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Op 5
In music, Op. 5 stands for Opus number 5. Compositions that are assigned this number include: * Barber – The School for Scandal * Beach – Mass in E-flat * Beethoven – Cello Sonatas Nos. 1 and 2 * Berlioz – Requiem * Brahms – Piano Sonata No. 3 * Chausson – Viviane * Chopin – Rondo à la mazur * Corelli – Twelve Violin Sonatas, Op. 5 * Dvořák – Piano Quintet No. 1 * G. English – Symphony No. 2 * Glazunov – Symphony No. 1 * Gottschalk – Le Bananier * Liszt – Rondeau fantastique sur un thème espagnol * Nielsen – String Quartet No. 2 * Madetoja – ''Chess'' (), theatre score for orchestra (1910) * Rachmaninoff – Suite No. 1 * Reger – Cello Sonata No. 1 * Rimsky – Sadko * Schoenberg – Pelleas und Melisande * Schumann – Impromptus on a Theme by Clara Wieck * Shostakovich – Three Fantastic Dances * Sibelius – Six Impromptus, for solo piano (1893) * Strauss – Gesellschafts-Walzer * Stravinsky – Funeral Song * Tamberg – Concer ...
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Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ...
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Chess (Madetoja)
''Chess'' (in Finnish: ; literal translation: 'Chess Game'), Op. 5, is a theatre score—comprising four numbers—for orchestra by the Finnish composer Leevi Madetoja; he wrote the music in 1910 to accompany the Finnish author Eino Leino's one-act "historical tableau" of the same name. In particular, Madetoja's music occurs during the pantomime in the middle of the play. The scene, a dream sequence in which 16 white and 16 black chess pieces come to life and play a game, is an allegory for the political intrigue that transpired in 1464 between rivals for the Swedish thrown: Charles VIII of Sweden and Christian I of Denmark. ''Chess'' premiered on 15 February 1910 in Helsinki at Finnish National Theatre during a lottery soirée, with Madetoja conducting the . History ''Chess'' premiered on 15 February 1910 in Helsinki at Finnish National Theatre. The occasion was a lottery soirée organized by the Association for Feeding Elementary School ...
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Funeral Song (Stravinsky)
''Funeral Song'' (Погребальная песнь / ''Pogrebal'naya Pesnya'', or ''Chant funèbre)'', Op. 5, is an orchestral work by Igor Stravinsky. Composed in 1908 in memory of Nikolai Rimsky-Korsakov, the work received one performance in 1909. The work was then lost and not rediscovered until 2015. Early history Stravinsky composed the work in 1908, upon the death of his teacher Nikolai Rimsky-Korsakov. It received its first performance on 17 January 1909 at the Grand Hall of the St Petersburg Conservatory, in a memorial programme for Rimsky-Korsakov. The orchestra of Count Sheremetev performed the work, conducted by Felix Blumenfeld. The score was lost after the first performance. Stravinsky later called the work "the best of my works before ''The Firebird'', and the most advanced in chromatic harmony." Paul Griffiths commented on Stravinsky's recollections of the work as follows, at a time when the manuscript was still considered to be lost: 'Here already is one of ...
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Gesellschafts-Walzer
Gesellschafts-Walzer (''Association's Waltz''), opus 5, is a waltz composed by Johann Strauss I. The work had been composed during the period of Strauss’ service in Josef Lanner’s small orchestra, and premiered at one of the balls at the '' Zum weissen Schwan'' (The White Swan) in Rossau, Vienna Vienna ( ; ; ) is the capital city, capital, List of largest cities in Austria, most populous city, and one of Federal states of Austria, nine federal states of Austria. It is Austria's primate city, with just over two million inhabitants. ..., after Strauss had been appointed as music director there in the autumn of 1827. References {{classical-composition-stub Compositions by Johann Strauss I Alsergrund ...
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Six Impromptus
The Six Impromptus (in German: ), Op. 5, is a collection of compositions for piano written in 1893 by the Finnish composer Jean Sibelius. Structure and music ;Impromptu No. 1 :The first impromptu is in G minor. Marked ''Moderato'', it has a duration of about two minutes. ;Impromptu No. 2 :The second impromptu is also in G minor. Marked ''Lento'Vivace'', it has a duration of about two minutes. ;Impromptu No. 3 :The third impromptu is in A minor. Marked ''Moderato'' (''alla marcia''), it has a duration of about three minutes. ;Impromptu No. 4 :The fourth impromptu is in E minor. Marked ''Andantino'', it has a duration of about two minutes. ;Impromptu Nos. 5 and 6 :The fifth impromptu is in B minor. Marked ''Vivace'', it has a duration of about 3.5 minutes, The sixth impromptu, on the other hand, is in E major; marked ''Comodo'', it lasts about two minutes. In 1893, Sibelius reused themes from ''Nights of Jealousy'' (, JS 125)—an 18 ...
