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Minor Seventh Chord
In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, 3, 5, 7). In other words, one could think of it as a minor triad with a minor seventh attached to it. For example, the minor seventh chord built on A, commonly written as A−7, has pitches A-C-E-G: : Minor/minor seventh chord A seventh chord with a minor third, perfect fifth, and minor seventh is commonly called a minor seventh chord, but also sometimes a minor/minor seventh chord to distinguish it from the minor/major seventh chord discussed below. It can be represented as either as m7 or −7, or in integer notation, . This chord occurs on different scale degrees in different diatonic scales: * In a major scale, it is on the supertonic, mediant, and submediant degrees (, , and ). This is why the ii in a ii–V–I turnaround is a minor seventh chord (ii7). * In a natural minor scale, it is on the tonic, subd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Root (chord)
In the music theory of harmony, the root is a specific Note (music), note that names and typifies a given chord (music), chord. Chords are often spoken about in terms of their root, their Chord quality, quality, and their Chord extensions, extensions. When a chord is named without reference to quality, it is assumed to be major chord, major—for example, a "C chord" refers to a C major triad, containing the notes C, E, and G. In a given harmonic context, the root of a chord need not be in bass note, the bass position, as chords may be Inversion (music), inverted while retaining the same name, and therefore the same root. In tertian harmonic theory, wherein chords can be considered stacks of third intervals (e.g. in common practice period, common practice tonality), the root of a chord is the Musical note, note on which the subsequent thirds are stacked. For instance, the root of a triad (music), triad such as E Minor is E, independently of the vertical order in which the three n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Submediant
In music, the submediant is the sixth degree () of a diatonic scale. The submediant ("lower mediant") is named thus because it is halfway between the tonic and the subdominant ("lower dominant") or because its position below the tonic is symmetrical to that of the mediant above. (See the figure in the Degree (music) article.) In the movable do solfège system, the submediant is sung as ''la'' in a major mode, ''le'' or ''lo'' in do-based minor and ''fa'' in la-based minor. It is occasionally called superdominant, as the degree above the dominant. This is its normal name (''sus-dominante'') in French. In Roman numeral analysis, the triad formed on the submediant is typically symbolized by "VI" if it is a major triad (the default in a minor mode) and by "vi" if it is a minor triad (the default in a major mode). The term ''submediant'' may also refer to a relationship of musical keys. For example, relative to the key of C major, the key of A minor is the submediant. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Train Runnin'
"Long Train Runnin" (or "Long Train Running") is a song recorded by American rock band the Doobie Brothers and written by band member Tom Johnston. It was included on the band's third album, '' The Captain and Me'' (1973), and was released as a single by Warner Bros., becoming a hit and peaking at No. 8 on the US ''Billboard'' Hot 100. It was covered by the Italian band Traks in 1982, and then by the British girl group Bananarama in 1991. In 1993, the Doobie Brothers' version was remixed and charted again in several countries, including reaching No. 7 on the UK Singles Chart. Origin The tune evolved from an untitled and mostly ad-libbed jam that the Doobies developed onstage years before it was finally recorded. Its working title, according to Johnston, was "Rosie Pig Moseley" and later "Osborn". "I didn't want to cut it," Johnston later confessed. "...I just considered it a bar song without a lot of merit. Teddy empleman on the other hand, thought it had some." Templeman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Doobie Brothers
The Doobie Brothers are an American rock band formed in San Jose, California in 1970. Known for their flexibility in performing across numerous genres and their vocal harmonies, the band has been active for over five decades, with their greatest success taking place in the 1970s. The group's current lineup consists of founding members Tom Johnston (guitars, keyboards, harmonica, vocals) and Patrick Simmons (guitars, banjo, recorder, vocals), alongside Michael McDonald (keyboards, synthesizers, vocals) and John McFee (guitars, pedal steel guitar, mandolin, banjo, violin, cello, harmonica, vocals), and touring musicians including John Cowan (bass, vocals), Marc Russo (saxophones), Ed Toth (drums), and Marc Quiñones (percussion, backing vocals). Long-serving former members include guitarist Jeff "Skunk" Baxter, bassist Tiran Porter, and drummers John Hartman, Michael Hossack, and Keith Knudsen. Johnston provided the lead vocals from 1970 to 1975, when they featured a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killing Me Softly With His Song
"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by Norman Gimbel. The lyrics were written in collaboration with Lori Lieberman after she was inspired by a Don McLean performance in late 1971. Denied writing credit by Fox and Gimbel, Lieberman released her version of the song in 1972; but it did not chart. The song has been covered by many other artists. In 1973, it became a number-one hit in the United States, Australia and Canada for Roberta Flack, and also reached number six on the UK Singles Chart. In 1996, Fugees recorded the song with Lauryn Hill on lead vocals. Their version became a number-one hit in twenty countries; including Germany, where it became the first single to debut atop the chart. The version by Flack won the 1974 Grammy for Record of the Year and Best Female Pop Vocal Performance. The version by Fugees won the 1997 Grammy for Best R&B Performance by a Duo or Group with Vocal. Propelled by the success of the Fugees tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberta Flack
