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La Fenice
Teatro La Fenice (; "The Phoenix Theatre") is a historic opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which several works by the four major bel canto era composers— Rossini, Bellini, Donizetti, and Verdi—were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. The third fire was the result of arson, and destroyed the house in 1996 leaving only the exterior walls; it was rebuilt and re-opened in November 2004. In order to celebrate this event, the tradition of the Venice New Year's Concert started. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro La Fenice (Venice) - Facade
Teatro La Fenice (; "The Phoenix Theatre") is a historic opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which several works by the four major bel canto era composers—Rossini, Bellini, Donizetti, and Verdi—were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. The third fire was the result of arson, and destroyed the house in 1996 leaving only the exterior walls; it was rebuilt and re-opened in November 2004. In order to celebrate this event, the tradition of the Venice New Year's Concert started. Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giannantonio Selva
Gian Antonio Selva (2 September 1751 - 22 January 1819) was an Italian neoclassical architect. Biography Early career He was born in Venice, the son of scientist Lorenzo Selva. He studied architecture in Venice, and was a pupil of the architect Tommaso Temanza and the painter Pietro Antonio Novelli. Selva visited Rome, where he met Antonio Canova and traveled with him to Naples. He also visited London, Paris, Belgium and the Netherlands (1778-1781). After early commissions in Paris and Rome to design settings for banquets in the residences of the respective Venetian ambassadors, in 1782 Selva was made responsible for the interior design at the Teatro San Benedetto, Venice, for the reception held in honour of the Comte and Comtesse du Nord (the future Tsar Paul I and his wife), the subject of a painting by Francesco Guardi. In 1783 he was called on to act as consultant for the garden of the Ambassador Dolfin, which was then being rebuilt at Mincana. Numerous families from V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are linked by 438 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). As of 2025, 249,466 people resided in greater Venice or the Comune of Venice, of whom about 51,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aldo Rossi
Aldo Rossi (3 May 1931 – 4 September 1997) was an Italian architect and designer who achieved international recognition in four distinct areas: architectural theory, drawing and design and also product design. He was one of the leading proponents of the postmodern movement. He was the first Italian to receive the Pritzker Prize for architecture. Early life He was born in Milan, Italy. After early education by the Somascan Religious Order and then at Alessandro Volta College in Lecco in 1949, he went to the school of architecture at the Polytechnic University of Milan. His thesis advisor was Piero Portaluppi and he graduated in 1958. In 1955, he had started writing for, and from 1959 was one of the editors of, the architectural magazine Casabella-Continuità, with the editor in chief Ernesto Nathan Rogers. Rossi left in 1964 when the chief editorship went to Gian Antonio Bernasconi. Rossi went on to work for Società magazine and Il_contemporaneo, making him one of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belisario
''Belisario'' (''Belisarius'') is a ''tragedia lirica'' (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after Luigi Marchionni's adaptation of play, ''Belisarius'', first staged in Munich in 1820 and then (in Italian) in Naples in 1826. The plot is loosely based on the life of the famous general Belisarius of the 6th century Byzantine Empire. It premiered to critical and popular success on 4 February 1836 at the Teatro La Fenice, Venice, and was given many additional performances that season,Osborne 1994, pp. 245–248 although Donizetti scholar William Ashbrook notes that there would have been more had the opera not been presented so late in the season. However, in spite of its initial short-term success and critical reaction, as represented by a review in ''La Gazzetta privilegiata'' which stated that "A new masterwork has been added to Italian music...''Belisario'' not only pleased and delighted, but also conquered, enflamed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is a historic opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scala
La Scala (, , ; officially , ) is a historic opera house in Milan, Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as (, which previously was Santa Maria della Scala, Milan, a church). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as being one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy (), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end before midnight and long operas start ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatrice Di Tenda
