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National Cinema
National cinema is a term sometimes used in film theory and film criticism to describe the films associated with a specific nation-state. Although there is little relatively written on theories of national cinema it has an irrefutably important role in globalization. Film provides a unique window to other cultures, particularly where the output of a nation or region is high. Definition Like other film theory or film criticism terms (e.g., "art film"), the term "national cinema" is hard to define, and its meaning is debated by film scholars and critics. A film may be considered to be part of a "national cinema" based on a number of factors. Simply put, a "nation's cinema" can be attributed to the country that provided the financing for the film, the language spoken in the film, the nationalities or dress of the characters, and the setting, music, or cultural elements present in the film. To define a national cinema, some scholars emphasize the structure of the film industry and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Look Launch Of Baahubali 2 (cropped)
First most commonly refers to: * First, the ordinal form of the number 1 First or 1st may also refer to: Acronyms * Faint Images of the Radio Sky at Twenty-Centimeters, an astronomical survey carried out by the Very Large Array * Far Infrared and Sub-millimetre Telescope, of the Herschel Space Observatory * For Inspiration and Recognition of Science and Technology, an international youth organization * Forum of Incident Response and Security Teams, a global forum Arts and entertainment Albums * 1st (album), ''1st'' (album), by Streets, 1983 * 1ST (SixTones album), ''1ST'' (SixTones album), 2021 * First (David Gates album), ''First'' (David Gates album), 1973 * ''First'', by Denise Ho, 2001 * First (O'Bryan album), ''First'' (O'Bryan album), 2007 * First (Raymond Lam album), ''First'' (Raymond Lam album), 2011 Extended plays * ''1st'', The Rasmus discography, by The Rasmus, 1995 * First (Baroness EP), ''First'' (Baroness EP), 2004 * First (Ferlyn G EP), ''First'' (Ferlyn G EP), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Lepage
Robert Lepage (born December 12, 1957) is a Canadian playwright, actor, film director, and stage director. Early life Lepage was raised in Quebec City. At age five, he was diagnosed with a rare form of alopecia, which caused complete hair loss over his whole body."History meets personal history for Robert Lepage" ''Toronto Star'', November 12, 2010. He also struggled with clinical depression in his teens as he came to terms with being gay. Between 1975 and 1978, he studied theatre at Quebec City's Conservatoire d'Art Dramatique. He subsequently participated in workshops at Alain Knapp's theatre school in Paris, France. Theatrical career After coming back to Quebec City, Lepage wrote, directed ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodernism
Postmodernism encompasses a variety of artistic, Culture, cultural, and philosophical movements that claim to mark a break from modernism. They have in common the conviction that it is no longer possible to rely upon previous ways of depicting the world. Still, there is disagreement among experts about its more precise meaning even within narrow contexts. The term began to acquire its current range of meanings in literary criticism and architectural theory during the 1950s–1960s. In opposition to modernism's alleged self-seriousness, postmodernism is characterized by its playful use of Eclecticism, eclectic styles and performative irony, among other features. Critics claim it supplants Morality, moral, Politics, political, and Aesthetics, aesthetic ideals with mere style and spectacle. In the 1990s, "postmodernism" came to denote a general – and, in general, celebratory – response to cultural pluralism. Proponents align themselves with feminism, multiculturalism, and pos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Truffaut
François Roland Truffaut ( , ; ; 6 February 1932 – 21 October 1984) was a French filmmaker, actor, and critic. He is widely regarded as one of the founders of the French New Wave. He came under the tutelage of film critic Andre Bazin as a young man and was hired to write for Bazin's ''Cahiers du Cinéma'', where he became a proponent of the auteur, ''auteur'' theory, which posits that a film's director is its true author. ''The 400 Blows'' (1959), starring Jean-Pierre Léaud as Truffaut's alter-ego Antoine Doinel, was a defining film of the New Wave. Truffaut supplied the story for another milestone of the movement, Breathless (1960 film), ''Breathless'' (1960), directed by his ''Cahiers'' colleague Jean-Luc Godard. His other notable films include ''Shoot the Piano Player'' (1960), ''Jules and Jim'' (1962), ''The Soft Skin'' (1964), ''Two English Girls'' (1971) and ''The Last Metro'' (1980). Truffaut's Day for Night (film), ''Day for Night'' (1973) earned him the BAFTA Awa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Carné
Marcel Albert Carné (; 18 August 1906 – 31 October 1996) was a French film director. A key figure in the poetic realism movement, Carné's best known films include ''Port of Shadows'' (1938), ''Le Jour Se Lève'' (1939), ''Les Visiteurs du Soir'' (1942) and ''Children of Paradise'' (1945); the latter has been cited as one of the List of films considered the best, great films of all time. Biography Born in Paris, France, the son of a cabinet maker whose wife died when their son was five, Carné began his career as a film critic, becoming editor of the weekly publication, ''Hebdo-Films'', and working for ''Cinémagazine'' and ''Cinémonde'' between 1929 and 1933.Richard Roud "Marcel Carné and Jacques Prevert" in Roud ''Cinema: A Critical Dictionary: Volume One, Aldrich to King'', London: Secker & Warburg, 1980, p.189-92, 189, 191 In the same period he worked in silent film as a camera assistant with director Jacques Feyder. By age 25, Carné had already directed ''Nogent, Eldora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Renoir