Roberta Cleopatra Flack (February 10, 1937 – February 24, 2025) was an American singer and pianist known for her emotive, genre-blending ballads that spanned R&B, jazz, Folk music, folk, and pop and contributed to the birth of the quiet storm radio format. Her commercial success included the Billboard Hot 100, ''Billboard'' Hot 100 chart-topping singles "The First Time Ever I Saw Your Face", "Killing Me Softly with His Song", and "Feel Like Makin' Love (Roberta Flack song), Feel Like Makin' Love". She became the first artist to win the Grammy Award for Record of the Year in consecutive years. Flack frequently collaborated with Donny Hathaway, with whom she recorded several hit duets, including "Where Is the Love (Roberta Flack and Donny Hathaway song), Where Is the Love" and "The Closer I Get to You". She was one of the defining voices of 1970s popular music and remained active in the industry, later finding success with duets such as "Tonight, I Celebrate My Love" with Peabo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Marmalade
"Lady Marmalade" is a song written by Bob Crewe and Kenny Nolan that is famous for the French refrain of "''Voulez-vous coucher avec moi, ce soir''?", which is a sexual proposition that translates into English as: "''Do you want to sleep with me, tonight''?" The song first became a popular hit when it was recorded in 1974 by the American funk rock group Labelle and held the number-one spot on the ''Billboard'' Hot 100 chart for one week, and also topped the Canadian '' RPM'' national singles chart. In 2021, the Library of Congress selected Labelle's version for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". The song has had many cover versions over the years. In 1998, girl group All Saints released a cover version that peaked at number one on the UK Singles Chart. The 2001 version by singers Christina Aguilera, Mýa, Pink and rapper Lil' Kim, recorded for the '' Moulin Rouge!'' soundtrack, was a number-on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Labelle
Labelle was an American funk rock band that originated out of the Blue Belles, a girl group who were a popular vocal group of the 1960s and 1970s. The original group was formed after the disbanding of two rival girl groups in the area around Philadelphia, in Pennsylvania, and Trenton, in New Jersey: ''the Ordettes'' and ''the Del-Capris'', forming as a new version of the former group, then later changing their name to the Blue Belles (and further Bluebelles). The founding members were Patti LaBelle (born Patricia Louise Holt), Cindy Birdsong, Nona Hendryx, and Sarah Dash. As the Bluebelles, and later Patti LaBelle and the Bluebelles, the group found success with ballads in the doo-wop genre: " Down the Aisle (The Wedding Song)", "You'll Never Walk Alone", and " Over the Rainbow". After Birdsong departed to join The Supremes in 1967, the band, following the advice of Vicki Wickham, changed its look, musical direction, and style to re-form as the progressive soul group Labe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Minor Scale
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied elements and styles of melody "many extant explanations f melod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Minor Scale
The harmonic minor scale (or Aeolian ♮7 scale) is a Scale (music), musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, creating an augmented second between the sixth and seventh degrees. : Thus, a harmonic minor scale is represented by the following notation: : 1, 2, 3, 4, 5, 6, 7, 8 A harmonic minor scale can be built by lowering the 3rd and 6th degrees of the parallel major scale by one semitone. Because of this construction, the 7th degree of the harmonic minor scale functions as a leading tone to the Tonic (music), tonic because it is a ''semitone'' lower than the tonic, rather than a ''whole tone'' lower than the tonic as it is in natural minor scales. The Interval (music), intervals between the notes of a harmonic minor scale follow the sequence below: : whole, half, whole, whole, half, augmented second, half While it evolved primarily as a basis for chords, the harmonic minor with its augment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant (music)
In music Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all hum ..., the dominant is the fifth degree (music), scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic (music), tonic. In the Solfège#Movable do solf%C3%A8ge, movable do solfège system, the dominant note is sung as "So(l)". The Triad (music), triad built on the dominant note is called the dominant chord. This chord is said to have dominant Function (music), function, which means that it creates an instability that requires the tonic (music), tonic for resolution (music), resolution. Dominant triads, Seventh chord, seventh chords, and Ninth chord, ninth chords typically have dominant function. Leading-tone triad, Leading-tone triads and Leadin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis In music theory, Roman numeral analysis is a type of Harmony, harmonic analysis in which chord (music), chords are represented by Roman numerals, which encode the chord's Degree (music), degree and Function_(music), harmonic function within a given ..., the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
