Opera Houses And Theatres Of Venice
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Opera Houses And Theatres Of Venice
The first commercial opera in Venice was set up in 1637, after which at one point the city had six opera houses. This ushered in a period in which they throve until the decline in opera and theatre with the advent of television. Recently there has been a revival due to tourism and events such as the International Theatre Festival of the Biennale di Venezia. All the main Venetian theatres were owned by important patrician families, combining business with pleasure in a city of crowded and competitive theatrical culture. When most opera in Europe was still being put on by courts, "economic prospects and a desire for exhibitionistic display", as well a decline in their traditional overseas trading, attracted the best Venetian families to invest in the theatre during the 17th century. Europe's first dedicated public and commercial opera house was the Teatro Tron from 1637. The Grimani, with whom the Vendramin often inter-married, were dominant, owning what is now called the Teatro Ma ...
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Teatro La Fenice (Venice) - Facade
Teatro La Fenice (; "The Phoenix Theatre") is a historic opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which several works by the four major bel canto era composers—Rossini, Bellini, Donizetti, and Verdi—were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. The third fire was the result of arson, and destroyed the house in 1996 leaving only the exterior walls; it was rebuilt and re-opened in November 2004. In order to celebrate this event, the tradition of the Venice New Year's Concert started. Histor ...
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Teatro San Cassiano
The Teatro San Cassiano (or Teatro di San Cassiano and other variants) was the world's first public opera house, inaugurated as such in 1637 in Venice. The first mention of its construction dates back to 1581. The name with which it is best known comes from the parish in which it was located, San Cassiano (Saint Cassian), in the Santa Croce district (‘sestiere’) not far from the Rialto. The theatre was owned by the Venetian Tron family and was the first ‘public’ opera house in the sense that it was the first to open to a paying audience. Until then, public theatres (i.e., those operating on a commercial basis) had staged only recited theatrical performances (''commedie'') while opera had remained a private spectacle, reserved for the aristocracy and the courts. The Teatro San Cassiano was, therefore, the first public theatre to stage opera and in so doing opened opera for wider public consumption. In 2019 a project, conceived by the English entrepreneur and musicologist P ...
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Chiesa Di San Giobbe
The Church of St Job () is a 15th-century Roman Catholic church located overlooking the campo of the same name, known as ''Sant'Agiopo'' in Venetian dialect, on the south bank of the Cannaregio canal near Ponte dei Tre Archi in the sestiere of Cannaregio of Venice, northern Italy, History The church is dedicated to Job (Bible), Saint Job. It is one of the five votive churches built in Venice after an onset of Bubonic plague, plague. In 1378 a hospice with a small oratory (worship), oratory dedicated to San Giobbe or Job (Bible), Saint Job attached was begun on this site by Giovanni Contarini, on land he owned near his house. It was completed by his daughter Lucia, with the help of the Franciscan Order, Minor Observant Friars. The oratory was replaced by the present church by Bernardino of Siena, with the financial backing of doge Cristoforo Moro in gratitude for Bernardino's prophecy that Moro would become doge - Cristoforo donated 10,000 ducats to the building works in 1471, th ...
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Marco Morosini
Marco Morosini (1605–1654) was a Roman Catholic prelate who served as Bishop of Brescia (1645–1654) ''(in Latin)'' and Bishop of Treviso (1639–1645). ''(in Latin)'' Biography Marco Morosini was born in 1605 in Venice, Italy. On 3 October 1639, he was appointed during the papacy of Pope Urban VIII as Bishop of Treviso. On 9 October 1639, he was consecrated bishop by Federico Baldissera Bartolomeo Cornaro, Patriarch of Venice, with Alfonso Gonzaga, Titular Archbishop of ''Rhodus'', and Carlo Carafa, Bishop of Aversa, serving as co-consecrators. On 31 July 1645, he was appointed during the papacy of Pope Innocent X as Bishop of Brescia The Diocese of Brescia () is a Latin Church, Latin diocese of the Catholic Church in the ecclesiastical province of the Metropolitan Archdiocese of Milan, in Lombardy (Northwestern Italy).
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Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programmatic music. He consolidated the emerging concerto form, especially the solo concerto, into a widely accepted and followed idiom. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and List of operas by Antonio Vivaldi, more than fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), The Four Seasons''. Many of his compositions were written for the all-female music ensemble of the , a home for abandoned children. Vivaldi b ...
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Teatro San Angelo
The Teatro San Angelo (in Venetian) or Teatro Sant'Angelo (in Italian) was once a theatre in Venice which ran from 1677 until 1803. It was the last of the major Venetian theatres to be built in the 1650s–60s opera craze following Teatro Santi Giovanni e Paolo in 1654, Teatro San Samuele 1655, Teatro Goldoni (Venice), Teatro San Salvatore 1661, Teatro San Giovanni Crisostomo in 1667. The Teatro San Angelo was located in the Campo San[t'] Angelo, facing the Grand Canal and Rialto Bridge, on the sites of two demolished palazzi belonging to the Marcellos and Capellos. The project was completed in 1676 by Francesco Santorini, and opened in 1677 under the families of Benedetto Marcello and the Capellos. The house was opened with the opera ''Helena rapita da Paride'' of Domenico Freschi, (1677) and continued with operas by Freschi, Francesco Gasparini, Gasparini, Tomaso Albinoni, Albinoni and Giovanni Battista Bononcini, Bononcini. From around 1715 onwards the house was best known as ...
