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Organ Symphony
An organ symphony is a piece for solo pipe organ in various Movement (music), movements. It is a Symphony, symphonic genre, not so much in musical form (in which it is more similar to the organ sonata or suite (music), suite), but in imitating orchestral tone color, texture, and symphonic process. Though the very first organ symphony was written by German composer Wilhelm Valentin Volckmar in 1867, the genre is mainly associated with French romanticism. César Franck wrote what is considered to be the first French organ symphony in his ''Grande Pièce Symphonique'' several years earlier, and the composers Charles-Marie Widor, who wrote ten organ symphonies, and his pupil Louis Vierne, who wrote six, continued to cultivate the genre. Modern composers such as Jean Guillou have written organ symphonies as well. The term ''organ symphony'' is also used occasionally to refer to orchestral symphonies with a prominent solo role for an organ (as distinct from an organ concerto). The best ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurised air (called ''wind'') through the organ pipes selected from a Musical keyboard, keyboard. Because each pipe produces a single tone and pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre, volume, and construction throughout the keyboard Compass (music), compass. Most organs have many ranks of pipes of differing pitch, timbre, and volume that the player can employ singly or in combination through the use of controls called Organ stop, stops. A pipe organ has one or more keyboards (called ''Manual (music), manuals'') played by the hands, and most have a Pedal keyboard, pedal clavier played by the feet; each keyboard controls its own division (group of stops). The keyboard(s), pedalboard, and stops are housed in the organ's Organ console, ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include mélodie, songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite ''Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (Poulenc), Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the ''Gloria (Poulenc), Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. He studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Clarence Dickinson
Clarence Dickinson (May 7, 1873 in Lafayette, Indiana – August 2, 1969 in New York City) was an American composer and organist. Early life and studies Dickinson grew up in a religious family. His grandfather was minister Baxter Dickinson. His father, the Rev. William Cowper Dickinson, had grown up at Lane Seminary while Baxter Dickinson was codirector with Lyman Beecher; his father's childhood playmates were Lyman's children Henry Ward Beecher and Harriet Beecher Stowe, Harriet Beecher. He was sixth cousin to poet Emily Dickinson, who corresponded with his father and sister. When Dickinson was born, his father was pastor of the Second Presbyterian Church in Lafayette. They later moved to Cincinnati, where Dickinson had his first hands-on experience playing the organ, and began studying piano. When his father retired in 1887, the family briefly moved to Pasadena, California. In the fall of 1888 Dickinson enrolled for a year at the preparatory school at Miami University, living ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Pierre Cochereau
Pierre Eugène Charles Cochereau (9 July 1924 – 6 March 1984) was a French organist, improviser, composer, and pedagogue. Cochereau was titular organist of the cathedral of Notre-Dame de Paris from 1955 to his death in 1984 and was responsible for a controversial renovation of the cathedral's organ in the 1960s. He was greatly renowned as an improviser and organist in his lifetime and still is today. After his death, the Conservatory of Nice was renamed in his honour. Biography Pierre Cochereau was born on 9 July 1924 in the French commune of Saint-Mandé (Val-de-Marne), near the capital city of Paris. His father, Georges Ernest Cochereau, was a wealthy factory owner who owned a shoemaking factory. In 1929, after a few months of violin instruction, he began to take piano lessons with Marius-François Gaillard. Marguerite Long became his piano teacher in 1933, and three years later, Paul Pannesay. When Cochereau was 13 years old, after suffering a year of poor health and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Alexandre Eugène Cellier
Alexandre Eugène Cellier (17 June 1883 in Molières-sur-Cèze – 4 March 1968 in Paris) was a French organist and composer. Cellier studied organ with Alexandre Guilmant until 1908. In 1908, he won the first prize for organ at the Conservatoire de Paris. Before that, he also studied with Henri Dallier and Charles-Marie Widor. He was the organist ''Titulaire'' of the Temple de l'Étoile in Paris from 1910 until his death in 1968. The organ he used was a 3-manual Cavaillé-Coll organ with 32 stops, which was extended by Mutin (Cavaillé-Coll) in 1914. In Louis Vierne's biography ''Mes Souvenirs'', he describes Alexandre Cellier as a "cultivated musician" with improvisation skills. He gave concerts abroad. He wrote a book about organ registration and is known as the French translator of the texts of the Bach Chorale A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Émile Bourdon
Joseph Antoine Émile Bourdon (; 14 February 1884 – 11 July 1974) was a 20th-century French organist and composer. Biography Bourdon was the son of Magdelaine Louise Villate de Peufeilhoux (of noble descent) and Victor-Louis-Gabriel Bourdon (a financier). Later, he became a pupil of Alexandre Guilmant in the Conservatoire de Paris, Bourdon was a condisciple and friend of Marcel Dupré. He was the organist of the great organ of the Saint Nicholas Cathedral of Monaco from 1922 to 1968, before canon Henri Carol succeeded him. In addition, he was professor of organ at the Académie de Musique Fondation Prince Rainier III until 1968. His wife Jeanne Barbezat passed away on 17 August 1974, and Bourdon himself died on 11 July of that year. Works Bourdon is the author of several pieces for pipe organ including: * ''Dix Pièces'' Op. 7 (Paris, Leduc, 1921) : *# ''Offertoire pour la Fête de l'Assomption'' *# ''Carillons'' (popularised by Marcel Dupré) *# ''Méditation sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Media Vita
