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Openwork
In art history, architecture, and related fields, openwork or open-work is any decorative technique that creates holes, piercings, or gaps through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures. The term is rather flexible, and used both for additive techniques that build up the design, as for example most large features in architecture, and those that take a plain material and make cuts or holes in it. Equally techniques such as casting using Molding (process), moulds create the whole design in a single stage, and are common in openwork. Though much openwork relies for its effect on the viewer seeing right through the object, some pieces place a different material behind the openwork as a background. Varieties Techniques or styles that normally use openwork include all the family of lace and cutwork types in textiles, including broderie anglaise and many others. Fretwork in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Interrasile
Opus interrasile, ''lit''. 'work shaved or scraped in-between' is a pierced openwork metalworking technique found from the 3rd century AD, and remaining popular in Byzantine jewellery. It was developed and popularized in Rome, where metalworkers used it to make arabesque The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ...s and other similar designs. The technique involves punching holes in metal to simulate lattice patterns, openwork gold jewelry, and so on. Patterns were often drawn on the metal, and then various tools used to remove the desired pieces. The technique may be referred more generically to as openwork or pierced work. The equivalent technique in Japan is called sukashibori, and is found in Buddhist art. References * * * Ancient art in metal Jewellery making An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pomander
A pomander, from French language, French ''pomme d'ambre'', i.e., apple of amber, is a ball made for perfumes, such as ambergris (hence the name), musk, or civet (perfumery), civet. The pomander was worn or carried in a case as a protection against infection in times of pestilence or merely as a useful article to modify bad smells. The globular cases which contained the pomanders were hung from a neck-chain or belt or attached to the girdle, and were usually perforated in a variety of openwork techniques and made of gold or silver. Sometimes they contained several partitions, in each of which was placed a different perfume. The term "pomander" can refer to the scented material itself or to the container that contains such material. The container could be made of gold, silver or other materials and eventually evolved to be shaped like nuts, skulls, hearts, books, and ships. Smaller versions were made to be attached by a chain to a finger ring and held in the hand. Even smaller ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incense Burner
A censer, incense burner, perfume burner or pastille burner is a vessel made for burning incense or perfume in some solid form. They vary greatly in size, form, and material of construction, and have been in use since ancient times throughout the world. They may consist of simple earthenware bowls or fire pots to intricately carved silver or gold vessels, small table top objects a few centimetres tall to as many as several metres high. Many designs use openwork to allow a flow of air. In many cultures, burning incense has spirituality, spiritual and religious connotations, and this influences the design and decoration of the censer. Often, especially in Western contexts, the term "censer" is used for pieces made for religious use, especially those on chains that are swung through the air to spread the incense smoke widely, while the term "perfume burner" is used for objects made for secular use. The original meaning of pastille was a small compressed mixture of aromatic plant m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sukashibori
is the Japanese term for openwork or pierced work, using various techniques in metalworking and other media, in which the foreground design is left intact, while background areas are cut away and removed (or the converse may be performed). (revised edition; 1964 first ed.) The resulting piece becomes see-through (''sukashi'') and hence the name. Traditional artisans worked on piece of cast metal (or hammered metal) such as bronze as medium. In traditional metalworking (''chōkin'', ), the carving tools they used were the piercing burin (''sukashi-tagane'', ) and scroll saw (''tsurubiki-noko''(?), ).Tokyo National Museum (1964), p. 132. 「弦引鋸」is the word used here for the scroll saw, but no other instance of the word can be found in other sources, and the reading of the word is a guess. it may be ''tsuruhiki nokogiri'', for instance The type where the foreground pattern is preserved and the background removed is called , and the reverse is called . In Buddhist art, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cage Cup
A cage cup, also ''vas diatretum'', plural ''diatreta'', or "reticulated cup" is a type of luxury late Roman glass vessel, found from roughly the 4th century, and "the pinnacle of Roman achievements in glass-making". ''Diatreta'' consist of an inner beaker and an outer cage or shell of decoration that stands out from the body of the cup, to which it is attached by short stems or shanks. About fifty cups or, more often, fragments have survived, and there are only a few in near-complete condition. Most have a cage with circular geometrical patterns, often with an "inscription", or phrase in letters above the reticulated area as well. Some have a flange, or zone of projecting open-cut moulding, above the lower patterns and below the lettering (only illustrated here by the Cologne cup in the gallery). Even rarer are examples with scenes with figures, of which the Lycurgus Cup in the British Museum is the only complete example to survive, though there are other fragments. In th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latticework
