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Macchiette
''Macchietta'' (English: "little spot"; : ''macchiette'' or ''macchiettas'') is a form of comedy act which was common in Italian theatre between the late 1800s and the second half of the 1900s. Style The ''macchietta'' consisted in comic musical monologues caricaturing stock characters. It was generally committed to the observation of reality, and it sketched characters featuring particular defects or manias, which were further deformed and exaggerated for comical and satirical effects. Every monologue had some music serving as backdrop for the whole performance and the acting was interspersed by brief couplets sung by the comedian.Enzo Giannelli. "Macchietta". Gino Castaldo (edited by). ''Dizionario della canzone italiana''. Curcio Editore, 1990. pp. 954-5. History ''Macchiette'' were performed in '' café-chantants'', revues and '' avanspettacolo'', and less frequently as part of more elaborate comedy plays. After a golden age between the late 1800s and early 1900s, the genre a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Maldacea
Nicola Maldacea (29 October 1870 – 5 March 1945) was an Italian actor, comedian and singer, well-known for his expertise in the theatrical genre of 'macchietta', where he was one of the pioneers. In the golden years of the café-chantant in Italy, between 1890 and 1920, Maldacea was the star who closed the show together with the ''Prima donna, prime donne'' who symbolised the belle époque such as Lina Cavalieri or La Belle Otero. He sang duets with national and international stars, such as Emilia Persico (:it:Emilia Persico, it), Amina Vargas, Eugénie Fougère, La Tortejada (:es:La Tortejada, it), Lucy Nanon, and above all with the Neapolitan Amelia Faraone (:it:Amelia Faraone, it), but also led his own theatre companies. Career Born to an elementary schoolteacher with origins in Cosenza, Nicola Maldacea embarked upon his theatrical career in his hometown, making his debut at a very young age on the stages of variety shows and café-chantants. Possessing a robust vocal prowe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ettore Petrolini
Ettore Petrolini (13 January 1884 – 29 June 1936) was an Italian stage and film actor, playwright, screenwriter and novelist. He is considered one of the most important figures of avanspettacolo, vaudeville and revue. He was noted for his numerous caricature sketches, and was the "inventor of a revolutionary and anticonformist way of performing". Petrolini is also remembered for having created the "futurista" character Fortunello. His contribution to the history of Italian theater is now widely acknowledged, especially with regard to his influence on 20th century comedy. His iconic character Gastone became a Archetypal name, byword in Italian for a certain type of stagey snob. His satirical caricature of the Roman Emperor Nero (created in 1917 and later the subject of a Nerone (1930 film), 1930 film) was widely perceived as a parody of Benito Mussolini, although it may itself have influenced the mannerisms of the Fascist dictator. Early years Born in Rome on 13 January 1884, Petr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy
Comedy is a genre of dramatic works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. Origins Comedy originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in Ancient Greek theatre, theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing ''agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Italy
The theatre of Italy originates from the Middle Ages, with its background dating back to the times of the ancient Greek colonies of Magna Graecia, in southern Italy, the theatre of the Italic peoples and the theatre of ancient Rome. It can therefore be assumed that there were two main lines of which the ancient Italian theatre developed in the Middle Ages. The first, consisting of the dramatization of Catholic liturgies and of which more documentation is retained, and the second, formed by pagan forms of spectacle such as the staging for city festivals, the court preparations of the jesters and the songs of the troubadours. Renaissance humanism was also a turning point for the Italian theatre. The recovery of the ancient texts, both comedies and tragedies, and texts referring to the art of the theatre such as Aristotle's ''Poetics'', also gave a turning point to representational art, which re-enacted the Plautian characters and the heroes of Seneca's tragedies, but also buildin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Café-chantant
(; French: lit. 'singing café'), , or is a type of musical establishment associated with the Belle Époque in France. The music was generally lighthearted and sometimes risqué or even bawdy but, as opposed to the cabaret tradition, not particularly political or confrontational. Although there is much overlap of definition with cabaret, music hall, vaudeville, etc., the was originally an outdoor café where small groups of performers performed popular music for the public. National variations The tradition of such establishments as a venue for music has its origins in Paris and London of the eighteenth century. Such establishments gained their widest popularity in the late nineteenth and early twentieth centuries with the growth of various other national "schools" of ''cafè chantant'' (besides French). Thus, one spoke of an Italian café chantant, German café chantant, or Austrian café chantant. For example, at least one Victorian era premises in England was known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue