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Teatro San Samuele
Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 and operated continuously until a fire destroyed the theatre in 1747. A new structure was built and opened in 1748, but financial difficulties forced the theatre to close and be sold in 1770. The theatre remained active until 1807 when it was shut down by Napoleonic decree. It reopened in 1815 and was later acquired by impresario Giuseppe Camploy in 1819. In 1853 the theatre was renamed the Teatro Camploy. Upon Camploy's death in 1889, the theatre was bequeathed to the City of Verona. The Venice City Council in turn bought the theatre and demolished it in 1894. History One of the most important Venetian theatres of the 17th and 18th centuries, the Teatro San Samuele was constructed in 1656 through a commission made by the Grimani family a ...
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Teatro Sant'Apollinare
Teatro Sant'Apollinare, also known by its nickname Teatro Sant'Aponal, was an Italian public opera house established in 1651 in Venice in what is today Petriana Court.Mancini et al 1995, pp. 362–378. The Sant'Apollinare was established in a residential building and equipped with advanced stage machinery intended to allow for spectacular stage shows. It was managed in 1651 by impessario and librettist Giovanni Faustini, who died during the first run of his opera ''La Calisto'' there. After his death, his brother Marco Faustini took over management of the theater. It was dismantled in 1661 and the rooms returned to residential use. References * Glover, Jane (1975). ''The Teatro Sant'Apollinare and the Development of Seventeenth-Century Venetian Opera'', dissertation. University of Oxford. . * Mancini, Franco; Muraro, Maria Teresa; Povoledo, Elena (1995). ''I Teatri di Venezia: Tomo I. Teatri effimeri e nobili imprenditori'' he Theatres of Venice: Volume I. Ephemeral Theatres and ...
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Grand Canal (Venice)
The Grand Canal ( , locally and informally ; , locally usually ) is the largest Channel (geography), channel in Venice, Italy, forming one of the major water-traffic corridors in the city. One end of the canal leads into the Venetian Lagoon, lagoon near the Venezia Santa Lucia railway station, Santa Lucia railway station and the other end leads into the basin at San Marco; in between, it makes a large reverse-S shape through the central districts (''Sestiere (Venice), sestieri'') of Venice. It is long, and wide, with an average depth of . Description The banks of the Grand Canal are lined with more than 170 buildings, most of which date from the 13th to the 18th century, and demonstrate the welfare and art created by the Republic of Venice. The Venetian nobility, noble Venetian families faced huge expenses to show off their richness in suitable palazzos; this contest reveals the citizens’ pride and the deep bond with the lagoon. Amongst the many are the Palazzi Barbaro, ...
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Church Of San Moisè
Church may refer to: Religion * Church (building), a place/building for Christian religious activities and praying * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church, a former electoral ward of Kensington and Chelsea London Borough Council that existed from 1964 to 2002 * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota * Church, Michigan, ghost town Arts, entertainment, and media * ''Church magazine'', a pastoral theology magazine ...
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Palazzo Giustinian (Dorsoduro)
The Palazzo Giustinian is a palace in Venice, northern Italy, situated in the Dorsoduro district and overlooking the Grand Canal next to Ca' Foscari. It is among the best examples of the late Venetian Gothic and was the final residence of Princess Louise of Artois. History and description The edifice was built in the late 15th century, perhaps with the participation of Bartolomeo Bon. The palace consisted originally of two separated sectors, one for each branch of the family, which were later joined by a façade; these are the ''Ca' Giustinian dei Vescovi'' (now housing part of the Ca' Foscari University) and the ''Ca' Giustinian dalle Zogie'' (now privately owned). Behind the façade, they are separated by an alley which, through a ''sottoportego'', or portico-tunnel, connects to the central portal. The two sub-palaces share numerous decorative features with the annexed ''Ca' Foscari''. They have an L-shaped plan with four floors, the upper ones having mullioned windo ...
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Teatro San Moisè
The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal. History Built by the San Bernaba branch of the Giustiniani family , it was originally a prose theatre. Its first opera production was Claudio Monteverdi's (now lost) opera ''L'Arianna'' in 1640 by which time the ownership had passed to the Zane family who had long intermarried with the Giustiniani. It was used by the Ferrari company, and the librettist Giovanni Faustini was one of the theatre's first impresarios.Rosand, Ellen (1990''Opera in Seventeenth-Century Venice: The Creation of a Genre'' pp. 88–124. University of California Press. From the outset it was one of the smaller theatres of Venice, but also one of the most influential. In 1668 it was enlarged to 800 seats, although this did not result in a significant increase on the size of the stage which limited the ...
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