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Music Of Mongolia
Music is an integral part of culture of Mongolia, Mongolian culture. Among the unique contributions of Mongolia to the world's musical culture are the long songs, overtone singing, and morin khuur, the horse-headed fiddle. The music of Mongolia is also rich with varieties related to the various ethnic groups of the country: Oirats, Hotogoid, Tuvans, Darhad, Buryats, Tsaatan, Dariganga Mongols, Dariganga, Uzemchins, Barga, Kazakhs and Khalha. Besides the traditional music, Western culture, Western classical music and ballet flourished during the Mongolian People's Republic. Among the most popular forms of modern music in Mongolia are Western Pop music, pop and Rock music, rock genres and the mass songs, which are written by modern authors in a form of folk songs. Traditional music Overtone singing Overtone singing, known as ''Tuvan throat singing, höömij'' (throat), is a singing technique also found in the general Central Asian area. This type of singing is considered more as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mongolian People's Republic
The Mongolian People's Republic (MPR) was a socialist state that existed from 1924 to 1992, located in the historical region of Outer Mongolia. Its independence was officially recognized by the Nationalist government of Republic of China (1912–1949), China in 1946. Until 1990, it was a one-party state ruled by the Mongolian People's Party, Mongolian People's Revolutionary Party, and maintained close political and economic ties with the Soviet Union, as part of the Eastern Bloc. Outer Mongolia Mongolian Revolution of 1911, gained independence from Qing dynasty, Qing China in 1911, and enjoyed brief autonomy before it was Occupation of Mongolia, occupied by the Beiyang government of China in 1919. After Mongolian Revolution of 1921, a Soviet-backed revolution in 1921, the Mongolian People's Republic was established in 1924. It was led from 1939 to 1952 by Khorloogiin Choibalsan, who carried out Stalinist repressions in Mongolia, Stalinist purges in the country, and from 1952 to 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ligdan Khan
Khutugtu Khan (; ), born Ligdan (; ), (1588–1634) was a khagan of the Northern Yuan dynasty, reigning from 1604 to 1634. During his reign, he vigorously attempted to reunify the divided Mongol Empire, achieving moderate levels of success. However, his unpopular reign generated violent opposition due to his harsh restrictions over the Mongol tribes as he attempted to centralize the state. His alliance with the Ming dynasty, sponsorship of Tibetan Buddhism in Chakhar and the reorganization of Mongol political divisions were ineffective when the Later Jin dynasty became the major power in East Asia. Name His name is from Mongolian "Ligden Khutugt Khan" ( Mongolian Cyrillic: Лигдэн Хутугт хаан), title Ligden Khutugt from . His name is also written Lindan Han ( Chinese: ; 1588–1634). Life and reign Ligden (b. 1588) was a son of Mangghus Mergen Taiji and grandson of Buyan Sechen Khan (r. 1593–1603). Because his father died early, Ligden was chosen to succeed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inner Mongolia
Inner Mongolia, officially the Inner Mongolia Autonomous Region, is an Autonomous regions of China, autonomous region of China. Its border includes two-thirds of the length of China's China–Mongolia border, border with the country of Mongolia. Inner Mongolia also accounts for a small section of China's China–Russia border, border with Russia (Zabaykalsky Krai). Its capital is Hohhot; other major cities include Baotou, Chifeng, Tongliao, and Ordos City, Ordos. The autonomous region was established in 1947, incorporating the areas of the former Republic of China (1912–1949), Republic of China provinces of Suiyuan, Chahar Province, Chahar, Rehe Province, Rehe, Liaobei, and Xing'an Province, Xing'an, along with the northern parts of Gansu and Ningxia. Its area makes it the List of Chinese administrative divisions by area, third largest Chinese administrative subdivision, constituting approximately and 12% of China's total land area. Due to its long span from east to west, Inn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igil
The ''igil'' ( Tuvan: игил) is a two- stringed Tuvan musical instrument, played by bowing the strings. (It is called "ikili" in Western Mongolia.) The neck and lute-shaped sound box are usually made of a solid piece of pine or larch. The top of the sound box may be covered with skin or a thin wooden plate. The strings, and those of the bow, are traditionally made of hair from a horse's tail (strung parallel), but may also be made of nylon. Like the morin khuur of Mongolia, the igil typically features a carved horse's head at the top of the neck above the tuning pegs, and both instruments are known as the horsehead fiddle. The igil is held nearly upright when played, with the sound box of the instrument in the performer's lap, or braced against the top of the performer's boot. Playing technique involves touching the strings with the nails or fingertips, but without pressing them to the neck. The igil has no frets. The bow is held with an underhand grip. The igil formerly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limbe (instrument)
