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Orcus
Orcus was a god of the underworld, punisher of broken oaths in Etruscan and Roman mythology. As with Hades, the name of the god was also used for the underworld itself. Eventually, he was conflated with Dis Pater and Pluto. A temple to Orcus may once have existed on the Palatine Hill in Rome. It is likely that he was transliterated from the Greek daemon Horkos, the personification of oaths and a son of Eris. Origins The origins of Orcus may have lain in Etruscan religion. The so-called " Tomb of Orcus", an Etruscan site at Tarquinia, is a misnomer, resulting from its first discoverers mistaking a hairy, bearded giant for Orcus; it actually depicts a Cyclops. The Romans sometimes conflated Orcus with other underworld gods such as Pluto, Hades, and Dis Pater. The name "Orcus" seems to have referred specifically to the malicious and punishing side of the ruler of the underworld, as the god who tormented evildoers in their afterlife. Like the name Hades, "Orcus" could refer bot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of Orcus
The Tomb of Orcus (), sometimes called the Tomb of Murina (), is a 4th-century BC Etruscan civilization, Etruscan hypogeum (burial chamber) in Tarquinia, Italy. Discovered in 1868, it displays Hellenistic art, Hellenistic influences in its remarkable murals, which include the portrait of Velia Velcha, an Etruscan society, Etruscan noblewoman, and the only known pictorial representation of the daemon Tuchulcha. In general, the murals are noted for their depiction of death, evil, and unhappiness. Because the tomb was built in two sections at two stages, it is sometimes referred to as the ''Tombs of Orcus I'' and ''II''; it is believed to have belonged to the Murina family, an offshoot of the Etruscan society, Etruscan Spurinnia gens, Spurinnae. The foundation is inscribed with the following inscription: History Orcus I was built between 470 and 450 BC (perhaps by a man named Leive; see below); a separate hypogeum, Orcus II, was built c. 325 BC. At some point in antiquity the wall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gardens Of Bomarzo
The Sacro Bosco ("Sacred Grove"), colloquially called Park of the Monsters (Parco dei Mostri in Italian), also named Garden of Bomarzo, is a Mannerism, Mannerist monumental complex located in Bomarzo, in the province of Viterbo, in northern Lazio, Italy. The garden was created during the 16th century. The design is attributed to Pirro Ligorio, and the sculptures to Simone Moschino. Situated in a wooded valley bottom beneath the castle of Orsini, it is populated by grotesque sculptures and small buildings located among the natural vegetation. History The park's name stems from the many larger-than-life sculptures, some sculpted in the bedrock, which populate this predominantly barren landscape. It was commissioned by Pier Francesco Orsini, called ''Vicino'', a 16th-century condottiero, and patron of the arts, greatly devoted to his wife Giulia Farnese (not to be confused with her maternal great-aunt Giulia Farnese, the mistress of Pope Alexander VI). When Orsini's wife died, he had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pluto (mythology)
In Religion in ancient Greece, ancient Greek religion and Greek mythology, mythology, Pluto () was the ruler of the Greek underworld, underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. ''Ploutōn'' was frequently conflation, conflated with Plutus, Ploûtos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name ''Ploutōn'' came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as ''Plouton'' and as ''Kore'' respectively. Hades, by contrast, had few temples and religious practices associated wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Di Selecti
The Roman deities most widely known today are those the Romans identified with Interpretatio graeca, Greek counterparts, integrating Greek mythology, Greek myths, ancient Greek art, iconography, and sometimes Religion in ancient Greece, religious practices into ancient Roman culture, Roman culture, including Latin literature, ancient Roman art, Roman art, and Religion in ancient Rome, religious life as it was experienced throughout the Roman Empire. Many of the Romans' own gods remain obscure, known only by name and sometimes function, through inscriptions and texts that are often fragmentary. This is particularly true of those gods belonging to the archaic religion of the Romans dating back to the Roman Kingdom, era of kings, the so-called "religion of Numa Pompilius, Numa", which was perpetuated or revived over the centuries. Some archaic deities have Italic peoples, Italic or Etruscan religion, Etruscan counterparts, as identified both by ancient sources and by modern scholars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Man
The wild man, wild man of the woods, woodwose or wodewose is a mythical figure and motif that appears in the art and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to ''Silvanus (mythology), Silvanus'', the Roman god of the woodlands. The defining characteristic of the figure is its "wildness"; from the 12th century, it was consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee Vault (architecture), vaults meet in Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man. The image of the wild man survived to appear as supporter for Heraldry, heraldic Coat of arms, coats-of-arms, especially in Germany, well into the 16th century. Renaissance engravers in Germany and Italy were particularly fond of wild men, wild women, and wild families, with examples from Martin Schongauer (died 1491) and Albrecht Dürer (1471–15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hades
