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Minicomics
A minicomic is a creator-published comic book, often photocopied and stapled or with a handmade binding. In the United Kingdom and Europe the term small press comic is equivalent with minicomic, reserved for those publications measuring A6 (105 mm × 148 mm) or less. Minicomics, sometimes called ashcan copies, and sometimes zine comics, are a common inexpensive way for those who want to make their own comics on a very small budget, with mostly informal means of distribution. A number of cartoonists — such as Jessica Abel, Julie Doucet, and Adrian Tomine — started their careers this way and later went on to more traditional types of publishing, while other established artists — such as Matt Feazell and John Porcellino — continue to publish minicomics as their main means of production. Overview The term "minicomic" was originally used in the United States and has a somewhat confusing history. Originally, it referred only to size: a '' digest comic'' measured ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minicomic Co-op
Minicomics Co-ops are entities for trading and promoting small press comics and fanzines. The most well-known of these co-ops is the United Fanzine Organization, or UFO, a co-operative of minicomic creators that has existed since about 1968, when it was called Blue Plaque Publications (BPP). Carl Gafford, at that point the publisher of a comics fanzine called ''Minotaur'', created the BPP; among its earliest members were Chuck Robinson II (publisher of ''Comique''), Dwight Decker (''True Fan Adventure Theatre''), Ed Romero (''Realm''), and Gordon Matthews (''Coffinworm''). Function The BPP was the first small press minicomics co-op. The term ''co-op'' has often been confused with Amateur Press Associations or APAs. The difference is that an APA is helmed by a central mailer, to whom the members send copies of their publications. The central mailer then compiles all the books into one large volume, which is then mailed out to the membership in apazines. Some APAs are still ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Book
A comic book, comic-magazine, or simply comic is a publication that consists of comics art in the form of sequential juxtaposed panel (comics), panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually dialogue contained in word balloons emblematic of the comics art form. ''Comic Cuts'' was a British comic published from 1890 to 1953. It was preceded by ''Ally Sloper's Half Holiday'' (1884), which is notable for its use of sequential Cartoon, cartoons to unfold narrative. These British comics existed alongside the popular lurid "penny dreadfuls" (such as ''Spring-heeled Jack''), boys' "story papers" and the humorous ''Punch (magazine), Punch'' magazine, which was the first to use the term "cartoon" in its modern sense of a humorous drawing. The first modern American comic book, American-style comic book, ''Famous Funnies: A Carnival of Comics'', was released in the US in 1933 and was a reprinting of earlier newsp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Offset Printing
Offset printing is a common printing technique in which the inked image is transferred (or "offset") from a plate to a rubber blanket and then to the printing surface. When used in combination with the lithography, lithographic process, which is based on the repulsion of oil and water, the offset technique employs a flat (planographic printing, planographic) image carrier. Ink rollers transfer ink to the image areas of the image carrier, while a water roller applies a water-based film to the non-image areas. The modern "web" process feeds a large reel of paper through a large press machine in several parts, typically for several meters, which then prints continuously as the paper is fed through. Development of the offset press came in two versions: in 1875 by Robert Barclay of England for printing on tinplate, tin and in 1904 by Ira Washington Rubel of the United States for printing on paper. Rubel's contemporary in Continental Europe was Kašpar Hermann, the author of the off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Gafford
Carl Gafford (November 23, 1953–July 13, 2020) was a colorist (and occasional editor) who worked for several decades in the comics industry. He worked for a number of publishers during his career, including Marvel Comics, DC Comics, and Topps Comics. Gafford was notable for his use of the "color hold" technique in his coloring work (where the black areas of the art are replaced with another color). Biography Early life and education Carl Gafford was a member of comics fandom as a teen, writing and drawing his own ditto machine fanzine ''Minotaur'' from 1968 to 1972, as well as contributing art and writing to other fanzines and the amateur press alliance CAPA-alpha ("K-a") beginning in December 1970. In , he created Blue Plaque Publications, the first minicomic co-op, a cooperative of minicomic creators that traded and promoted small press comics and fanzines, that exists to this day. Gafford had an itinerant path through higher education, attending Western Connecticu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Rifas
