New Beat
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG,Simon Reynolds: ''Generation Ecstasy: Into the World of Techno and Rave Culture.'' Routledge 1999, , p. 124. EBM and hip hop (e.g. scratching).Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , pp. 102–103. It flourished in Western Europe during the late-1980s. New beat spawned a subgenre called "hard beat" (a blend of EBM, new beat and acid house)Nikki van Lierop: ''Hard Beat 1st Compilation.'', 1989."Hard Beat is the perfect link between Electronic Body Music and New Beat." and became a key influence on the evolution of European electronic dance music styles such as Belgian techno, hardcore techno and gabber. History New beat originated in Belgium in 1987, and was popular in several music clubs across Western Europe. Sometimes described as "new wave disco beat"Philipp Anz, Arnold Meyer: ''New Beat. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Acid House
Acid house (also simply known as just " acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antwerp
Antwerp (; ; ) is a City status in Belgium, city and a Municipalities of Belgium, municipality in the Flemish Region of Belgium. It is the capital and largest city of Antwerp Province, and the third-largest city in Belgium by area at , after Tournai and Couvin. With a population of 565,039, it is the List of most populous municipalities in Belgium, most populous municipality in Belgium, and with a metropolitan population of over 1.2 million people, the country's Metropolitan areas in Belgium, second-largest metropolitan area after Brussels. Definitions of metropolitan areas in Belgium. Flowing through Antwerp is the river Scheldt. Antwerp is linked to the North Sea by the river's Western Scheldt, Westerschelde estuary. It is about north of Brussels, and about south of the Netherlands, Dutch border. The Port of Antwerp is one of the biggest in the world, ranking second in Europe after Rotterdam and List of world's busiest container ports, within the top 20 globally. The city ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Studio Brussel
Studio Brussel is a Dutch-speaking radio station in Belgium, owned by the VRT. The music played is considered more alternative than the other big radio stations, and is aimed mainly at a youth audience. The channel is an initiative of the Flemish Government and is financed principally by taxes. History Studio Brussel started on 1 April 1983 as a regional Brussels radio station of the then-BRT. It began as a regional radio station broadcasting only during rush hour. Gradually, broadcasting times were expanded and Studio Brussel could be heard throughout all of Flanders. The first two presenters were Paul De Wyngaert and Jan Hautekiet. The radio station plays mostly alternative and more heavy music, mostly rock, but also metal, hip hop, house and techno. At the end of 2002, Studio Brussel got a new look. The logo with the "wild" characters was replaced by a red ellipse with the name Studio Brussel in it. On 24 April 2006, Wim Oosterlinck left Studio Brussel for Qmusic. Pete ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Grid
The Grid are an English electronic dance group, consisting of David Ball (formerly of Soft Cell) and Richard Norris, with guest contributions from other musicians. They are best known for the hits "Swamp Thing", "Texas Cowboys", "Crystal Clear", "Rollercoaster" and "Floatation". Band members * Richard Norris – keyboards, drum programming * David Ball – keyboards, programming * Sacha Rebecca Souter – vocals History The Grid formed in 1988, after both Ball and Norris had worked with Psychic TV on the '' Jack the Tab – Acid Tablets Volume One'' album. They recorded the track "Meet Every Situation Head On" together as "M.E.S.H.". The Grid had their first success with their debut single, "Floatation", released on East West Records in 1990. They went on to release a string of ten UK hit singles and four albums, and toured the UK, Europe, Asia and Australia. The group's 1994 album '' Evolver'' reached No. 14 in the UK Albums Chart. The lead single from this album, "Swa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Richard Norris (musician)
Richard Norris (born 23 June 1965) is a London-based record producer, songwriter, sound engineer, musician, DJ and author. He is best known as a member of electronic dance band The Grid. Richard has also worked as a producer and engineer since the 80s with artists such as: Bryan Ferry, Genesis P-Orridge, Genesis Breyer P-Orridge, Marc Almond, Joe Strummer and the Pet Shop Boys. Norris began making music as a teenage member of St. Albans punk band Innocent Vicars. Vicars recorded two singles in 1980: "Antimatter" and "Funky Town" for the independent No Brain Records. Norris started working in the music industry as the label manager for the British psychedelic record label Bam Caruso before becoming a writer for NME in 1987. Bands The Grid Norris and David Ball collaborated together as M.E.S.H, one of the groups formed by Psychic TV members for the fake compilation Jack the Tab/Tekno Acid Beat, Jack The Tab – Acid Tablets Volume One in 1988. They released their track, Meet Every ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pitch Control