Hades (; , , later ), in the ancient Greek religion and Greek mythology, mythology, is the god of the dead and the king of the Greek underworld, underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea (mythology), Rhea, although this also made him the last son to be Cronus#Mythology, regurgitated by his father. He and his brothers, Zeus and Poseidon, defeated their father's generation of gods, the Titan (mythology) , Titans, and claimed joint rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, with the solid earth (long the province of Gaia (mythology) , Gaia) available to all three concurrently. In artistic depictions, Hades is typically portrayed holding a bident and wearing his cap of invisibility , helm with Cerberus, the Polycephaly, three-headed dogs in religion#Religions, myths, legends, and cultures, guard-dog of the underworld, standing at his side. Roman-era mythographers eventually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dis Pater
Dis Pater (; ; genitive ''Ditis Patris''), otherwise known as Rex Infernus or Pluto, is a Roman god of the underworld. Dis was originally associated with fertile agricultural land and mineral wealth, and since those minerals came from underground, he was later equated with the chthonic deities Pluto (Hades) and Orcus. Dis Pater's name was commonly shortened to ''Dis'', and this name has since become an alternative name for the underworld or a part of the underworld, such as the City of Dis of Dante's ''The Divine Comedy'', which comprises Lower Hell. Etymology The name ''Dis'' is a contraction of the Latin adjective ''dives'' ('wealthy, rich'), probably derived from ''divus, dius'' ('godlike, divine') via the form ''*deiu-(o)t-'' or ''*deiu-(e)t-'' ('who is like the gods, protected by/from the gods'). The occurrence of the deity Dis together with ''Pater'' ('father') may be due to association with ''Di(e)spiter'' (Jupiter). Cicero gave a similar etymology in '' De Natura D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyclopes
In Greek mythology and later Roman mythology, the Cyclopes ( ; , ''Kýklōpes'', "Circle-eyes" or "Round-eyes"; singular Cyclops ; , ''Kýklōps'') are giant one-eyed creatures. Three groups of Cyclopes can be distinguished. In Hesiod's ''Theogony'', the Cyclopes are the three brothers, Brontes, Steropes, and Arges (Cyclops), Arges, who made Zeus's weapon, the thunderbolt. In Homer's ''Odyssey'', they are an uncivilized group of shepherds, the brethren of Polyphemus encountered by Odysseus. Cyclopes were also famous for being the builders of the Cyclopean masonry, Cyclopean walls of Mycenae and Tiryns. In ''Cyclops (play), Cyclops'', the fifth-century BC play by Euripides, a satyr play, chorus of satyrs offers comic relief based on the encounter of Odysseus and Polyphemus. The third-century BC poet Callimachus makes the Hesiodic Cyclopes the assistants of smith-god Hephaestus, as does Virgil in the Latin epic ''Aeneid'', where he seems to equate the Hesiodic and Homeric Cyclop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underworld
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that the entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. People with high social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarquinia
Tarquinia (), formerly Corneto, is an old city in the province of Viterbo, Lazio, Central Italy, known chiefly for its ancient Etruscans, Etruscan tombs in the widespread necropolis, necropoleis, or cemeteries. Tarquinia was designated as a World Heritage Site, UNESCO World Heritage site, acknowledging its exceptional contribution to our understanding of Etruscan civilization. In 1922, it was renamed after the ancient city of Tarquinii (Roman) or Tarch(u)na (Etruscan). Although little is visible of the once-great wealth and extent of the ancient city, archaeology is increasingly revealing glimpses of past glories. Location The Etruscan and Roman city is situated on the long plateau of La Civita to the north of the current town. The ancient burial grounds (necropoleis), dating from the Iron Age (9th century BC, or Villanovan culture, Villanovan period) to Roman times, were on the adjacent promontories including that of today's Tarquinia. History Etruscan city Tarquinii ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogre
An ogre (feminine: ogress) is a legendary monster depicted as a large, hideous, man-like being that eats ordinary human beings, especially infants and children. Ogres frequently feature in mythology, folklore, and fiction throughout the world. They appear in many classic works of literature, and are most often associated in fairy tales and legend. In mythology, ogres are often depicted as inhumanly large, tall, and having a disproportionately large head, abundant hair, unusually colored skin, a voracious appetite, and a strong body. Ogres are closely linked with giants and with human cannibals in mythology. In both folklore and fiction, giants are often given ogrish traits (such as the giants in " Jack and the Beanstalk" and " Jack the Giant Killer", the Giant Despair in '' The Pilgrim's Progress'', and the Jötunn of Norse mythology); while ogres may be given giant-like traits. Famous examples of ogres in folklore include the ogre in " Puss in Boots" and the ogre in " Hop- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