''Beatrice di Tenda'' is a tragic opera in two acts by Vincenzo Bellini, from a libretto by Felice Romani, after the play of the same name by . Initially, a play by Alexandre Dumas was chosen as the subject for the opera, but Bellini had reservations about its suitability. After he and Giuditta Pasta (for whom the opera was to be written) had together seen the ballet based on the very different play, Tedaldi-Fores' ''Beatrice Tenda'', in Milan in October 1832, she became enthusiastic about the subject and the composer set about persuading Romani that this was a good idea. Romani had his own concerns, the principal one being the close parallels with the story told in Gaetano Donizetti, Donizetti's ''Anna Bolena'', an opera which had established that composer's success in 1830. Against his better judgment, he finally agreed, although he failed to provide verses for many months. Although unsuccessful at its premiere in Venice in 1833, Bellini felt that he had counteracted the horror ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Capuleti E I Montecchi
''I Capuleti e i Montecchi'' (''The Capulets and the Montagues'') is an Italian opera (''tragedia lirica'') in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of ''Romeo and Juliet'' for an opera by Nicola Vaccai called ''Giulietta e Romeo (Vaccai), Giulietta e Romeo'' and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare. Bellini was persuaded to write the opera for the 1830 Carnival of Venice, Carnival season at the Teatro La Fenice in Venice, with only a month and a half available for composition. He succeeded by appropriating a large amount of music previously written for his unsuccessful opera ''Zaira (opera), Zaira''. The first performance of ''I Capuleti e i Montecchi'' took place on 11 March 1830. Composition history After ''Zaira'' Following the poor reception which ''Zaira'' received in Parma, Bellini returned to Milan by the end of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiramide
''Semiramide'' () is an opera in two acts by Gioachino Rossini. The libretto by Gaetano Rossi is based on Voltaire's tragedy ''Sémiramis (tragedy), Semiramis'', which in turn was based on the legend of Semiramis of Assyria. The opera was first performed at La Fenice in Venice on 3 February 1823. ''Semiramide'' was Rossini's final Italian opera and according to Richard Osborne, "could well be dubbed ''Tancredi Revisited''". As in ''Tancredi'', Rossi's libretto was based on a Voltaire tragedy. The music took the form of a return to vocal traditions of Rossini's youth, and was a melodrama in which he "recreated the baroque tradition of decorative singing with unparalleled skill". The ensemble-scenes (particularly the duos between Arsace and Semiramide) and choruses are of a high order, as is the orchestral writing, which makes full use of a large pit. After this splendid work, one of his finest in the genre, Rossini turned his back on Italy and moved to Paris. Apart from ''Il viag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tancredi
''Tancredi'' is a ''melodramma eroico'' (''opera seria'' or heroic opera) in two acts by composer Gioachino Rossini and librettist Gaetano Rossi (who was also to write ''Semiramide'' ten years later), based on Voltaire's play ''Tancrède (tragedy), Tancrède'' (1760). The opera made its first appearance at the Teatro La Fenice in Venice on 6 February 1813, less than a month after the premiere of his previous opera ''Il signor Bruschino''. The overture, borrowed from ''La pietra del paragone'', is a popular example of Rossini's characteristic style and is regularly performed in concert and recorded. Considered by Stendhal, Rossini's earliest biographer, to be "high amongst the composer's masterworks", and describing it as "a genuine thunderbolt out of a clear, blue sky for the Italian lyric theatre," his librettist Gaetano Rossi notes that, with it, "Rossini rose to glory".Rossi, in Osborne, Richard 2007, p. 199 Richard Osborne proclaims it to be "his fully fledged ''opera seria'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Pepoli
Alessandro Pepoli (1757–1796), was an Italian librettist and writer of tragedies. Born in Venice, Pepoli sought to be considered a literary rival to Italian dramatist and poet Vittorio Alfieri, often writing his own takes on topics previously addressed by Alfieri.Peter Hainsworth and David Robey, eds., "Pepoli, Alessandro, Count", ''The Oxford Companion to Italian Literature'' (2002), p. 450. Styling himself as a champion of liberty, in 1783, he wrote an essay on freedom, advocating political reform. Other noted works include: * ''Anna Bolena'', a libretto recounting the life of Anne Boleyn, the second wife of England's King Henry VIII. Similar treatments were done in the same period by Felice Romani (''Anna Bolena'') and Ippolito Pindemonte (''Enrico VIII ossia Anna Bolena''). * A libretto for an opera by Giovanni Paisiello entitled '' I giuochi d'Agrigento'' with which the theater, La Fenice, was inaugurated on 16 May 1792. * A six-page summary translation of John Milton's ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