__NOTOC__ Latticework is an openwork framework consisting of a criss-crossed pattern of strips of building material, typically wood or metal. The design is created by crossing the strips to form a grid or weave. Latticework may be functional – for example, to allow airflow to or through an area; structural, as a truss in a lattice girder; used to add privacy, as through a lattice screen; purely ornament (art), decorative; or some combination of these. Latticework in stone or wood from the Classical antiquity, classical period is also called Roman lattice or ''transenna'' (plural ''transenne''). In India, the house of a rich or noble person may be built with a ''baramdah'' or verandah surrounding every level leading to the living area. The upper floors often have balconies overlooking the street that are shielded by latticed screens carved in stone called jalis which keep the area cool and give privacy. Examples File:Amber Fort Screen (6652771501).jpg, Lattice screen at A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broderie Anglaise
Broderie anglaise (French, "English embroidery", ) is a Whitework embroidery, whitework needlework technique incorporating features of embroidery, cutwork and needle lace that became associated with England, due to its popularity there in the 19th century. History and technique Broderie anglaise is characterized by patterns composed of round or oval holes, called ''eyelets'', which are cut out of the fabric, then bound with Overcast stitch, overcast or buttonhole stitches. The patterns, often depicting flowers, leaves, vines, or stems, are further delineated by simple embroidery stitches made on the surrounding material. Later broderie anglaise also featured small patterns worked in satin stitch. The technique originated in 16th century eastern Europe—probably in what is now the Czech Republic—but remains associated with England because of its popularity there during the 19th century. In the Victorian era, broderie anglaise typically had open areas in many sizes. Transfers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scythian Art
Scytho-Siberian art is the art associated with the cultures of the Scytho-Siberian world, primarily consisting of decorative objects such as jewellery, produced by the nomadic tribes of the Eurasian Steppe, with the western edges of the region vaguely defined by ancient Greeks. The identities of the nomadic peoples of the steppes is often uncertain, and the term "Scythian" should often be taken loosely; the art of nomads much further east than the core Scythian territory exhibits close similarities as well as differences, and terms such as the "Scytho-Siberian world" are often used. Other Eurasian nomad peoples recognised by ancient writers, notably Herodotus, include the Massagetae, Sarmatians, and Saka, the last a name from Persian sources, while ancient Chinese sources speak of the Xiongnu or Hsiung-nu. Modern archaeologists recognise, among others, the Pazyryk culture, Pazyryk, Tagar culture, Tagar, and Aldy-Bel cultures, with the furthest east of all, the later Ordos culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cast Iron
Cast iron is a class of iron–carbon alloys with a carbon content of more than 2% and silicon content around 1–3%. Its usefulness derives from its relatively low melting temperature. The alloying elements determine the form in which its carbon appears: Cast iron#White cast iron, white cast iron has its carbon combined into an iron carbide named cementite, which is very hard, but brittle, as it allows cracks to pass straight through; Grey iron, grey cast iron has graphite flakes which deflect a passing crack and initiate countless new cracks as the material breaks, and Ductile iron, ductile cast iron has spherical graphite "nodules" which stop the crack from further progressing. Carbon (C), ranging from 1.8 to 4 wt%, and silicon (Si), 1–3 wt%, are the main alloying elements of cast iron. Iron alloys with lower carbon content are known as steel. Cast iron tends to be brittle, except for malleable iron, malleable cast irons. With its relatively low melting point, g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glass
Glass is an amorphous (non-crystalline solid, non-crystalline) solid. Because it is often transparency and translucency, transparent and chemically inert, glass has found widespread practical, technological, and decorative use in window panes, tableware, and optics. Some common objects made of glass are named after the material, e.g., a Tumbler (glass), "glass" for drinking, "glasses" for vision correction, and a "magnifying glass". Glass is most often formed by rapid cooling (quenching) of the Melting, molten form. Some glasses such as volcanic glass are naturally occurring, and obsidian has been used to make arrowheads and knives since the Stone Age. Archaeological evidence suggests glassmaking dates back to at least 3600 BC in Mesopotamia, Ancient Egypt, Egypt, or Syria. The earliest known glass objects were beads, perhaps created accidentally during metalworking or the production of faience, which is a form of pottery using lead glazes. Due to its ease of formability int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo, less commonly Roccoco ( , ; or ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence other arts, particularly sculpture, furniture, silverware, glassware, painting, music, theatre, and literature. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
