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Panel Paintings
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall (fresco) or on vellum (used for miniatures in illuminated manuscripts). Wood panels were also used for mounting vellum paintings. History Panel painting is very old; it was a very prestigious medium in Greece and Rome, but only very few examples of ancient panel paintings have survived. A series of 6th century BC painted tablets from Pitsa (Greece) represent the oldest surviving Greek panel paintings. Most classical Greek paintings that were famous in their day seem to have been of a size comparable to smaller modern works – perhaps up to a half-length portrait size. However, for a generation in the second quarter of the fifth-century BC there was a movement, called the "new painting" and led by Polygnotus, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Egypt
Roman Egypt was an imperial province of the Roman Empire from 30 BC to AD 642. The province encompassed most of modern-day Egypt except for the Sinai. It was bordered by the provinces of Crete and Cyrenaica to the west and Judaea, later Arabia Petraea, to the East. Egypt was conquered by Roman forces in 30 BC and became a province of the new Roman Empire upon its formation in 27 BC. Egypt came to serve as a major producer of grain for the empire and had a highly developed urban economy. It was by far the wealthiest Roman province outside of Italy. The population of Roman Egypt is unknown, although estimates vary from . Alexandria, its capital, was the largest port and second largest city of the Roman Empire. Three Roman legions garrisoned Egypt in the early Roman imperial period, with the garrison later reduced to two, alongside formations of the Roman army. The major town of each '' nome'' (administrative region) was known as a metropolis and gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitreous Enamel
Vitreous enamel, also called porcelain enamel, is a material made by melting, fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitrification, vitreous coating. The word ''vitreous'' comes from the Latin , meaning "glassy". Enamel can be used on metal, enamelled glass, glass, overglaze decoration, ceramics, stone, or any material that will withstand the fusing temperature. In technical terms fired enamelware is an integrated layered composite of glass and another material (or more glass). The term "enamel" is most often restricted to work on metal, which is the subject of this article. Essentially the same technique used with other bases is known by different terms: on glass as ''enamelled glass'', or "painted glass", and on pottery it is called ''overglaze decoration'', "overglaze enamels" or "enamelling". The craft is called "enamelling", the artists "enamellers" and the objects produced can be cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donor Portrait
A donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or (much more rarely) her, family. ''Donor portrait'' usually refers to the portrait or portraits of donors alone, as a section of a larger work, whereas ''votive portrait'' may often refer to a whole work of art intended as an ex-voto, including for example a Madonna, especially if the donor is very prominent. The terms are not used very consistently by art historians, as Angela Marisol Roberts points out, and may also be used for smaller religious subjects that were probably made to be retained by the commissioner rather than donated to a church. Donor portraits are very common in religious works of art, especially paintings, of the Middle Ages and Renaissance, the donor usually shown kneeling to one side, in the foreground of the image. Often, even late into the Renaissance, the donor portraits, especially when of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crucifixes
A crucifix (from the Latin meaning '(one) fixed to a cross') is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the (Latin for 'body'). The crucifix emphasizes Jesus' sacrifice, including his death by crucifixion, which Christians believe brought about the redemption of mankind. Most crucifixes portray Jesus on a Latin cross, rather than a Tau cross or a Coptic cross. The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Catholic Church, and is also used in the Lutheran Churches, Anglican Churches, Eastern Orthodox Church, and in most Oriental Orthodox Churches (except the Armenian Church and Syriac Church). The symbol is less common in churches of other Protestant denominations, and in the Assyrian Church of the East and Armenian Apostolic Church, which prefer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dossal
A Dossal (or dossel, dorsel, dosel), from French ''dos'' (''back''), is one of a number of terms for something rising from the back of a church altar. In modern usage, it primarily refers to cloth hangings but it can also denote a board, often carved or containing a painting, that rises vertically from the back of the altar and to which the cloth is attached. Retable and reredos are alternative terms for solid structures, as is altarpiece, all of them rather more commonly used today. Dossal remains the usual term for an ornamental cloth suspended behind an altar, probably attached to the wall behind. This is often called a dossal curtain, and altar screen is also sometimes used as a synonym for a cloth dossal, as well as, more dubiously, for wood or stone screens in various locations in the sanctuary. Curtains at the side of an altar may be called riddels; these may be suspended between riddel posts at the corners of the altar. More rarely, a cloth dossal may continue as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reliquaries
A reliquary (also referred to as a ''shrine'', ''chasse'', or ''phylactery'') is a container for relics. A portable reliquary, or the room in which one is stored, may also be called a ''feretory''. Relics may be the purported or actual physical remains of saints, and may comprise bones, pieces of clothing, or some object associated with saints or with other religious figures. The authenticity of any given relic is often a matter of debate; for that reason, some churches require documentation of a relic's provenance. Relics have long been important to Buddhists, Christians, Hindus, and to followers of many other religions. These cultures often display reliquaries in shrines, churches, or temples to which the faithful make pilgrimages to gain blessings. The term is sometimes used in a looser sense to mean a container for the remains of any important figure, even non-religious ones. In particular, the kings of France often specified that their hearts and sometimes other organs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Art
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic Art, Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architecture, Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and Acanthus (ornament), acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Antiquity
Late antiquity marks the period that comes after the end of classical antiquity and stretches into the onset of the Early Middle Ages. Late antiquity as a period was popularized by Peter Brown (historian), Peter Brown in 1971, and this periodization has since been widely accepted. Late antiquity represents a cultural sphere that covered much of the Mediterranean world, including parts of Europe and the Near East.Brown, Peter (1971), ''The World of Late Antiquity (1971), The World of Late Antiquity, AD 150-750''Introduction Late antiquity was an era of massive political and religious transformation. It marked the origins or ascendance of the three major monotheistic religions: Christianity, rabbinic Judaism, and Islam. It also marked the ends of both the Western Roman Empire and the Sasanian Empire, the last Persian empire of antiquity, and the beginning of the early Muslim conquests, Arab conquests. Meanwhile, the Byzantine Empire, Byzantine (Eastern Roman) Empire became a milit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. ''Tempera'' also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in comb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encaustic Painting
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though recipes most commonly consist of beeswax and damar resin, potentially with other ingredients. For pigmentation, dried powdered pigments can be used, though some artists use pigmented wax, inks, oil paints or other forms of pigmentation. Metal tools and special brushes can be used to shape the medium as it cools. Also, heated metal tools, including spatulas, knives and scrapers, can be used to manipulate the medium after it has cooled onto the surface. Additionally, heat lamps, torches, heat guns, and other methods of applying heat are used by encaustic artists to fuse and bind the medium. Because encaustic medium is thermally malleable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Catherine's Monastery
Saint Catherine's Monastery ( , ), officially the Sacred Autonomous Royal Monastery of Saint Catherine of the Holy and God-Trodden Mount Sinai, is a Christian monastery located in the Sinai Peninsula of Egypt. Located at the foot of Mount Sinai, it was built between 548 and 565, and is the world's oldest continuously-inhabited Christian monastery. The monastery was built by order of the Byzantine emperor Justinian I, enclosing what is claimed to be the burning bush seen by Moses. Centuries later, the purported body of Catherine of Alexandria, said to have been found in the area, was taken to the monastery; Catherine's relics turned it into an important Christian pilgrimage, and the monastery was eventually renamed after the saint. Controlled by the autonomous Church of Sinai, which is part of the wider Greek Orthodox Church, the monastery became a World Heritage Site in 2002 for its unique importance to the three major Abrahamic religions: Judaism, Christianity, and Islam. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
