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Monstrous Feminine
Barbara Creed (born 30 September 1943) is a professor of cinema studies in the School of Culture and Communication at the University of Melbourne. She is the author of six books on gender, feminist film theory, and the horror genre. Creed is a graduate of Monash and La Trobe universities where she completed doctoral research using the framework of psychoanalysis and feminist theory to examine horror films. She is known for her cultural criticism. Early life Barbara Creed is a well-known Australian commentator on film and media. She is a graduate of Monash and La Trobe University, completing her doctrinal thesis and research on the cinema of horror. Creed pursued the use of feminist theory and psychoanalysis in her examination of horror films. She currently works within the School of Culture and Communication at the University of Melbourne where she is a professor of Cinema Studies. Her current research includes human rights and animal ethics on screen. Overall, Creed's w ...
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Film Theory
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate. Although some branches of film theory are derived from linguistics and literary theory, it also originated and overlaps with the philosophy of film. History Early theory, before 1945 French philosopher Henri Bergson's '' Matter and Memory'' (1896) anticipated the development of film theory during the birth of cinema in the early twentieth century. Bergson commented on the need for new ways of thinking about movement, and coined the terms "the movement-image" and "the time-image". However, in his 1906 essay ''L'i ...
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Abjection
In critical theory, abjection is the state of being cast off and separated from norms and rules, especially on the scale of society and morality. The term has been explored in post-structuralism as that which inherently disturbs conventional identity and cultural concepts. Julia Kristeva explored an influential and formative overview of the concept in her 1980 work '' Powers of Horror: An Essay on Abjection'', where she describes subjective horror (abjection) as the feeling when an individual experiences or is confronted by the sheer experience of what Kristeva calls one's typically repressed "corporeal reality", or an intrusion of the Real in the Symbolic Order. Kristeva's concept of abjection is used commonly to analyze popular cultural narratives of horror, and discriminatory behavior manifesting in misogyny, homophobia and genocide. The concept of abjection builds on the traditional psychoanalytic theories of Sigmund Freud and Jacques Lacan, whose studies often narrowed in on ...
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire� ...
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The Hunger (1983 Film)
''The Hunger'' is a 1983 erotic horror film directed by Tony Scott in his directorial debut, starring Catherine Deneuve, David Bowie and Susan Sarandon. An international co-production of the United States and the United Kingdom, the film is a loose adaptation of the 1981 novel of the same name by Whitley Strieber, with a screenplay by Ivan Davis and Michael Thomas. Its plot concerns a love triangle between a doctor who specialises in sleep and ageing research (Sarandon) and a vampire couple (Deneuve and Bowie). The film's special effects were handled by make-up effects artist Dick Smith. After premiering at the 1983 Cannes Film Festival, ''The Hunger'' was released in the spring of 1983 by Metro-Goldwyn-Mayer. Though it received a mixed critical response, the film has accrued a cult following within the goth subculture in the years since its release. Plot Miriam Blaylock is a vampire, seen in flashbacks drinking blood from victims in Ancient Egypt, who promises et ...
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Bram Stoker's Dracula (1992 Film)
''Bram Stoker's Dracula'' is a 1992 American Gothic horror film produced and directed by Francis Ford Coppola and written by James V. Hart, based on the eponymous 1897 novel ''Dracula'' by Bram Stoker. The film features an ensemble cast led by Gary Oldman, Winona Ryder, Anthony Hopkins, and Keanu Reeves. Set in 19th-century England and Romania, it follows Count Dracula (Oldman), a vampire who falls in love with Mina Murray (Ryder), the fiancée of his solicitor Jonathan Harker (Reeves). When Dracula begins terrorizing Mina's friends, Professor Abraham Van Helsing (Hopkins), an expert in vampirism, is summoned to bring an end to his reign of terror. Its closing credits theme " Love Song for a Vampire" was written and performed by Annie Lennox. ''Bram Stoker's Dracula'' was theatrically released in the United States on November 13, 1992. It received positive reviews from critics, with praise for Coppola's direction, the production values, and Oldman's performance, although R ...
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Vampire
A vampire is a mythical creature that subsists by feeding on the Vitalism, vital essence (generally in the form of blood) of the living. In European folklore, vampires are undead, undead humanoid creatures that often visited loved ones and caused mischief or deaths in the neighbourhoods which they inhabited while they were alive. They wore shrouds and were often described as bloated and of ruddy or dark countenance, markedly different from today's gaunt, pale vampire which dates from the early 19th century. Vampiric entities have been Vampire folklore by region, recorded in cultures around the world; the term ''vampire'' was popularized in Western Europe after reports of an 18th-century mass hysteria of a pre-existing folk belief in Southeast Europe, Southeastern and Eastern Europe that in some cases resulted in corpses being staked and people being accused of vampirism. Local variants in Southeastern Europe were also known by different names, such as ''shtriga'' in Albanian ...