Leonard Rifas (born April 16, 1951) is an American cartoonist, critic, editor, and publisher associated with underground comix, comics journalism, left-wing politics, and the anti-nuclear movement. He is notable for his contributions to the form of minicomics as well as publishing Japanese manga in the United States. Rifas' publishing company, EduComics, operated most actively from 1976 to 1982. Rifas has written a number of scholarly articles in various journals, on such topics as "the anti-comics movement of the 1950s, the underground comix movement, representations of race, and Korean War comic books."/nowiki>nn">"An Army of Principles #[nn/nowiki> (1976), Kitchen Sink Press, 1976 Series,"Grand Comics Database. Retrieved Jan. 4, 2023. The 36-page comic was mostly drawn and entirely inked by Rifas, with some penciling assists by others. Next, Rifas spearheaded the anthology series ''Corporate Crime'' for Kitchen Sink Press, the first issue appearing in 1977 and the second in 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Griffith
William Henry Jackson Griffith (born January 20, 1944) is an American cartoonist who signs his work Bill Griffith and Griffy. He is best known for his surreal daily comic strip '' Zippy''. The catchphrase "Are we having fun yet?" is credited to Griffith. Over his career, which started in the underground comix era, Griffith has worked with the industry's leading underground/ alternative publishers, including Print Mint, Last Gasp, Rip Off Press, Kitchen Sink, and Fantagraphics Books. He co-edited the notable comics anthologies '' Arcade'' and '' Young Lust'', and has contributed comics and illustrations to a variety of publications, including '' National Lampoon'', '' High Times'', ''The New Yorker'', ''The Village Voice'' and ''The New York Times''. Early life, family and education Born in Brooklyn, New York City, New York, Griffith grew up in Levittown on Long Island. He is the great-grandson and namesake of the photographer and artist William Henry Jackson (Jackson d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Spiegelman
Itzhak Avraham ben Zeev Spiegelman ( ; born February 15, 1948), professionally known as Art Spiegelman, is an American cartoonist, editor, and comics advocate best known for his graphic novel ''Maus''. His work as co-editor on the comics magazines ''Arcade (comics magazine), Arcade'' and ''Raw (comics magazine), Raw'' has been influential, and from 1992 he spent a decade as contributing artist for ''The New Yorker''. He is married to designer and editor Françoise Mouly and is the father of writer Nadja Spiegelman. In September 2022, the National Book Foundation announced that he would receive the Medal for Distinguished Contribution to American Letters. Spiegelman began his career with Topps (a bubblegum and trading card company) in the mid-1960s, which was his main financial support for two decades; there he co-created parodic series such as ''Wacky Packages'' in the 1960s and ''Garbage Pail Kids'' in the 1980s. He gained prominence in the underground comix scene in the 1970s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Arlington
Gary Edson Arlington (October 7, 1938 – January 16, 2014) was an American retailer, artist, editor, and publisher, who became a key figure in the underground comix movement of the 1960s and 1970s.Yardley, William"Gary Arlington, a Force in Underground Comic Books, Is Dead at 75,"''New York Times'' (Jan. 30, 2014). As owner of one of America's first comic book stores, the San Francisco Comic Book Company, located in San Francisco's Mission District, Arlington's establishment became a focal point for the Bay Area's underground artists. He published comics under the name San Francisco Comic Book Company, as well as publishing and distributing comics under the name Eric Fromm (not connected to the German critical theorist). Cartoonist Robert Crumb has noted, "Gary made a cultural contribution in San Francisco in the late 1960s, through the '70s, '80s & '90s that was more significant than he realizes." Biography Early life Julian Guthrie, in the ''San Francisco Chronicle'', d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underground Comix
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1960s and 1970s. Robert Crumb, Gilbert Shelton, Barbara "Willy" Mendes, Trina Robbins and numerous other cartoonists created underground titles that were popular with readers within the counterculture of the 1960s, counterculture scene. Punk subculture, Punk had its own comic artists like Gary Panter. Long after their heyday, underground comix gained prominence with films and television shows influenced by the movement and with mainstream comic books, but their legacy is most obvious with alternative comics. History United States The United States underground comics scene emerged i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tijuana Bible
Tijuana bibles (also known as eight-pagers, Tillie-and-Mac books, Jiggs-and-Maggie books, Jo-Jo books, bluesies, blue-bibles, gray-backs, and two-by-fours) were palm-sized erotic comics produced in the United States from the 1920s to the early 1960s. Their popularity peaked during the Great Depression. Format Most Tijuana bibles were pornographic parodies of popular newspaper comic strips of the era, such as " Blondie", " Barney Google", "Moon Mullins", "Popeye", " Tillie the Toiler", " The Katzenjammer Kids", " Dick Tracy", "Little Orphan Annie", and " Bringing Up Father". Others featured caricatures of movie and sports stars like Mae West, W.C. Fields, Clark Gable, Joan Crawford, The Marx Brothers, Cary Grant, Jean Harlow, Babe Ruth, Lou Gehrig, and Joe Louis, often with only slightly altered names. Before World War II, most stories adapted long-standing bawdy jokes into cartoon form. The typical format was a wallet-sized eight-panel comic printed in black ink on cheap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