A variable speed pitch control (or vari-speed) is a control on an audio device such as a turntable, tape recorder, or CD player that allows the operator to deviate from a standard speed (such as 33, 45 or even 78 rpm on a turntable), resulting in adjustments in pitch. The latter term "vari-speed" is more commonly used for tape decks, particularly in the UK. Analog pitch controls vary the voltage being used by the playback device; digital controls use digital signal processing to change the playback speed or pitch. A typical DJ deck allows the pitch to be increased or reduced by up to 8%, which is achieved by increasing or reducing the speed at which the platter rotates. Turntable or CD playing speed may be changed for beatmatching and other DJ techniques, while pitch shift using a pitch control has myriad uses in sound recording. Vari-speed in consumer cassette decks Superscope, Inc. of Sun Valley added vari-speed as a feature of portable cassette decks in 1975. The C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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A Split-Second
A Split-Second is a Belgian new beat and electronic body music (EBM) band established in 1985. The band is seen as one of the pioneers of EBM and their music influenced the creation of the new beat genre. History The project was born in 1985 as a solo project of Marc Heyndrickx (under the name Marc Ickx), who self-released the demo-tape "Stained Impressions" with Peter Bonne (later re-named Chrismar Chayell) producing some of the songs. Bonne at that time was releasing music as Twilight Ritual together with vocalist Geert Coppens. To record the demo, Ickx spent the last of his money on an amp with double tape deck and spent the holidays in the offices of Independent Films. Having heard the initial material, Chayell invited Ickx to record more songs in his 4-track studio. Antler records signed the band immediately upon hearing the first demo. After signing to Antler Records, A Split-Second made their debut in 1986 with a self-titled mini album featuring a.o. the tracks "Fle ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Revolutions Per Minute
Revolutions per minute (abbreviated rpm, RPM, rev/min, r/min, or r⋅min−1) is a unit of rotational speed (or rotational frequency) for rotating machines. One revolution per minute is equivalent to hertz. Standards ISO 80000-3:2019 defines a physical quantity called ''rotation'' (or ''number of revolutions''), dimensionless, whose instantaneous rate of change is called ''rotational frequency'' (or ''rate of rotation''), with units of reciprocal seconds (s−1). A related but distinct quantity for describing rotation is ''angular frequency'' (or ''angular speed'', the magnitude of angular velocity), for which the SI unit is the radian per second (rad/s). Although they have the same dimensions (reciprocal time) and base unit (s−1), the hertz (Hz) and radians per second (rad/s) are special names used to express two different but proportional ISQ quantities: frequency and angular frequency, respectively. The conversions between a frequency and an angular frequency ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rave Techno
Belgian hardcore techno (also referred to as Belgian techno or rave techno) is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.Simon Reynolds: ''Energy Flash: A Journey through Rave Music and Dance Culture.'' Soft Skull Press 2012, , p. 110. Belgian hardcore is related to both European techno and hardcore techno, being generally considered an early form of the latter. The genre is referred to by several other names, such as "Belgian rave" and "bretter tekkno". The immediate ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Acid House
Acid house (also simply known as just " acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gabber
Gabber ( ; ) is a style of electronic dance music and a subgenre of Hardcore (electronic dance music genre), hardcore, as well as the surrounding subculture. The music is more commonly referred to as hardcore, and is characterised by fast beats, distorted and heavy kickdrums, with dark themes and samples. This style was developed in Rotterdam and Amsterdam in the 1990s by producers like Marc Trauner, Marc Acardipane, Paul Elstak, DJ Rob, and The Prophet (musician), The Prophet, forming record labels such as Rotterdam Records, Mokum Records, Pengo Records and Industrial Strength Records. The word ''gabber'' comes from Amsterdam Bargoens slang and means "friend". Gabber remains highly popular in the Netherlands, and has seen a major resurgence in recent years. Gabber formed as an underground, anti-establishment movement with small, underground raves, most often illegally held in empty warehouses, basements and tunnels. Rave parties such as Thunderdome (music festival), Thunderdom ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hardcore Techno
Hardcore (also known as hardcore techno) is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos (160 to 200 BPM or more) and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of industrial have directly influence ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |