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National Anthem Of South Africa
The national anthem of South Africa was adopted in 1997 and is a hybrid song combining extracts of the 19th century Xhosa hymn "" (, ) and the Afrikaans song that was used as the South African national anthem during the apartheid era, " Die Stem van Suid-Afrika" (), with new English lyrics. The anthem is often referred to by its incipit of "Nkosi Sikelel' iAfrika", but this has never been its official title, which is simply "National Anthem of South Africa". The committee responsible for this new composition included Anna Bender, Elize Botha, Richard Cock, Dolf Havemann (Secretary), Mzilikazi Khumalo (chairman), Masizi Kunene, John Lenake, Fatima Meer, Khabi Mngoma, Wally Serote, Johan de Villiers, and Jeanne Zaidel-Rudolph. Structure The lyrics employ the five most widely spoken of South Africa's twelve official languages – Xhosa (first stanza, first two lines), Zulu (first stanza, last two lines), Sesotho (second stanza), Afrikaans (third stanza), and English ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nkosi Sikelel' IAfrika
"" (, ) is a Christian hymn composed in 1897 by Enoch Sontonga, a Xhosa people, Xhosa clergyman at a Methodism, Methodist mission school near Johannesburg. The song became a pan-African liberation song and versions of it were later adopted as the national anthems of five countries in Africa including Zambia, Tanzania, Namibia and Zimbabwe after independence, and South Africa after the end of apartheid. The song's melody is still used as the Mungu ibariki Afrika, national anthem of Tanzania and the Stand and Sing of Zambia, Proud and Free, national anthem of Zambia (Zimbabwe and Namibia have since changed to new anthems with other melodies). In 1994, Nelson Mandela decreed that the verse of be embraced as a joint national anthem of South Africa; a revised version additionally including elements of "Die Stem van Suid-Afrika, Die Stem" (the then co-state anthem inherited from the previous apartheid government) was adopted in 1997. This new South African national anthem is someti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fatima Meer
Fatima Meer (12 August 1928 – 12 March 2010) was a South African writer, academic, screenwriter, and prominent anti-apartheid activist. Early life Fatima Meer was born in the Grey Streets of Durban, South Africa, into a middle-class family of nine, where her father M.I. Meer, a newspaper editor of TIV (The Indian View), instilled in her a consciousness of the racial discrimination that existed in the country. Her mother was Rachel Farrell, the second wife of Moosa Ismail Meer. Her mother was orphaned and of Jewish and Portuguese descent. She converted to Islam and changed her name to Amina. When she was 16 years old in 1944, she helped raise £1 000 for famine relief in Bengal, India. She completed her schooling at the Durban Indian Girls High School. When she was still a student she mobilized students to found the Student Passive Resistance Committee to gather funds for the Indian community's passive resistance campaign from 1946 to 1948. The committee led her to meet Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrikaner
Afrikaners () are a Southern African ethnic group descended from predominantly Dutch settlers who first arrived at the Cape of Good Hope in 1652.Entry: Cape Colony. ''Encyclopædia Britannica Volume 4 Part 2: Brain to Casting''. Encyclopædia Britannica, Inc. 1933. James Louis Garvin, editor. Until 1994, they dominated South Africa's politics as well as the country's commercial agricultural sector. Afrikaans, a language which evolved from the Dutch dialect of South Holland, is the mother tongue of Afrikaners and most Cape Coloureds. According to the South African National Census of 2022, 10.6% of South Africans claimed to speak Afrikaans as a first language at home, making it the country's third-largest home language after Zulu and Xhosa. The arrival of Portuguese explorer Vasco da Gama at Calicut, India, in 1498 opened a gateway of free access to Asia from Western Europe around the Cape of Good Hope. This access necessitated the founding and safeguarding of tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bantu Peoples Of South Africa
Bantu speaking people are the majority ethno-racial group in South Africa. They are descendants of Southern Bantu-speaking peoples who settled in South Africa during the Bantu expansion. They are referred to in various census as ''blacks'', or ''Native Africans''. History Early history Archaeological evidence suggests that ''Homo sapiens'' inhabited the region for over 100,000 years, with sedentary agriculture occurring since at least 100 CE. Based on prehistorical archaeological evidence of pastoralism and farming in southern Africa, the settlements in sites located in the southernmost region of modern Mozambique established around are some of the oldest and most proximate pieces of archaeological evidence related to the South African Bantu-speaking peoples. Ancient settlements remains found thus far similarly based on pastoralism and farming within South Africa were dated . Around 1220, the Kingdom of Mapungubwe formed in the Shashe-Limpopo Basin, with rainmaking cruci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White South Africans
White South Africans are South Africans of European descent. In linguistic, cultural, and historical terms, they are generally divided into the Afrikaans-speaking descendants of the Dutch East India Company's original colonists, known as Afrikaners, and the Anglophone descendants of predominantly British colonists of South Africa. White South Africans are by far the largest population of White Africans. ''White'' was a legally defined racial classification during apartheid. White settlement in South Africa began with Dutch colonisation in 1652, followed by British colonisation in the 19th century, which led to tensions and further expansion inland by Boer settlers. Throughout the 19th and 20th centuries, waves of immigrants from Europe and continued to grow the white population, which peaked in the mid-1990s. Under apartheid, strict racial classifications enforced a legal and economic order that privileged the white minority. Post-apartheid reforms such as Black Economic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lupang Hinirang