(Latin for "In the midst of life we are in death") is a Gregorian chant, known by its incipit, written in the form of a response, and known as "Antiphona pro Peccatis" or "de Morte". The most accepted source is a New Year's Eve religious service in the 1300s. Reference has been made to a source originating in a battle song of the year 912 by Notker the Stammerer, a monk of the Abbey of Saint Gall: however, the Diocesan Synod of Cologne declared in 1316 no one should sing this without prior permission of the residing bishop. Text Media vita in morte sumus quem quaerimus adjutorem nisi te, Domine, qui pro peccatis nostris juste irasceris? Sancte Deus, sancte fortis, sancte et misericors Salvator: amarae morti ne tradas nos. In the midst of life we are in death of whom may we seek for succour, but of thee, O Lord, who for our sins art justly displeased? Holy God, Holy mighty, Holy and merciful Saviour, deliver us not unto bitter death. The English translation is a poetic adapti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Joseph-Ermend Bonnal
Joseph-Ermend Bonnal (1 July 1880 – 14 August 1944); also ''Ermend-Bonnal'', alias ''Guy Marylis'') was a French composer and organist. Ermend-Bonnal received initial musical instruction from his father, a violinist. He then studied piano at the Conservatoire de Paris under Charles-Wilfrid de Bériot, harmony under Antoine Taudou, composition under Gabriel Fauré and organ under Alexandre Guilmant and Louis Vierne. He also assisted Charles-Marie Widor at Saint-Sulpice, Albert Périlhou at Saint-Séverin and Charles Tournemire at the Basilica of St. Clotilde. In 1901, Ermend-Bonnal was appointed Organist at Saint-Médard, and subsequently at Notre Dame in Boulogne-sur-Seine. In 1920, he was offered a professorship in organ at the University of Strasbourg. However, he decided instead to accept a position as director of the Bayonne Conservatory, which he held until 1941. His most famous student was the composer Maurice Ohana. In 1942, he succeeded his teacher Tournemire at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Edward Shippen Barnes
Edward Shippen Barnes (September 14, 1887 in Sea Bright, New Jersey – February 14, 1958, in Idyllwild, California) was an American organist. Life and career He was a graduate of Yale University, where he studied with Horatio Parker and Harry Jepson. After graduating from Yale, Barnes continued his studies in Paris with Louis Vierne, Vincent D'Indy, and Abel Decaux. He worked as organist at the Church of the Incarnation, New York (1911–1912), Rutgers Presbyterian Church, New York (1913–1924), St. Stephen's Episcopal Church, Philadelphia (1924–1938), and thFirst Presbyterian Church, Santa Monica(1938–1958). He also composed two organ symphonies, other smaller organ works, arranged works for the organ and wrote books about religious music. He also wrote an instructional organ method, ''The School Of Organ Playing'' (1921), and was editor of the magazine "American Organ Monthly." Discography * The Organ Symphonies of Edward Shippen Barnes, performed by Simon Nieminski; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Augustin Barié
Augustin Charles Barié (15 November 1883 – 22 August 1915) was a French composer and organist. Biography Barié was born in Paris as the only son of architect Charles-Maximin Henri Barié and Victorine Eugénie Petit and was blind from birth; however, he had large hands which spanned an eleventh, allowing him to play the difficult organ works of composers such as César Franck with relative ease. He studied at the Institut National des Jeunes Aveugles under Adolphe Marty and Louis Vierne, then went on to study with Alexandre Guilmant at the Paris Conservatory. In 1906, he was awarded the Conservatory's ''premier prix''. He then became organist at St Germain-des-Prés in Paris, as well as professor of organ at the Institut National des Jeunes Aveugles. Barié was a celebrated improviser, one of a long line of French Romantic virtuoso organists, and he wrote mostly for organ, including a ''Symphony'' (Op. 5) and ''Trois Pieces'' (Op. 7). On 12 December 1912, he married his f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Elfrida Andrée
Elfrida Andr̩e (19 February 1841 Р11 January 1929), was a Swedish organist, composer, and conductor. She was the sister of Swedish opera singer-soprano Fredrika Stenhammar. Life and career Andr̩e was born on 19 February 1841 in Visby to the doctor Andreas Andr̩e. She was the pupil of Ludvig Norman and Niels Wilhelm Gade. Her sister was the singer Fredrika Stenhammar. An activist in the Swedish women's movement, she was one of the first female organists to be officially appointed in Scandinavia. She began work in Stockholm in 1861 and became the organist at Gothenburg Cathedral in 1867, where she remained the organist until her death. In 1897 she was named leader of the Gothenburg Workers Institute Concerts, establishing her reputation as the first Swedish woman to conduct a symphony orchestra. For her services, she was elected to the Royal Swedish Academy of Music. She died in Gothenburg. During her career, she won the Litteris et Artibus award in 1895, as well as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Kalevi Aho
Kalevi Ensio Aho (born 9 March 1949) is a Finnish composer. Early years Aho began his interest in music at the age of ten, when he discovered a mandolin in his home and began to teach himself how to play it. He soon was taken under the tutelage of Martti Loikkanen, the boy's 4th grade teacher and founder of a local youth mandolin ensemble in Forssa. After learning how to read sheet music, Aho immediately started composing. Aho progressed so fast on the instrument that Loikkanen suggested he study the violin as well, with Loikkanen giving him private lessons. Aho also began to learn violin at an incredible speed, with him later recalling, "Martti taught me at home for free until I started skipping him out of my playing skills and he suggested changing teachers." Aho's parents were quite supportive of his musical hobby, encouraging him to compose and giving him a piano at the age of 15. Career He moved from the city of Forssa to Helsinki in September 1968 to study at the Sibeli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
