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Original Camera Negative
The original camera negative (OCN) is the film in a traditional film-based movie camera which captures the original image. This is the film from which all other copies will be made. It is known as raw stock prior to exposure. The size of a roll varies depending on the film gauge and whether or not a new roll, re-can, or short end was used. One hundred or 400 foot rolls are common in 16mm, while 400 or 1,000 foot (ft) rolls are used in 35mm work. While these are the most common sizes, other lengths such as 200, 800, or 1,200 ft may be commercially available from film stock manufacturers, usually by special order. Rolls of 100 and 200 ft are generally wound on spools for daylight-loading, while longer lengths are only wound around a plastic core. Core-wound stock has no exposure protection outside its packaging, and therefore must be loaded into a camera magazine within a darkroom or changing bag/tent in order to prevent the film being fogged. Value Original camera negative is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Camera
A movie camera (also known as a film camera and cine-camera) is a type of photographic camera that rapidly takes a sequence of photographs, either onto film stock or an image sensor, in order to produce a moving image to display on a screen. In contrast to the still camera, which captures a single image at a time, the movie camera takes a series of images by way of an intermittent mechanism or by electronic means; each image is a ''frame'' of film or video. The frames are projected through a movie projector or a video projector at a specific frame rate (number of frames per second) to show the moving picture. When projected at a high enough frame rate (24 frames per second or more), the persistence of vision allows the eyes and brain of the viewer to merge the separate frames into a continuous moving picture. History A forerunner to the movie camera was the machine invented by Francis Ronalds at the Kew Observatory in 1845. A photosensitive surface was drawn slowly past the aper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keykode
Keykode (also written as either KeyKode or KeyCode) is an Eastman Kodak Company advancement on edge numbers, which are letters, numbers and symbols placed at regular intervals along the edge of 35 mm and 16 mm film to allow for frame-by-frame specific identification. It was introduced in 1990. Keykode is a variation of timecode used in the post-production process which is designed to uniquely identify film frames in a film stock. Edge numbers Edge numbers (also called key numbers or footage numbers) are a series of numbers with key lettering printed along the edge of a 35 mm negative at intervals of one foot (16 frames or 64 perforations) and on a 16 mm negative at intervals of six inches (twenty frames). The numbers are placed on the negative at the time of manufacturing by one of two methods: :''Latent image'' exposes the edge of the film while it passes through the perforation machine. This method is primarily used for color negative films. :''Visible ink'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Imaging Technician
A digital imaging technician (DIT) was created for the motion picture industry in response to the transition from the long established film movie camera medium into the current digital cinema era. The DIT is the camera department crew member who works in collaboration with the cinematographer on workflow, systemization, camera settings, signal integrity and image manipulation to achieve the highest image quality and creative goals of cinematography in the digital realm. With the progression of the digitization ever more tasks concerning data management emerged: the position of the Digital Imaging Technician was introduced. The DIT is the connector between on-set time and post production. DITs support the camera team with technical and creative tasks with the digital camera. Their purpose is to ensure the best technical quality possible, as well as production safety. DITs are responsible for tasks during preparation, on-set time and post production. They are also responsible for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Camera
A digital camera, also called a digicam, is a camera that captures photographs in Digital data storage, digital memory. Most cameras produced today are digital, largely replacing those that capture images on photographic film or film stock. Digital cameras are now widely incorporated into mobile devices like smartphones with the same or more capabilities and features of dedicated cameras. High-end, high-definition dedicated cameras are still commonly used by professionals and those who desire to take higher-quality photographs. Digital and digital movie cameras share an optical system, typically using a Camera lens, lens with a variable Diaphragm (optics), diaphragm to focus light onto an image pickup device. The diaphragm and Shutter (photography), shutter admit a controlled amount of light to the image, just as with film, but the image pickup device is electronic rather than chemical. However, unlike film cameras, digital cameras can display images on a screen immediately afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Stock
Film stock is an analog medium that is used for recording motion pictures or animation. It is recorded on by a movie camera, developed, edited, and projected onto a screen using a movie projector. It is a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film.Karlheinz Keller et al. "Photography" in Ullmann's Encyclopedia of Industrial Chemistry, 2005, Wiley-VCH, Weinheim. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Release Print
A release print is a copy of a film that is provided to a movie theater for exhibition. Definitions Release prints are not to be confused with other types of prints used in the photochemical post-production process: * Rush prints, or dailies, are one-light, contact-printed copies made from an unedited roll of original camera negative immediately after processing and screened to the cast and crew in order to ensure that the takes can be used in the final film. * Workprints, sometimes called cutting copies, are, like rush prints, copies of a camera negative roll, or from selected takes. A workprint may be roughly corrected for brightness and color balance. The prints are used for editing before the negative itself is conformed, or cut to match the edited workprint. * An answer print is made either from the cut camera negative or an interpositive, depending on the production workflow, in order to verify that the grading ("timing" in American English) conforms to specificati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internegative