"" ('Chosen Land'), originally titled in Spanish as "" ('Philippine National March'), and also commonly and informally known by its incipit "" ('Beloved Country'), is the national anthem of the Philippines. Its music was composed in 1898 by Julián Felipe, and the lyrics were adopted from the Spanish poem "José Palma#Writing of "Filipinas", Filipinas", written by José Palma in 1899. The composition known as "Lupang Hinirang" was commissioned on June 5, 1898, by Emilio Aguinaldo, head of the Dictatorial Government of the Philippines, as a ceremonial and instrumental national march without lyrics, similar to the status of the "Marcha Real" in Spain. It was first performed in public during the Philippine Declaration of Independence, proclamation of Philippine independence at Aguinaldo Shrine, Aguinaldo's residence in Kawit, Cavite, on June 12, 1898. It was re-adopted as the national march of the First Philippine Republic, Philippine Republic () in 1899. Following the defeat of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcha Real
The (; ) is the national anthem of Spain. It is one of only four national anthems in the world – along with those of National Anthem of Bosnia and Herzegovina, Bosnia and Herzegovina, Inno Nazionale della Repubblica, San Marino and Anthem of the Republic of Kosovo, Kosovo – that have no official lyrics. Although many different lyrics have been made for it in the past, it has never had official lyrics as a national anthem. History One of the oldest in the world, the Spanish national anthem was first printed in a document dated 1761 and entitled (''Book of the Ordinance of Newly Played Military Fife (musical instrument), Fife and Drum Calls by The Spanish Infantry''), by Manuel de Espinosa. There, it is entitled (). According to the document, Manuel de Espinosa de los Monteros is the composer. There is a misconception that its author was Frederick II of Prussia, a great lover of music. That mistaken belief arose in 1861 when it was published as fact in the periodic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Canto Degli Italiani
"" (; ) is a patriotic song written by Goffredo Mameli and set to music by Michele Novaro in 1847, currently used as the national anthem of Italy. It is best known among Italians as the "" (; ), after the author of the lyrics, or "" (; ), from its incipit, opening line. The piece, in Bar (music), 4/4 time signature and B-flat major key, has six strophes, and a refrain sung after each. The sixth group of verses, almost never performed, recalls the first strophe's text. The song was very popular during unification of Italy, Italian unification and the following decades. However, after the proclamation of the Kingdom of Italy, Kingdom of Italy's 1861 proclamation, the Republicanism, republican and Jacobin (politics), Jacobin connotations of "Fratelli d'Italia" were difficult to reconcile with the new state's monarchic constitution. The kingdom chose instead "Marcia Reale" (Royal March), the House of Savoy's official anthem, composed by order of King Charles Albert of Sardinia in 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Major
D major is a major scale based on D (musical note), D, consisting of the pitches D, E (musical note), E, F♯ (musical note), F, G (musical note), G, A (musical note), A, B (musical note), B, and C♯ (musical note), C. Its key signature has two Sharp (music), sharps. Its relative key, relative minor is B minor and its parallel key, parallel minor is D minor. The D major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of D major are: * Tonic (music), Tonic – D major * Supertonic – E minor * Mediant – F-sharp minor * Subdominant – G major * Dominant (music), Dominant – A major * Submediant – B minor * Leading-tone – Diminished triad, C-sharp diminished Characteristics D major is well-suited to violin music because of the structure of the instrument, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major is a major scale based on G (musical note), G, with the pitches G, A (musical note), A, B (musical note), B, C (musical note), C, D (musical note), D, E (musical note), E, and F♯ (musical note), F. Its key signature has one sharp (music), sharp. Its relative key, relative minor is E minor and its parallel key, parallel minor is G minor. The G major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of G major are: * Tonic (music), Tonic – G major * Supertonic – A minor * Mediant – B minor * Subdominant – C major * Dominant (music), Dominant – D major * Submediant – E minor * Leading-tone – Diminished triad, F-sharp diminished Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements *Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. * Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V–V co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South African English
South African English (SAfE, SAfEn, SAE, en-ZA) is the List of dialects of English, set of English language dialects native to South Africans. History British Empire, British settlers first arrived in the South African region in 1795, when they established a military holding operation at the Cape Colony. The goal of this first endeavour was to gain control of a key Cape sea route, not to establish a permanent settler colony. Full control of the colony was wrested from the Batavian Republic following the Battle of Blaauwberg in 1806. The first major influx of English speakers arrived in 1820 Settlers, 1820. About 5,000 British settlers, mostly rural or working class, settled in the Eastern Cape. Though the British were a minority colonist group (the Dutch had been in the region since 1652 when traders from the Dutch East India Company developed an Dutch Cape Colony, outpost), the Cape Colony governor, Lord Charles Somerset, declared English an official language in 1822. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