A revue is a type of multi-act popular theatre, theatrical entertainment that combines music, dance, and sketch comedy, sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, wikt:ribald, ribald publicity campaigns and the occasional use of wikt:prurient, prurient material, the revue was typically patronized by audience members who earned mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avanspettacolo
''Avanspettacolo'' () is an Italian theatrical genre that developed between the 1930s and 1950s. Closely related to revue and variety show, ''avanspettacolo'' features a diverse mixture of music, ballet, sketch comedy, and other forms of entertainment. The genre emerged during the Fascist era, as a consequence of the promulgation of "modernist" laws that granted tax relief advantages to the theatres that were adapted to play movies. As a consequence, theatre companies were forced to devise a light and short form of representation that could be performed on the stage to entertain the audience before the "main show" (i.e., the movie).Angelo Olivieri with Alberto Castellano, 1989: ''Le stelle del varietà: rivista, avanspettacolo e cabaret dal 1936 al 1966'', Roma, Gremese, Mario Quargnolo, 1980: ''Dal tramonto dell'operetta al tramonto della rivista: mezzo secolo di fasti e miserie del varietà e dell'avanspettacolo'', Milano, Pan, 1980, SBN IT\ICCU\SBL\0287024 Since ''avanspettacolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Maldacea, Macchietta, Set Of Photography By Luca Comerio
Nicola may refer to: People * Nicola (name), including a list of people with the given name or, less commonly, the surname **Nicola (artist) or Nicoleta Alexandru, singer who represented Romania at the 2003 Eurovision Song Contest * Nicola people, an extinct Athapaskan people of the Nicola Valley in British Columbia, Canada, and a modern alliance now residing there ** Nicola language, an extinct Athabascan language Places * Nicola River, British Columbia, Canada ** Nicola Country, a region of British Columbia around the river ** Nicola Lake, a lake near the upper reaches of the river ** Nicola, British Columbia, a hamlet on the river Arts, entertainment, and media * ''Nicola'' (album) (1967), by Scottish folk musician Bert Jansch * (magazine), a Japanese fashion magazine * ''Nicola'' (composition), a piano composition by Steve Race Other uses * Nicola (apple), trade name of an apple cultivar * MV ''Nicola'', a ferryboat in British Columbia, Canada * ''Nicola'' (sponge), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treccani
Institute Giovanni Treccani for the publication of the Italian Encyclopedia (), also known as Treccani Institute or simply Treccani, is a cultural institution of national interest, active in the publishing field, founded by Giovanni Treccani and Giovanni Gentile in 1925. It is known for publishing the first edition and the subsequent ten supplements of the ''Italian Encyclopaedia of Science, Literature and Arts'' (). History The Institute of the Italian Encyclopaedia was founded in Rome in 1925 by Giovanni Treccani, with the philosopher Giovanni Gentile as editor-in-chief. The first publication by the Institute was the ''Enciclopedia Italiana di Scienze, Lettere e Arti'' (). This encyclopaedia, best known as ''Enciclopedia Italiana'' or the ''Great Encyclopaedia'', is an Italian-language encyclopaedia and is regarded as one of the great encyclopaedias, being international in scope, alongside ''Encyclopædia Britannica'' and others. Since the 1990s, Treccani has been playing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trilussa
Carlo Alberto Camillo Mariano SalustriSome biographers as Claudio Rendina report ''Marianum'' as his fourth name (Rendina, p.19) (26 October 1871 – 21 December 1950), known by the pseudonym Trilussa (an anagram of his last name), was an Italian poet, writer and journalist, particularly known for his works in Romanesco dialect. Biography Childhood and education (1871-1886) Carlo Alberto Camillo Salustri was born in Rome on 26 October 1871. His father, Vincenzo, was a waiter from Albano Laziale, his mother, Carlotta Poldi, was a Bologna, Bolognese seamstress. He was the second-born child of the Salustri family and was baptized on 31 October in the San Giacomo in Augusta, Church of San Giacomo in Augusta, when the fourth name, Mariano, was added. A year later, in 1872, at the age of three, his sister, Elisabetta, died of diphtheria. His tormented childhood was affected again two years later, on 1 April 1874, by the death of his father Vincenzo. After the death of her husband, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvatore Di Giacomo
Salvatore Di Giacomo (12 March 1860 – 5 April 1934) was an Italian poet, songwriter, playwright and fascist, one of the signatories to the Manifesto of the Fascist Intellectuals. Di Giacomo is credited as being one of those responsible for renewing Neapolitan language poetry at the beginning of the 20th century. The language of Salvatore Di Giacomo is, however, not the everyday Neapolitan language of his contemporaries; it has a distinct 18th-century flavour to it, with archaisms that recall the golden age of Neapolitan culture. This was the period between 1750 and 1800, when Neapolitan was the language of the Neapolitan comic opera. Early career Di Giacomo was born in Naples. He studied medicine briefly, largely to satisfy his father's wishes, but gave it up to devote himself to literature. He first wrote short stories in the veristic manner (collected in 1893 in ''Pipa e boccale''), but soon turned to poetry. He then founded a literary journal, ''Il Fantasio'', in 188 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
