Milonguera
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Milonguera
A milonguero is a person who spends time dancing social tango. The word comes from the term ''milonga'' referring to a tango dance event. The term was used from the 1870s to mark a man who spent much of his time dancing tango of any style. Since the early 20th century the term referred to a man immersed in the tango culture specific to Buenos Aires. A milonguero frequented dance halls, dancing to the music of tango, milonga and vals. Such a man was "raised and groomed on tango" and his "reverence for the dance and its traditions" strongly influenced the way he danced. The term ''milonguero'' was used by ''others'' to distinguish a skilled and courteous dancer, not a term for oneself. After the 1955 coup ousted Juan Perón in Argentina, the tango was repressed, a sort of "dark age" for tango dancing, ending in 1983. Until the beginning of the 1980s ''milonguero'' also had a strong negative connotation, signaling a womanizer who typically had no job. Such womanizers would typi ...
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Tango Couple Closeup
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. It was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. It then spread to the rest of the world. Many variations of this dance currently exist around the world. On August 31, 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists. History Tango is a dance that has influences from African and European culture. Dances from the Candombe ceremonies of former African enslaved people helped shape the modern day tango. The dance originated in working-class districts of Buenos Aires and Montevideo. Tango music derived ...
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Line Of Dance
In ballroom dancing (and in some other types of partner dance), directions of progressive movement, in particular directions of steps, can be indicated either in relation to the room or in relation to the body position. Directions of turns, although there are only two of them, may also be indicated in several ways. Directions of progressive movement Basic directions of movement with respect to the room Dancers can align their bodies and move in any of these directions: * line of dance (LOD) * against LOD * center (C) * wall (W) * diagonal center (DC) * diagonal wall (DW) * diagonal center against LOD (DC against LOD) * diagonal wall against LOD (DW against LOD) These directions may be taken either ''facing'' if the dancer's feet are pointing in the direction of the movement, or ''backing'' if the dancer's feet are oriented in the opposite direction and the dancer is moving backwards with respect to their body. For example, "backing DC against LOD" means that a dancer is movin ...
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Osvaldo Pugliese
Osvaldo Pedro Pugliese (December 2, 1905 – July 25, 1995) was an Argentine tango musician. He developed dramatic arrangements that retained strong elements of the walking beat of salon tango but also heralded the development of concert-style tango music. Some of his music, mostly since the 1950s, is used for theatrical dance performances. In Buenos Aires, Pugliese is often played later in the evening when the dancers want to dance more slowly, impressionistically and intimately. Personal life His father, Don Adolfo Pugliese (1877–1945), pushed him to work harder; his mother, Aurelia Terragno (1880–1947), often whispered to her son while he was practicing, ''¡Al Colón!'' (''To the Colón!''), referring to Buenos Aires' famous Teatro Colón, where only the country's finest artists play. His other brothers ''Adolfo Vicente'' and ''Alberto Roque'' were violinists. He was married two times, to María Concepción Florio and to Lydia Elman. His first wife died in 1971, and ...
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Astor Piazzolla
Astor Pantaleón Piazzolla (, ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His works revolutionized the traditional tango into a new style termed '' nuevo tango'', incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles. In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of Tango music". Biography Childhood Piazzolla was born in Mar del Plata, Argentina, in 1921, the only child of Vicente "Nonino" Piazzolla and Asunta Manetti. His paternal grandfather, a sailor and fisherman named Pantaleo (later Pantaleón) Piazzolla, had immigrated to Mar del Plata from Trani, a seaport in the southeastern Italian region of Apulia, at the end of the 19th century. His mother was the daughter of two Italian immigrants from Lucca in the central region of Tuscany. In 1925 Astor Piazzolla moved with h ...
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Carlos Gardel
Carlos Gardel (born Charles Romuald Gardès; 11 December 1890 – 24 June 1935) was a French-born Argentine singer, songwriter, composer and actor, and the most prominent figure in the history of tango. He was one of the most influential interpreters of world popular music in the first half of the 20th century. Gardel is the most famous popular tango singer of all time and is recognized throughout the world. Described variously as a baritone or tenor because of his wide vocal range, he was known for his rich voice and dramatic phrasing. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos. Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" ("The Song Thrush"), "The King of Tango", "El Mago" ("The Wizard"), "El Morocho del Abasto" ("The Brunet ...
