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Kompang
''Kompang'' (; , ) is a traditional Balinese and Javanese musical instrument part of gamelan in the Percussion instrument, percussion family originated from the Indonesian region of Ponorogo in East Java. Kompang has existed in Indonesia since at least the 8th century and has spread to various regions of Indonesia as well as the Southeast Asia in general, such as Singapore, Malaysia, Brunei and Thailand, which later became known as ''Kompang Jawa''. Since 2011, several types of Kompang have been recorded and recognized by the Ministry of Education, Culture, Research, and Technology as National Intangible Cultural Heritage of Indonesia. And in 2021, the United Nations Educational, Scientific and Cultural Organization or what is often known as UNESCO has designated Gamelan (a set of musical instruments that includes Kompang) as an Intangible Cultural Heritage from Indonesia. Etymology Etymologically, the word 'kompang' is absorbed from the which means "empty" or "hollow", this r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frame Drum
A frame drum is a drum that has a drumhead width greater than its depth. It is one of the most ancient musical instruments, and perhaps the first drum to be invented. It has a single drumhead that is usually made of rawhide, but man-made materials may also be used. Some frame drums have mechanical tuning, while on many others the drumhead is tacked in place. The drumhead is stretched over a round, wooden frame called a shell. The shell is traditionally constructed of rosewood, oak, ash etc. that has been bent and then scarf jointed together; though some are also made of plywood or man-made materials. Metal rings or jingles may also be attached to the frame. In many cultures larger frame drums are played mainly by men in spiritual ceremonies, while medium-size drums are played mainly by women. Types of frame drums File:Pandeiro new 30-09-07.jpg, Tambourine File:Bodhran.jpg, Bodhrán with cipín (tipper) File:Uchiwadaiko-tokyo-street-2014-2-16.webm, Uchiwa daiko in use o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjar People
The Banjar or Banjarese () are an Austronesian peoples, Austronesian ethnic group native to the Banjar Region, Banjar regions (notably Banjarmasin, Banjarbaru, Banjar Regency, etc.) in the South Kalimantan, southeastern Kalimantan regions of Indonesia. Nowadays, Banjarese diaspora can be found in neighbouring Banjar regions as well; including Kotabaru Regency, the southeastern regions of Central Kalimantan, southernmost regions of East Kalimantan, and Provinces of Indonesia, some provinces of Indonesia in general. The Banjarese diaspora community also can be found in neighbouring countries of Indonesia, such as Brunei Darussalam, Brunei, Malaysia (notably in Perak, Selangor, Kedah and Johor with significant minorities in Sabah), and Singapore. Etymology Etymology, Etymologically, the word ''Banjar'' is derived from terminology in the Janyawai dialect of Ma'anyan language, Ma'anyan language, which rooted from Old Javanese language, Old Javanese language. It is initially used to i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Talempong
Talempong is a traditional musical instrument of the Minangkabau people of Western Sumatra, Indonesia. The talempong produce a static texture consisting of interlocking rhythms. A talempong a small kettle gong which gives its name to an ensemble of four or five talempong as well as other gongs and drums. The term can refer to the instrument, the ensemble, or the genre of music. Talempong is in the form of a circle with a diameter of 15 to 17.5 centimeters, with a hollow hole at the bottom while at the top there is a roundabout with a diameter of five centimeters as a place to be hit. Talempong has a different tone. The sound is produced from a pair of wood hammered on its surface. Around 1970, at the ''Akademi Seni Karawitan'' (Academy of Traditional Arts) in Padang Pajang, a Talempong orchestra was developed with approximately 17 musicians. In 2019 and 2021, The Talempong Unggan and The Talempong Pakcik were recognized as National Intangible Cultural Heritage of Indonesi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kethuk
The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all structures use the kempyang, but the kempyang is never played without the ketuk. They are shaped like bonang, but are generally placed in their own frame (''rancak''). The kempyang is pitched higher (about one octave, although it depends if they are in the pelog or slendro set. Both have a central boss like the bonang, but the kempyang has a rounder top (like the higher bonangs), while the ketuk has a flat top (like the lower bonangs). In the common numerical notation, kempyang strokes are marked by "-" while the ketuk is marked by "+". The ketuk pattern is used to classify longer gendhing types, where it refers to the number of ketuk strokes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonang