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Medusa
In Greek mythology, Medusa (; ), also called Gorgo () or the Gorgon, was one of the three Gorgons. Medusa is generally described as a woman with living snakes in place of hair; her appearance was so hideous that anyone who looked upon her was Petrifaction in mythology and fiction, turned to stone. Medusa and her Gorgon sisters Euryale and Stheno were usually described as daughters of Phorcys and Ceto; of the three, only Medusa was mortal. Medusa was beheaded by the Greek hero Perseus, who then used her head, which retained its ability to turn onlookers to stone, as a weapon until he gave it to the goddess Athena to place on her Aegis, shield. In classical antiquity, the image of the head of Medusa appeared in the apotropaic magic, evil-averting device known as the ''Gorgoneion''. According to Hesiod and Aeschylus, she lived and died on Sarpedon, somewhere near Cisthene (Mysia), Cisthene. The 2nd-century BC novelist Dionysios Skytobrachion puts her somewhere in Ancient Libya, ...
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Witchcraft
Witchcraft is the use of Magic (supernatural), magic by a person called a witch. Traditionally, "witchcraft" means the use of magic to inflict supernatural harm or misfortune on others, and this remains the most common and widespread meaning. According to ''Encyclopedia Britannica'', "Witchcraft thus defined exists more in the imagination", but it "has constituted for many cultures a viable explanation of evil in the world". The belief in witches has been found throughout history in a great number of societies worldwide. Most of these societies have used Apotropaic magic, protective magic or counter-magic against witchcraft, and have shunned, banished, imprisoned, physically punished or killed alleged witches. Anthropologists use the term "witchcraft" for similar beliefs about harmful occult practices in different cultures, and these societies often use the term when speaking in English. Belief in witchcraft as malevolent magic is attested from #Ancient Mesopotamian religion ...
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Vampire
A vampire is a mythical creature that subsists by feeding on the Vitalism, vital essence (generally in the form of blood) of the living. In European folklore, vampires are undead, undead humanoid creatures that often visited loved ones and caused mischief or deaths in the neighbourhoods which they inhabited while they were alive. They wore shrouds and were often described as bloated and of ruddy or dark countenance, markedly different from today's gaunt, pale vampire which dates from the early 19th century. Vampiric entities have been Vampire folklore by region, recorded in cultures around the world; the term ''vampire'' was popularized in Western Europe after reports of an 18th-century mass hysteria of a pre-existing folk belief in Southeast Europe, Southeastern and Eastern Europe that in some cases resulted in corpses being staked and people being accused of vampirism. Local variants in Southeastern Europe were also known by different names, such as ''shtriga'' in Albanian ...
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Matriarchy
Matriarchy is a social system in which positions of Power (social and political), power and Social privilege, privilege are held by women. In a broader sense it can also extend to moral authority, social privilege, and control of property. While those definitions apply in general English, definitions specific to anthropology and feminism differ in some respects. Matriarchies may also be confused with matrilineality, matrilineal, matrilocal residence, matrilocal, and matrifocal family, matrifocal societies. While some may consider any non-patriarchal system to be matriarchal, most academics exclude those systems from matriarchies as strictly defined. Many societies have had matriarchal elements, but unlike the Patriarchy, patriarchal, a complete exclusion of men in authority has not been recorded in history. Definitions, connotations, and etymology According to the ''Oxford English Dictionary'' (''OED''), matriarchy is a "form of social organization in which the mother or olde ...
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Female Reproductive System
The human female reproductive system is made up of the internal and external sex organs that function in the reproduction of new offspring. The reproductive system is immature at birth and develops at puberty to be able to release matured ova from the ovaries, facilitate their fertilization, and create a protective environment for the developing fetus during pregnancy. The female reproductive tract is made of several connected internal sex organs—the vagina, uterus, and fallopian tubes—and is prone to infections. The vagina allows for sexual intercourse and childbirth, and is connected to the uterus at the cervix. The uterus (or womb) accommodates the embryo by developing the uterine lining. The uterus also produces secretions which help the transit of sperm to the fallopian tubes, where sperm fertilize the ova. During the menstrual cycle, the ovaries release an ovum, which transits through the fallopian tube into the uterus. If an egg cell meets with sperm on its way t ...
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Masculinity
Masculinity (also called manhood or manliness) is a set of attributes, behaviors, and roles generally associated with men and boys. Masculinity can be theoretically understood as Social construction of gender, socially constructed, and there is also evidence that some behaviors considered masculine are influenced by both cultural factors and biological factors. To what extent masculinity is biologically or socially influenced is subject to debate. It is Sex and gender distinction, distinct from the definition of the Male, biological male sex, as anyone can exhibit masculine traits. Standards of masculinity vary across different cultures and historical periods. In Western cultures, its meaning is traditionally drawn from being contrasted with femininity. Overview Standards of manliness or masculinity vary across different cultures, subcultures, ethnic groups and historical periods. Traits traditionally viewed as masculine in Western world, Western society include physical stren ...
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