An internegative is a motion picture film duplicate. It is the color counterpart to an interpositive, in which a low-contrast color image is used as the positive between an original camera negative and a duplicate negative. After a film is shot, the original negatives—taken directly from the camera equipment—are edited into correct sequence and printed onto fresh stock as a cohesive film, creating an interpositive print used for color timing. From the interpositive, answer prints, which include the color-corrected imagery and a properly synced sound track, are made. Once approved by the studio, the final answer print is made into an internegative used for striking copies that will be delivered to theaters for viewing. Overview Internegatives are the workhorses of the film industry. They are made on exactly the same stock as interpositives. The film processes usually go from one polarity to another, that is: # The camera operator shoots a positive image and the film end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interpositive
An interpositive, intermediate positive, IP or master positive is a motion picture film with a positive image made from the edited camera negative. Interpositive film uses colored dye couplers that create an orange mask like the camera negative to preserve color accuracy. Description From a traditional photographic perspective, an interpositive (short for ''intermediate positive'') is the negative image of the original camera negative, which is an intermediate step towards creating the positive (exhibition) print. The camera negative is projected onto negative film stock in a liquid environment - termed a wet gate - where the film stock is exposed using a contact process, so creating a like image (in effect, retaining the image in its negative—i.e. "reversed"—form) on negative film stock, as an intermediate step. The interpositive historically had only one purpose, namely to be the element which is used to make the internegative An internegative is a motion picture fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Answer Print
An answer print is the first version of a given motion picture that is printed to film after color correction on an interpositive. It is also the first version of the movie printed to film with the sound properly synced to the picture. Answer prints are created during the post-production process after editing, dubbing and other related audio work and special effects sequences have been finished or completed to a degree satisfactory for pre-release viewing. They are used by the filmmaker and studio to ensure that the work going into the film during the post-production process is cohesive with the final goals for the project. In effect, it is a post-edit editing where the filmmaker can observe and direct the course of the film's final look and feel as it pertains to color correction, sound and special effects elements and overall pacing. Pre-release screenings for test audiences are often run from late answer print copies of the film, because often the filmmaker is using the screening ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Negative Cutting
Negative cutting (also known as negative matching and negative conforming) is the process of cutting motion picture negative to match precisely the final edit as specified by the film editor. Original camera negative (OCN) is cut with scissors and joined using a film splicer and film cement. Negative cutting is part of the post-production process and occurs after editing and prior to striking internegatives and release prints. The process of negative cutting has changed little since the beginning of cinema in the early 20th century. In the early 1980s computer software was first used to aid the cutting process. Kodak introduced barcode on motion picture negative in the mid-1990s. This enabled negative cutters to more easily track shots and identify film sections based on keykode. Toward the late 1990s and early 2000s negative cutting changed due to the advent of digital cinema technologies such as digital intermediate (DI), digital projection and high-definition television. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Gauge
Film gauge is a physical property of photographic film, photographic or Film stock, motion picture film stock which defines its width. Traditionally, the major movie film gauges are 8 mm film, 8 mm, 16 mm film, 16 mm, 35 mm movie film, 35 mm, and 70 mm film, 65/70 mm (in this case 65 mm for the negative and 70 mm for the release print; the extra five millimeters are reserved for the magnetic soundtrack). There have been other historic gauges in the past, especially in the silent era, most notably 9.5 mm film, as well as a panoply of others ranging from 3 mm to 75 mm. Larger film gauge is generally associated with higher image quality, higher image detail, greater materials expense, heavier camera equipment, larger and most costly movie projector, projection equipment, as well as greater bulk and weight for distribution and storage (both interim and archival). See also *Film format, includes the standards for image capture and projection, as well as film gauge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Editing
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film stock, film which increasingly involves the use Digital cinema, of digital technology. When putting together some sort of video composition, typically, one would need a collection of shots and footages that vary from one another. The act of adjusting the shots someone has already taken, and turning them into something new is known as film editing. The film editor works with raw footage, selecting Shot (filmmaking), shots and combining them into Sequence (filmmaking), sequences which create a finished Film, motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
