Naos (architecture)
In Classical architecture, a or naos () is the inner chamber of an ancient Greek or Roman temple. Its enclosure within walls has given rise to extended meanings: of a hermit's or monk's cell, and (since the 17th century) of a biological cell in plants or animals. Greek and Roman temples In ancient Greek and Roman temples, the ''cella'' was a room at the center of the building, usually containing a cult image or statue representing the particular deity venerated in the temple. In addition, the ''cella'' might contain a table to receive supplementary votive offerings, such as votive statues of associated deities, precious and semi-precious stones, helmets, spear and arrow heads, swords, and war trophies. No gatherings or sacrifices took place in the ''cella'', as the altar for sacrifices was always located outside the building along the axis and temporary altars for other deities were built next to it. The accumulated offerings made Greek and Roman temples virtual treasuries, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the '' cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as the ''cella''. The word ''pronaos'' () is Greek for "before a temple". In Latin, a pronaos is also referred to as an ''anticum'' or ''prodomus''. The pronaos of a Greek a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vitruvius
Vitruvius ( ; ; –70 BC – after ) was a Roman architect and engineer during the 1st century BC, known for his multi-volume work titled . As the only treatise on architecture to survive from antiquity, it has been regarded since the Renaissance as the first book on architectural theory, as well as a major source on the canon of classical architecture. It is not clear to what extent his contemporaries regarded his book as original or important. He states that all buildings should have three attributes: , , and ("strength", "utility", and "beauty"), principles reflected in much Ancient Roman architecture. His discussion of perfect proportion in architecture and the human body led to the famous Renaissance drawing of the ''Vitruvian Man'' by Leonardo da Vinci. Little is known about Vitruvius' life, but by his own descriptionDe Arch. Book 1, preface. section 2. he served as an artilleryman, the third class of arms in the Roman military offices. He probably served as a senior of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Peristyle
In ancient Ancient Greek architecture, Greek and Ancient Roman architecture, Roman architecture, a peristyle (; ) is a continuous porch formed by a row of columns surrounding the perimeter of a building or a courtyard. ''Tetrastoön'' () is a rarely used archaic term for this feature. The peristyle in a Greek temple is a ''peristasis (architecture), peristasis'' (). In the Christian Church architecture, ecclesiastical architecture that developed from the Roman basilica, a courtyard peristyle and its garden came to be known as a cloister. Etymology The Greek word περίστυλον ''perístylon'' is composed of περί ''peri'', "around" or "surrounded", and στῦλος ''stylos'', "column" or "pillar", together meaning "surrounded by columns/pillars". It was Latinised into synonyms ''peristylum'' and ''peristylium''. In Greek architecture A peristyle was mostly used as a courtyard in Ancient Greece, but in the homes of people who were in the upper class or if they owned s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hadrian
Hadrian ( ; ; 24 January 76 – 10 July 138) was Roman emperor from 117 to 138. Hadrian was born in Italica, close to modern Seville in Spain, an Italic peoples, Italic settlement in Hispania Baetica; his branch of the Aelia gens, Aelia ''gens'', the ''Aeli Hadriani'', came from the town of Atri, Abruzzo, Hadria in eastern Italy. He was a member of the Nerva–Antonine dynasty. Early in his political career, Hadrian married Vibia Sabina, grandniece of the ruling emperor, Trajan, and his second cousin once removed. The marriage and Hadrian's later succession as emperor were probably promoted by Trajan's wife Pompeia Plotina. Soon after his own succession, Hadrian had four leading senators unlawfully put to death, probably because they seemed to threaten the security of his reign; this earned him the senate's lifelong enmity. He earned further disapproval by abandoning Trajan's expansionist policies and territorial gains in Mesopotamia (Roman province), Mesopotamia, Assyria ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Temple Of Venus And Roma
The Temple of Venus and Roma (Latin: ''Aedes Veneris et Romae'') is thought to have been the largest Roman temple, temple in Ancient Rome. Located on the Velian Hill, between the eastern edge of the Forum Romanum and the Colosseum, it was dedicated to the goddesses ''Venus (mythology)#Epithets, Venus Felix'' ("Venus the Bringer of Good Fortune") and ''Roma Aeterna'' ("Eternal Rome"). The building was the creation of the Roman emperor, emperor Hadrian and construction began in 121. It was officially inaugurated by Hadrian in 135, and finished in 141 under Antoninus Pius. Damaged by fire in 307, it was restored with alterations by the emperor Maxentius. History The temple was erected on the remains of the Domus Transitoria and Domus Aurea, two mansions commissioned by the disgraced Emperor Nero. Buried intact beneath the temple is an elaborate domed Rotunda (architecture), rotunda from the Domus Transitoria, with marble-lined pools and paving in multicoloured ''opus sectile''. Un ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Engaged Column
