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Orientalizing Period
The Orientalizing period or Orientalizing revolution is an art historical period that began during the later part of the 8th century BC, when art of the Eastern Mediterranean and the Ancient Near East heavily influenced nearby Mediterranean cultures, most notably Archaic Greece. The main sources were Syria, Assyria, Phoenicia, and Egypt. With the spread of Phoenician civilization by Carthage and Greek colonisation into the Western Mediterranean, these artistic trends also influenced the Etruscans and early Ancient Romans in the Italian peninsula. Style and influences During this period there arose in ancient Greek art ornamental motifs and an interest in animals and monsters that continued to be depicted for centuries, and that also spread to Roman and Etruscan art. Monumental and figurative sculpture in this style may be called Daedalic, after Daedalus, who was according to legend the founder of Greek sculpture. The period is characterized by a shift from the prevailin ...
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East Grek Fikellura Neck Amphora Antikensammlung Berlin
East is one of the four cardinal directions or points of the compass. It is the opposite direction from west and is the direction from which the Sun rises on the Earth. Etymology As in other languages, the word is formed from the fact that east is the direction where the Sun rises: ''east'' comes from Middle English ''est'', from Old English ''ēast'', which itself comes from the Proto-Germanic *''aus-to-'' or *''austra-'' "east, toward the sunrise", from Proto-Indo-European *aus- "to shine," or "dawn", cognate with Old High German ''*ōstar'' "to the east", Latin ''aurora'' 'dawn', and Greek ''ēōs'' 'dawn, east'. Examples of the same formation in other languages include Latin oriens 'east, sunrise' from orior 'to rise, to originate', Greek ανατολή anatolé 'east' from ἀνατέλλω 'to rise' and Hebrew מִזְרָח mizraḥ 'east' from זָרַח zaraḥ 'to rise, to shine'. ''Ēostre'', a Germanic goddess of dawn, might have been a personification of both da ...
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Etruscans
The Etruscan civilization ( ) was an ancient civilization created by the Etruscans, a people who inhabited Etruria in List of ancient peoples of Italy, ancient Italy, with a common language and culture, and formed a federation of city-states. After adjacent lands had been conquered its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto and western Campania. A large body of literature has flourished on the origins of the Etruscans, but the consensus among modern scholars is that the Etruscans were an indigenous population. The earliest evidence of a culture that is identifiably Etruscan dates from about 900 BC. This is the period of the Iron Age Villanovan culture, considered to be the earliest phase of Etruscan civilization, which itself developed from the previous late Bronze Age Proto-Villanovan culture in the same region, p ...
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Attica
Attica (, ''Attikḗ'' (Ancient Greek) or , or ), or the Attic Peninsula, is a historical region that encompasses the entire Athens metropolitan area, which consists of the city of Athens, the capital city, capital of Greece and the core city of the metropolitan area, as well as its surrounding suburban cities and towns. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, Lavrio, was an important Mines of Laurion, mining region. The history of Attica is closely linked with that of Athens. In ancient times, Attica corresponded with the Athens city-state. It was the most prominent region in Ancient Greece, specifically during the Golden Age of Athens in the Classical Greece, classical period. Classical Athens, Ancient Attica (the classical Classical Athens, Athens city-state) was divided into deme, demoi, or municipalities, from the reform of Cleisthenes in 508/7 BC, gr ...
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Bulletin Of The American Schools Of Oriental Research
The ''Bulletin of the American Society of Overseas Research (BASOR)'', formerly the ''Bulletin of the American Schools of Oriental Research'', is one of three academic journals published by the American Society of Overseas Research. It began as the ''Bulletin of the American School of Oriental Research in Jerusalem'', in 1919. The Bulletin took on its current name in 2020. References External links * *JSTOR Early Journal Content, at the Internet Archive: Partial archive, 1919 - 1921Partial archive, 1922 - 1923
Religious studies journals Ancient Near East journals Academic journals established in 1919 Biannual journals {{asia-journal-stub ...
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Pottery Of Ancient Greece
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek Society#Politics and society, Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout History of the Mediterranean, the Mediterranean, such as the Etruscan civilization, Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', 2nd Edition, 641–644. O ...