Jean Renoir (; 15 September 1894 – 12 February 1979) was a French film director, screenwriter, actor, producer and author. His '' La Grande Illusion'' (1937) and '' The Rules of the Game'' (1939) are often cited by critics as among the greatest films ever made. In 2002, he was ranked fourth on the BFI's '' Sight & Sound'' poll of the greatest directors. Among numerous honours accrued during his lifetime, he received a Lifetime Achievement Academy Award in 1975. Renoir was the son of the painter Pierre-Auguste Renoir and the uncle of the cinematographer Claude Renoir. With Claude, he made '' The River'' (1951), the first color film shot in India. A lifelong lover of theater, Renoir turned to the stage for '' The Golden Coach'' (1952) and '' French Cancan'' (1955). He was one of the first filmmakers to be known as an '' auteur''; the critic Penelope Gilliatt said a Renoir shot could be identified "in a thousand miles of film." Pauline Kael wrote that "At his greatest, Jean ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Realism
Poetic realism was a film movement in France of the 1930s. More a tendency than a movement, poetic realism is not strongly unified like Soviet montage or French Impressionism but were individuals who created this lyrical style. Its leading filmmakers were Pierre Chenal, Jean Vigo, Julien Duvivier, Marcel Carné, and, perhaps the movement's most significant director, Jean Renoir. Renoir made a wide variety of films influenced by the leftist Popular Front group and even a lyrical short feature film. Frequent stars of these films were Jean Gabin, Michel Simon, Simone Signoret, and Michèle Morgan. Characteristics Poetic realism films are "recreated realism", stylised and studio-bound, rather than approaching the "socio-realism of the documentary". They usually have a fatalistic view of life with their characters living on the margins of society, either as unemployed members of the working class or as criminals. After a life of disappointment, the characters get a last chan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Epstein
Jean Epstein (; 25 March 1897 – 2 April 1953) was a French filmmaker, film theorist, literary critic, and novelist. Although he is remembered today primarily for his adaptation of Edgar Allan Poe's '' The Fall of the House of Usher'', he directed three dozen films and was an influential critic of literature and film from the early 1920s through the late 1940s. He is often associated with French Impressionist Cinema and the concept of ''photogénie''. Life and career Epstein was born in Warsaw, Kingdom of Poland (then a part of the Russian Empire) to a French-Jewish father and Polish mother. After his father died in 1908, the family relocated to Switzerland, where Epstein remained until beginning medical school at the University of Lyon in France. While in Lyon, Epstein served as a secretary and translator for Auguste Lumière, considered one of the founders of cinema. Epstein started directing his own films in 1922 with ''Pasteur'', followed by ''L'Auberge rouge'' and '' Coeur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germaine Dulac
Germaine Dulac (; born Charlotte Elisabeth Germaine Saisset-Schneider; 17 November 1882 – 20 July 1942)Flitterman-Lewis 1996 was a French filmmaker, film theorist, journalist and critic. She was born in Amiens and moved to Paris in early childhood. A few years after her marriage she embarked on a journalistic career in a feminist magazine, and later became interested in film. With the help of her husband and friend she founded a film company and directed a few commercial works before slowly moving into Impressionist and Surrealist territory. She is best known today for her Impressionist film, '' La Souriante Madame Beudet'' (''The Smiling Madam Beudet'', 1922/23), and her Surrealist experiment, '' La Coquille et le Clergyman'' (''The Seashell and the Clergyman'', 1928). Her career as filmmaker suffered after the introduction of sound film and she spent the last decade of her life working on newsreels for Pathé and Gaumont. Biography Germaine Dulac was born in Amiens, Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auteur Theory
An (; , ) is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded and personal that the director is likened to the "author" of the film, thus manifesting the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it ''policy of the authors'', and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations. American actor Jerry Lewis directed his own 1960 film '' The Bellboy'' via sweeping control, and was praised for "personal genius". By 1970, the New Hollywood era had emerged with studios granting directors broad leeway. Pauline Kael argued, however, that "auteu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Du Look
Cinema may refer to: Film * Film or movie, a series of still images that create the illusion of moving image ** Film industry, the technological and commercial institutions of filmmaking ** Filmmaking, the process of making a film * Movie theater (US), called a cinema elsewhere, a building in which films are shown Music Bands * Cinema (band), a band formed in 1982 by ex-Yes members Alan White & Chris Squire * The Cinema, an American indie pop band Albums * ''Cinema'' (Andrea Bocelli album), released 2015 * ''Cinema'' (The Cat Empire album), released 2010 * ''Cinema'' (Elaine Paige album), released 1984 * ''Cinema'' (Nazareth album), or the title song, released 1986 * ''Cinema'', a 2009 album by Brazilian band Cachorro Grande * ''Cinema'', a 1990 album by English musician Ice MC (Ian Campbell), or the title song * ''Cinema'', a 2004 album by Portuguese musician Rodrigo Leão * ''Cinema'', a 2010 album by Karsh Kale * ''Cinema'', a 2021 album by The Marías Songs * "Cinema" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French New Wave
The New Wave (, ), also called the French New Wave, is a French European art cinema, art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to film editing, editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinematography, cinema. However, contemporary critics have also argued that historians have not sufficiently credited its female co-founder, Agnès Varda, and have criticized the movement's prevailing themes of sexism towards women. The term was first used by a group of French film critics and cinephiles associated with the magazine in the late 1950s and 1960s. These critics rejected the ("T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