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Carlos Di Sarli
Carlos Di Sarli (January 7, 1903January 12, 1960) was an Argentine tango musician, orchestra leader, composer and pianist. Early years Carlos di Sarli was born at 511 Buenos Aires street (now Yrigoyen) in the city of Bahía Blanca, located in Southern Argentina. He was the eighth child of the Italian immigrant Miguel Di Sarli, the owner of a gunsmith store, and Serafina Russomano, daughter of the tenor singer Tito Russomano. Baptized as Cayetano di Sarli in accordance with the solid Catholic tradition of his parents, he later changed his name to Carlos. Music played an important role in the family: Carlos' older brother Domingo was a teacher at the Williams music conservatory in Bahía Blanca, Nicolas, another older child, became a famous baritone, and Carlos' younger brother, Roque, turned into a pianist. Carlos received training in classical music in the conservatory where his brother was teaching. In 1916, working in his father's store, he suffered an accident that cost him ...
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Francisco Lomuto
Francisco Juan Lomuto (November 24, 1893 – December 23, 1950) was an Argentine Tango pianist, leader and composer who occasionally went by the pseudonym:, "Pancho Laguna". Lomuto was born in the Parque Patricios neighbourhood of Buenos Aires, one of 10 children raised by Victor Lomuto and Rosalia Narducci. His mother, Rosalia, taught him piano, and by 1922, he had his own orchestra with whom he recorded over 950 numbers between 1922 and 1950. Some of his best-known compositions are; ''La revoltosa'', ''Fumando Espero'', ''Muchachita del campo'' and ''Cachadora''. Characteristic of his tango arrangements is the ending with the diminished seventh (not in vals or milonga arrangements). Lomuto became involved in several Argentine films such as ''El Alma de bandoneón'' '' La rubia del camino'' and ''Melgarejo''. In 1936, Lomuto was appointed as the president of organisation for the ''Sociedad Argentina de Autores y Compositores de Música'' (SADAIC) (Argentine Society of Music ...
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Juan D'Arienzo
Juan d'Arienzo (December 14, 1900 – January 14, 1976) was an Argentine tango musician, also known as ''"El Rey del Compás"'' (''King of the Beat''). He was a violinist, band leader, and composer. He was the son of Italian immigrants and used more modern arrangements and instrumentation; his popular group produced hundreds of recordings. His first memorable performance was in 1919 at the Nacional theater during the comic play by Alberto Novión, ''El cabaret Montmartre''. He received the nickname Rey del Compás (King of the Beat), from Príncipe Cubano, at the Florida cabaret when he was replacing Osvaldo Fresedo. He said: "Mine was always a tough orchestra, with a very swinging, much nervous, vibrant beat. And it was that way because tango, for me, has three things: beat, impact and nuances. An orchestra ought to have, above all, life. That is why mine lasted more than fifty years. And when the Prince gave me that title, I thought that it was OK, that he was right." His m ...
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Tango Music
Tango ( or ; ) is a style of music in Time signature, or time that originated among Great European immigration wave to Argentina, European immigrants of the Great Wave to Argentina and Uruguay. It has mainly Culture of Spain, Spanish, Culture of Italy, Italian, Gaucho culture, Gaucho, Culture of Africa, African, and Culture of France, French cultural roots. It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the ''orquesta típica'', which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and tango (dance), dance have become popular throughout the world. Origins Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain,José Luis Ortiz Nuevo ''El origen del tango amer ...
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Tango (dance)
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. It was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. It then spread to the rest of the world. Many variations of this dance currently exist around the world. On August 31, 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists. History Tango is a dance that has influences from African and European culture. Dances from the Candombe ceremonies of former African enslaved people helped shape the modern day tango. The dance originated in working-class districts of Buenos Aires and Montevideo. Tango music deri ...
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Barrio
''Barrio'' () is a Spanish language, Spanish word that means "Quarter (urban subdivision), quarter" or "neighborhood". In the modern Spanish language, it is generally defined as each area of a city delimited by functional (e.g. residential, commercial, industrial, etc.), social, architectural or morphological features. In Spain, several Latin America, Latin American countries and the Philippines, the term may also be used to officially denote a division of a municipality. ''Barrio'' is an arabism (Classical Arabic ''barrī'': "wild" via Andalusian Arabic ''bárri'': "exterior"). Usage In Argentina and Uruguay, a ''barrio'' is a division of a municipality officially delineated by the local authority at a later time, and it sometimes keeps a distinct character from other areas (as in the Barrios and Communes of Buenos Aires, barrios of Buenos Aires, even if they have been superseded by larger administrative divisions). The word does not have a special socioeconomic connotation un ...
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