The Limbe () is a western concert flute with six finger holes from Mongolian folk music, which belongs to the nomadic pastoral culture and is usually played with circular breathing by experienced players. The continuous playing of the flute to accompany "long songs" (urtin duu) lasting up to 25 minutes was added to the UNESCO Intangible Cultural Heritage Lists in urgent need of preservation in 2011. Like most other Mongolian musical instruments, the limbe is traditionally only allowed to be played by men. The origin of the East Asian flutes such as the limbe and the related dizi in China could be traced back to the 1st millennium BC. Origin and distribution The earliest flutes found in China include one that dates back to the Neolithic period around 6000 BC. A bone flute with seven finger holes from Wuyang County dated to the 5th millennium BC and other bone flutes with finger holes from the 5th millennium BC. BC, which probably served as an animal call. They were probably collect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In the Hornbostel–Sachs classification system, flutes are edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Paleolithic flutes with hand-bored holes are the earliest known identifiable musical instruments. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany, indicating a developed musical tradition from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia also has a long history with the instrument. A playable bone flute discovered in China is dated to about 9,000 years ago. The Americas also had an ancient flute culture, with instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horse
The horse (''Equus ferus caballus'') is a domesticated, one-toed, hoofed mammal. It belongs to the taxonomic family Equidae and is one of two extant subspecies of ''Equus ferus''. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, '' Eohippus'', into the large, single-toed animal of today. Humans began domesticating horses around 4000 BCE in Central Asia, and their domestication is believed to have been widespread by 3000 BCE. Horses in the subspecies ''caballus'' are domesticated, although some domesticated populations live in the wild as feral horses. These feral populations are not true wild horses, which are horses that have never been domesticated. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior. Horses are adapted to run, allowing them to quickly escape predator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central Asia
Central Asia is a region of Asia consisting of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan. The countries as a group are also colloquially referred to as the "-stans" as all have names ending with the Persian language, Persian suffix "-stan" (meaning ) in both respective native languages and most other languages. The region is bounded by the Caspian Sea to the southwest, European Russia to the northwest, China and Mongolia to the east, Afghanistan and Iran to the south, and Siberia to the north. Together, the five Central Asian countries have a total population of around million. In the pre-Islamic and early Islamic eras ( and earlier) Central Asia was inhabited predominantly by Iranian peoples, populated by Eastern Iranian-speaking Bactrians, Sogdians, Khwarezmian language, Chorasmians, and the semi-nomadic Scythians and Dahae. As the result of Turkic migration, Central Asia also became the homeland for the Kazakhs, Kyrgyzs, Volga Tatars, Tatars, Turkmens, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuvan Throat Singing
Tuvan throat singing, also known as Mongolian throat singing, is a style of singing practiced by people in Tuva and Mongolia, the main technique of which is known as ''khoomei'' ( or ). It is noted for including overtone singing. In 2009, it was included in the Representative List of the Intangible Cultural Heritage of Humanity of UNESCO. The term or means and in various Turkic languages. Overview In Tuvan throat singing, the performer hums a fundamental pitch and—simultaneously—manipulates the overtones that belong to that fundamental pitch, creating a melody. The history of Tuvan throat singing reaches far back. Many male herders can throat sing, but women have begun to practice the technique as well. The popularity of throat singing among Tuvans seems to have arisen as a result of geographic location and culture. The open landscape of Tuva allows for the sounds to carry a great distance. Ethnomusicologists studying throat singing in these areas mark ''khoomei'' as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