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Three Fantastic Dances
The ''Three Fantastic Dances'' (), Op. 5 are a set of three piano pieces composed by Dmitri Shostakovich while he was a student at the Petrograd Conservatory. They are dedicated to Iosif Shvarts, a friend and fellow pupil in the piano class of Leonid Nikolayev. History Shostakovich completed the first of the ''Three Fantastic Dances'' on December 4, 1920, with the remaining two completed in 1922. He dedicated the work to his friend Iosif Shvarts, a fellow pianist and pupil in the class of Leonid Nikolayev, who esteemed him as one of his best students. Shostakovich himself admired Shvarts' playing and said he was "fascinated by his fine polish, meticulous penetration of the composer's wishes, and excellent technique." Sources conflict as to when and where the ''Three Fantastic Dances'' was premiered. Hans Sikorski Musikverlage, which publishes Shostakovich's music, lists March 20, 1923, at the Small Hall of the Petrograd Conservatory as the premiere date and location. Andre ...
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Clara Schumann
Clara Josephine Schumann (; ; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic music, Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuoso, virtuosic works. She also composed solo piano pieces, a Piano Concerto (Clara Schumann), Piano Concerto, chamber music, choral pieces, and songs. She grew up in Leipzig, where both her father Friedrich Wieck and her mother Mariane Bargiel, Mariane were pianists and piano teachers. In addition, her mother was a singer. Clara was a child prodigy, and was trained by her father. She began touring at age eleven, and was successful in Paris and Vienna, among other cities. She married the composer Robert Schumann, on 12 September 1840, and the couple had eight children. Together, they encouraged Johan ...
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Pelleas Und Melisande (Schoenberg)
''Pelleas und Melisande'', Op. 5, is a symphonic poem written by Arnold Schoenberg and completed in February 1903. It was premiered on 25 January 1905 at the Musikverein in Vienna under the composer's direction in a concert that also included the first performance of Alexander von Zemlinsky's '' Die Seejungfrau''. The work is based on Maurice Maeterlinck's play ''Pelléas and Mélisande'', a subject suggested by Richard Strauss. When he began composing the work in 1902, Schoenberg was unaware that Claude Debussy's opera, also based on Maeterlinck's play, was about to premiere in Paris. Instrumentation The symphonic poem is scored for a large orchestra comprising piccolo, 3 flutes (3rd doubling 2nd piccolo), 3 oboes (3rd doubling 2nd English horn), English horn, E flat clarinet, 3 clarinets in B flat and A (3rd doubling 2nd bass clarinet), bass clarinet, 3 bassoons, contrabassoon, 8 horns in F, 4 trumpets in E and F, alto trombone, 4 tenor-bass trombones, tuba, timpani (2 playe ...
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Sadko (musical Tableau)
''Sadko'', Op. 5, is a ''Tableau musical'', or ''Musical picture'', by Nikolai Rimsky-Korsakov, written in 1867 and revised in 1869 and 1892. It is sometimes called the first symphonic poem written in Russia.Rimsky-Korsakov, ''My Musical Life'', 79 ft. 21. It was first performed in 1867 at a concert of the Russian Musical Society (RMS), conducted by Mily Balakirev. Rimsky-Korsakov later wrote an opera of the same name which quotes freely from the earlier work.Taruskin, R. Sadko. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. From the tone poem the composer quoted its most memorable passages in the opera, including the opening theme of the swelling sea, and other themes as leitmotifs – he himself set out to "utilize for this opera the material of my symphonic poem, and, in any event, to make use of its motives as leading motives for the opera". Overview Scenario Sadko () was a legendary hero of a Russian '' bylina'' (a traditional East Slav ...
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Cello Sonata No
The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef; the tenor clef and treble clef are used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music, such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music ...
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Suite No
Suite may refer to: Arts and entertainment *Suite (music), a set of musical pieces considered as one composition ** Suite (Bach), a list of suites composed by J. S. Bach ** Suite (Cassadó), a mid-1920s composition by Gaspar Cassadó ** ''Suite'' (Penderecki), a 1994 composition by Krzysztof Penderecki ** :Suites (music) *Suite, a set of related illustrations considered to be part of one art composition (e.g., the Vollard Suite by Picasso) *''Suite!'', a 2019 album by Roberto Magris *"Suite", a poem by Patti Smith from her book ''Babel'' *''Suite PreCure'', a series of the Pretty Cure anime franchise Architecture and design *Suite (address), a kind of address or location in an office building, shopping mall, etc. *Suite (hotel), a type of hotel room *Secondary suite, an additional separate dwelling unit on a property that would normally accommodate only one dwelling unit *Luxury box, or suite, the most expensive class of seating in stadiums or arenas Other uses *Suite (geology) ...
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Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The phrase "incidental music" is from the German ''Inzidenzmusik'', which is defined in the ''Methuen Drama Dictionary of the Theatre'' as "music that is specifically written fo ...
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