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Mainstream Jazz
Mainstream jazz is a term coined in the 1950s by music journalist Stanley Dance, who considered anything within the popular jazz of the Swing Era "mainstream",McRae, Barry. 2005. "Sound Investment: Mainstream." ''Jazz Journal International'', Aug 1, 10. and did not include the bebop style. Jazz in the mainstream After Dance defined mainstream jazz in the 1950s, the definition changed with the evolution and progression of jazz music. What was mainstream then would not be considered mainstream now. In a general sense, mainstream jazz can be considered what was most popular at the time: For example, during the Swing era, swing and big band music were in their prime and what target audiences were looking for. Although bebop was introduced into jazz during that time, audiences had not developed an ear for it. Mainstream jazz musicians The jazz musicians listed below were either considered "mainstream" musicians, or were influenced by mainstream musicians. Swing era * Duke Ell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington Trumpet Section Apr 1943
Duke is a male title either of a monarch ruling over a duchy, or of a member of Royal family, royalty, or nobility. As rulers, dukes are ranked below emperors, kings, grand princes, grand dukes, and above sovereign princes. As royalty or nobility, they are ranked below grand dukes and above or below princes, depending on the country or specific title. The title comes from French ''duc'', itself from the Latin language, Latin ''dux'', 'leader', a term used in Roman Republic, republican Rome to refer to a military commander without an official rank (particularly one of Germanic peoples, Germanic or Celts, Celtic origin), and later coming to mean the leading military commander of a province. In most countries, the word ''duchess'' is the female equivalent. Following the reforms of the emperor Diocletian (which separated the civilian and military administrations of the Roman provinces), a ''dux'' became the military commander in each province. The title ''dux'', Hellenised to ''do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Dance
Stanley Frank Dance (15 September 1910 in Braintree, Essex – 23 February 1999 in Vista, California) was a British jazz writer, business manager, record producer, and historian of the Swing era. He was personally close to Duke Ellington over a long period, as well as many other musicians;"Stanley Dance" The Last Post, Jazzhouse.org. because of this friendship Dance was in a position to write "official" biographies. Over his career, his priority was advocating for the music of black ensembles performing sophisticated arrangements, based on Swing-era dance music. Early life Dance was born in England to a successful tobacco merchant in 1910. As a youth, he claimed he was "fortunat ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous Modulation (music), changes of key, instrumental virtuosity, and Jazz improvisation, improvisation based on a combination of harmonic structure, the use of scales, and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style to a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing music, swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing the Lindy Hop. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Instruments Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, drums and sometimes vibraphone or other percussion. The division in early big bands, from the 1920s to 1930s, was typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American Jazz piano, jazz pianist, composer, and leader of his eponymous Big band, jazz orchestra from 1924 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become Standard (music), standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan (1937 song), Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty five-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim-Ernst Berendt, Joachim E. Berendt explained: "There were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of Jazz improvisation, improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Hodges
Johnny Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophone, alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1940. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the Big band, big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott (musician), Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Grammy Lifetime Achievement Award, Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark (musician), June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Eldridge
David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop. Biography Early life Eldridge was born on the North Side of Pittsburgh, Pennsylvania, on January 30, 1911, to parents Alexander, a wagon teamster, and Blanche, a gifted pianist with a talent for reproducing music by ear, a trait that Eldridge claimed to have inherited from her. Eldridge began playing the piano at the age of five; he claimed to have been able to play coherent blues licks at even this young age. The young Eldridge looked up to his older brother, Joe Eldridge (born Joseph Eldridge, 1908, North Side of Pittsburgh, Pennsylvania, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