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Late Bronze Age
The Bronze Age () was a historical period characterised principally by the use of bronze tools and the development of complex urban societies, as well as the adoption of writing in some areas. The Bronze Age is the middle principal period of the three-age system, following the Stone Age and preceding the Iron Age. Conceived as a global era, the Bronze Age follows the Neolithic, with a transition period between the two known as the Chalcolithic. The final decades of the Bronze Age in the Mediterranean basin are often characterised as a period of widespread societal collapse known as the Late Bronze Age collapse (), although its severity and scope are debated among scholars. An ancient civilisation is deemed to be part of the Bronze Age if it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from producing areas elsewhere. Bronze Age cultures were the first to develop writing. According to ...
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Aegean Sea
The Aegean Sea is an elongated embayment of the Mediterranean Sea between Europe and Asia. It is located between the Balkans and Anatolia, and covers an area of some . In the north, the Aegean is connected to the Marmara Sea, which in turn connects to the Black Sea, by the straits of the Dardanelles and the Bosphorus, respectively. The Aegean Islands are located within the sea and some bound it on its southern periphery, including Crete and Rhodes. The sea reaches a maximum depth of 2,639 m (8,658 ft) to the west of Karpathos. The Thracian Sea and the Sea of Crete are main subdivisions of the Aegean Sea. The Aegean Islands can be divided into several island groups, including the Dodecanese, the Cyclades, the Sporades, the Saronic Islands, Saronic islands and the North Aegean islands, North Aegean Islands, as well as Crete and its surrounding islands. The Dodecanese, located to the southeast, includes the islands of Rhodes, Kos, and Patmos; the islands of Delos and Naxos are wi ...
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Geometric Art
Geometric art is a phase of Greek art, characterized largely by geometric Motif (visual arts), motifs in Pottery, vase painting, that flourished towards the end of the Greek Dark Ages and a little later, . Its center was in ancient Athens, Athens, and from there the style spread among the trading cities of the Aegean Islands, Aegean. The so-called Greek Dark Ages were considered to last from and include the phases from the Protogeometric style, Protogeometric period to the Middle Geometric I period, which Knodell (2021) calls Prehistoric Iron Age. The vases had various uses or purposes within Greek society, including, but not limited to, Ancient Greek funerary vases, funerary vases and symposium vases. Usage Funerals Large funerary vases (often Dipylon kraters for men, and belly-handled Amphora, amphorae for women) not only depicted funerary scenes, but they also Ancient Greek funeral and burial practices, had practical purposes, either holding the ashes or being used as grave ...
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Daedalus
In Greek mythology, Daedalus (, ; Greek language, Greek: Δαίδαλος; Latin language, Latin: ''Daedalus''; Etruscan language, Etruscan: ''Taitale'') was a skillful architect and craftsman, seen as a symbol of wisdom, knowledge and power. He is the father of Icarus, the uncle of Perdix (mythology), Perdix, and possibly also the father of Iapyx. Among his most famous creations are the wooden cow for Pasiphaë, the Labyrinth for King Minos of Crete which imprisoned the Minotaur, and wings that he and his son Icarus used to attempt to escape Crete. It was during this escape that Icarus did not heed his father's warnings and flew too close to the sun; the wax holding his wings together melted and Icarus fell to his death. Epigraphic evidence The name ''Daidalos'' seems to be attested in Linear B, a writing system used to record Mycenaean Greek. The name appears in the form ''da-da-re-jo-de'', possibly referring to a sanctuary. Family Daedalus's parentage was supplied as a later ...
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Etruscan Art
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced. Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. The great majority of survivals came from tombs, which were typically crammed with sarcophag ...
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Roman Art
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality. Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in '' terra sigillata'' were decorated with reliefs that reflected the latest taste, and provided a large group in society with stylish objects at what was evidently an affordable price. Roman coins were an important means ...
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Monster
A monster is a type of imaginary or fictional creature found in literature, folklore, mythology, fiction and religion. They are very often depicted as dangerous and aggressive, with a strange or grotesque appearance that causes Anxiety, terror and fear, often in humans. Monsters usually resemble wikt:bizarre, bizarre, deformed, otherworldly and/or mutated animals or entirely unique creatures of varying sizes, but may also take a human form, such as Mutants in fiction, mutants, ghosts, Spirit (supernatural entity), spirits, cannibals or zombies, among other things. They may or may not have supernatural powers, but are usually capable of killing or causing some form of destruction, threatening the social or moral order of the human world in the process. Animal monsters are outside the moral order, but sometimes have their origin in some human violation of the moral law (e.g. in the Greek myth, Minos does not sacrifice to Poseidon the white bull which the god sent him, so as punish ...
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