An engaged column is an architectural element in which a column is embedded in a wall and partly projecting from the surface of the wall, which may or may not carry a partial structural load. Sometimes defined as semi- or three-quarter detached, engaged columns are rarely found in classical Greek architecture, and then only in exceptional cases, but in Roman architecture they exist in abundance, most commonly embedded in the cella walls of pseudoperipteral Roman temples and other buildings. In the temples it is attached to the cella walls, repeating the columns of the peristyle, and in the theatres and amphitheatres, where they subdivided the arched openings: in all these cases engaged columns are utilized as a decorative feature, and as a rule the same proportions are maintained as if they had been isolated columns. In Romanesque work the classic proportions were no longer adhered to; the engaged column, attached to the piers, has always a special function to perform, e ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pseudoperipteral
A pseudoperipteros (, meaning "falsely peripteral") is a building with engaged columns embedded in the outer walls, except the front of the building. The form is found in classical architecture in ancient Greek temples, especially in the Hellenistic period. In Roman temples, the pseudoperipteral form became usual, where there were columns behind the portico as well. Typically the front has a portico with free-standing columns, but columns on the other three sides of the walls are engaged. If free-standing columns surround the entire building, it is a ''peripteros''. Unlike a ''peripteros'', a ''pseudoperipteros'' has no space ('' peristasis'') between the ''cella'' (''naos'', inner chamber) and the outer walls on the sides and rear, so the engaged columns can also be considered to be embedded directly into those walls of the ''cella''. The Temple of Olympian Zeus at Agrigento was a famous Greek example of this style. Its facade also has engaged columns. A pseudoperipteral bui ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paestum
Paestum ( , , ) was a major Ancient Greece, ancient Greek city on the coast of the Tyrrhenian Sea, in Magna Graecia. The ruins of Paestum are famous for their three ancient Greek temples in the Doric order dating from about 550 to 450 BCE that are in an excellent state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads. The site is open to the public, and there is a modern National Archaeological Museum of Paestum, national museum within it, which also contains the finds from the associated Greek site of Foce del Sele. Paestum was established around 600 BCE by settlers from Sybaris, a Greek colony in southern Italy, under the name of Poseidonia (). The city thrived as a Greek settlement for about two centuries, witnessing the development of democracy. In 400 BCE, the Lucani (ancient people), Lucanians seized the city. Ancient Rome, Romans took over in 273 BCE, renaming it Paestu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Parthenon
The Parthenon (; ; ) is a former Ancient Greek temple, temple on the Acropolis of Athens, Athenian Acropolis, Greece, that was dedicated to the Greek gods, goddess Athena. Its decorative sculptures are considered some of the high points of classical Art in Ancient Greece, Greek art, and the Parthenon is considered an enduring symbol of Ancient Greece, democracy, and western culture, Western civilization. The Parthenon was built in the 5th century BC in thanksgiving for the Greek victory over the Achaemenid Empire, Persian invaders during the Greco-Persian Wars. Like most Greek temples, the Parthenon also served as the city treasury. Construction started in 447 BC when the Delian League was at the peak of its power. It was completed in 438 BC; work on the artwork and decorations continued until 432 BC. For a time, it served as the treasury of the Delian League, which later became the Athenian Empire. In the final decade of the 6th century AD, the Parthenon was converted into ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Peripteros
In Classical architecture Classical architecture typically refers to architecture consciously derived from the principles of Ancient Greek architecture, Greek and Ancient Roman architecture, Roman architecture of classical antiquity, or more specifically, from ''De archit ..., a ''peripteros'' (; see ) is a type of Ancient Greek temple, ancient Greek or Roman temple surrounded by a portico with columns. It is surrounded by a colonnade (''pteron'') on all four sides of the ''cella'' (''naos''), creating a four-sided Arcade (architecture), arcade, or peristyle (''Peristasis (architecture), peristasis''). By extension, it also means simply the perimeter of a building (typically a classical temple), when that perimeter is made up of columns. The term is frequently used of buildings in the Doric order. Definition The ''peripteros'' can be a portico, a kiosk, or a chapel. If it is made up of four columns, it is a tetrastyle; of six, hexastyle; of eight, octastyle; of ten, decastyl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adyton
In Classical architecture, the ''adyton'' ( , 'innermost sanctuary, shrine', ) or (Latin) was a restricted area within the ''cella'' of a Greek temple, Greek or Roman temple. The ''adyton'' was frequently a small area at the farthest end of the cella from the entrance; at Delphi it measured just . The ''adyton'' often would house the cult image of the deity. ''Adyta'' were spaces reserved for oracles, priestesses, priests, or acolytes, and not for the general public. ''Adyta'' were found frequently associated with temples of Apollo, as at Didyma, Bassae, Clarus, Delos, and Delphi, although they were also said to have been natural phenomena (see the story of Nyx (mythology), Nyx). Those sites often had been dedicated to deities whose worship preceded that of Apollo and may go back to prehistoric eras, such as Delphi, but who were supplanted by the time of Classical Greek culture. In modern scholarship, the term may denote the innermost sacred space of a temple in the Ancient ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |