the essence of heraldry only from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet D'action
Ballet d'action is a hybrid genre of expressive and symbolic ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ... that emerged during the 18th century. One of its chief aims was to liberate the conveyance of a story via spoken or sung words, relying simply on quality of movement to communicate actions, motives, and emotions. The expression of dancers was highlighted in many of the influential works as a vital aspect of the ballet d'action. To become an embodiment of emotion or passion through free expression, movement, and realistic choreography was one chief aim of this dance. Thus, the mimetic aspect of dance was used to convey what the lack of dialogue could not. Certainly, there may have been codified gestures; however, a main tenant of the ballet d'action was to free dance f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Dance
Concert dance (also known as performance dance or theatre dance in the United Kingdom) is dance performed for an audience. It is frequently performed in a theatre setting, though this is not a requirement, and it is usually choreographed and performed to set music. By contrast, social dance and participation dance may be performed without an audience and, typically, these dance forms are neither choreographed nor danced to set music, though there are exceptions. For example, some ceremonial dances and baroque dances blend concert dance with participation dance by having participants assume the role of performer or audience at different moments. Forms Many dance styles are principally performed in a concert dance context, including these: *Ballet originated as courtroom dance in Italy, then flourished in France and Russia before spreading across Europe and abroad. Over time, it became an academic discipline taught in schools and institutions. Amateur and professional troupes fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeneid
The ''Aeneid'' ( ; or ) is a Latin Epic poetry, epic poem that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan War#Sack of Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome, Romans. Written by the Roman poet Virgil between 29 and 19 BC, the ''Aeneid'' comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins (Italic tribe), Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the ''Iliad''. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Ancient Rome, Rome and his description as a personage of no fixed characteristics other than a scrupulous ''pietas'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Loves Of Mars And Venus
The ''Loves of Mars and Venus'' by John Weaver was arguably the first modern ballet, the first dance work to tell a story through dance, gesture and music alone. Its first performance was at London's Drury Lane Theatre on Saturday 2 March 1717. Background Before 1717 ballet had always been part of operas and plays and dependent on their words to narrate the drama. ''The Loves of Mars and Venus'' was a danced drama, equal to the plays seen on London’s stage, described in its own time as a ‘Dramatic Entertainment of Dancing’, “the first of this kind produced upon the British Stage or in the Kingdom”. All the action was conveyed in dance and mime alone, setting a pattern for future ballets”. The story Its immediate source was Peter Anthony Motteux's play, ''The Loves of Mars and Venus'', written in 1695. With six scenes full of dancing and gestures, It lasted an estimated 40 minutes. The performance At the first performances of ''The Loves of Mars and Venus' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mime
A mime artist, or simply mime (from Greek language, Greek , , "imitator, actor"), is a person who uses ''mime'' (also called ''pantomime'' outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound. Jacques Copeau, strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scabellum
A scabellum, Latin word from ancient Greek ''krupalon'' or ''krupezon'', is a percussion instrument, a kind of clapper (musical instrument), Clapper used in ancient Rome and ancient Greece, Greece. It is worn like a sandal by the right foot, used in antiquity by the Conductor (music), conductor or by the Aulos, aulos player to mark the rhythm. A scabellum is composed of two wooden or metallic plates, forming two thick soles connected by a hinge at the back. Two small cymbals were often fixed; it may be considered as an ancestor of the Hi-hat. References Sources * See also Plaque concussion idiophones Foot percussion Unpitched percussion instruments {{Idiophone-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulse (music)
In music theory, the pulse is a series of uniformly spaced beats—either audible or implied—that sets the tempo and is the scaffolding for the rhythm. By contrast, rhythm is always audible and can depart from the pulse. So while the rhythm may become too difficult for an untrained listener to fully match, nearly any listener instinctively matches the pulse by simply tapping uniformly, despite rhythmic variations in timing of sounds alongside the pulse.Fitch, W. Tecumseh and Rosenfeld, Andrew J. (2007). Definitions The tempo is the speed of the pulse. If a pulse becomes too fast it would become a drone; one that is too slow would be perceived as unconnected sounds.P. Fraisse, ''Les Structures Rhythmiques'', Erasme Paris 1956, H Woodrow ''Time Perception'' in "A Handbook of Experimental Psychology", ed. S.S. Stevens, Wiley, NY 1951, both quoted at http://www.zeuxilogy.home.ro/media/manifesto.pdf zeuxilogy.home.ro) When the period of any continuous beat is faster than 8–10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucian Of Samosata
Lucian of Samosata (Λουκιανὸς ὁ Σαμοσατεύς, 125 – after 180) was a Hellenized Syria (region), Syrian satire, satirist, rhetorician and pamphleteer who is best known for his characteristic tongue-in-cheek style, with which he frequently ridiculed superstition, religious practices, and belief in the paranormal. Although his native language was probably Syriac language, Syriac, all of his extant works are written entirely in ancient Greek (mostly in the Attic Greek dialect popular during the Second Sophistic period). Everything that is known about Lucian's life comes from his own writings, which are often difficult to interpret because of his extensive use of sarcasm. According to his oration ''The Dream'', he was the son of a lower middle class family from the city of Samosata along the banks of the Euphrates in the remote Roman province of Roman Syria, Syria. As a young man, he was apprenticed to his uncle to become a sculptor, but, after a failed attempt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Chorus
A Greek chorus () in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage. Historically, the chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks. The players used masks to change their emotions while they were performing. History A common theory for the origin of the Greek chorus stems from the ancient Greek poet Arion's invention of the tragedy, the stationary chorus, and satyrs' verses. In Aristotle's ''Poetics,'' he writes that " ragedy'sbeginnings, certainly, were in improvisation utoschediastikês as were also those for comedy, tragedy originating in impromptus by the leaders of dithyrambic choruses, and comedy in those of the leaders of the phallic performances which still remain customary in many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