The bonang is an Music of Indonesia, Indonesian musical instrument used in the Javanese people, Javanese gamelan. It is a collection of small gongs (sometimes called "kettles" or "pots") placed horizontally onto strings in a wooden frame (''rancak''), either one or two rows wide. All of the kettles have a central boss, but around it the lower-pitched ones have a flattened head, while the higher ones have an arched one. Each is tuned to a specific pitch in the appropriate scale; thus there are different bonang for pelog and slendro. They are typically hit with padded sticks (''tabuh''). This is similar to the other cradled gongs in the gamelan, the kethuk, kempyang, and kenong. Bonang may be made of forged bronze, welded and cold-hammered iron, or a combination of metals. In addition to the gong-shaped form of kettles, economical bonang made of hammered iron or brass plates with raised bosses are often found in village gamelan, in Suriname-style gamelan, and in some American gam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenong
The Kenong is a musical instrument of Indonesia used in the gamelan. It is a kind of gong and is placed on its side. It has the same length and width. Thus, it is similar to the bonang, kempyang, and ketuk, which are also cradled gongs. Kenongs are generally much larger than the aforementioned instruments. However, the kenong has a considerably higher pitch. Its sound stands out because of its unique timbre. The kenong sticks are taller than that of the bonang. The kenong is sometimes played by the same player as the kempyang and ketuk. Most of the instruments in the gamelan 'family'. are originally from Java, Indonesia but spread to Southeast Asia. The kenong usually has a specific part in the colotomic structure of the gamelan, marking off parts of a structure smaller than a gongan (the space between each strike of the gong). The interval of each part between strikes of a kenong is called a . In a fast, short structure these can only last a second or so; in a longer gendh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kempul
A kempul is a type of hanging gong used in Indonesian gamelan. The kempul is a set of pitched, hanging, knobbed gongs, often made of bronze, wood, and cords. Ranging from in diameter, the kempul gong has a flat surface with a protruding knob at the center and is played by hitting the knob with the "soft end of a mallet." "The wooden mallet used has a ball shape head with heavy padding on a short wooden handle. The number of kempul gongs present in a gamelan ensemble varies but, "although there can be two to ten kempul on one separate rack, it is common to have five kempul hanging on the same rack as the Gong ageng and gong siyem" (two larger gongs). Kempul in music "Generally, the instruments in a gamelan orchestra may fall into the following three functional categories: # Instruments that delineate the structure of the piece; # Instruments that guide temporal flow of the music; # Instruments that carry melodies in both simple and elaborate forms" "Instruments in the firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian language, Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds. The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I Dong son drum, bronze drum () from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Bur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gendèr
A gendèr is a type of metallophone used in Balinese and Javanese gamelan music. It consists of 10 to 14 tuned metal bars suspended over a tuned resonator of bamboo or metal, which are tapped with a mallet made of wooden disks (Bali) or a padded wooden disk (Java). Each key is a note of a different pitch, often extending a little more than two octaves. There are five notes per octave, so in the seven-note pélog scale, some pitches are left out according to the pathet. Most gamelans include three gendèr, one for sléndro, one for pelog pathet nem and lima, and one for pelog pathet barang. The ''gendèr'' is similar to the Balinese gangsa, which also has an individual resonator under each key, and the saron, which, although trough-resonated, does have a set of tuned metal bars or keys. It is also similar to the Javanese slenthem, which is pitched lower and has fewer notes. The melodies of the two hands sometimes move in parallel motion, but often play contrapuntally. When ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demung
The saron is a musical instrument of Indonesia, which is used in the gamelan. It normally has seven bronze bars placed on top of a resonating frame (''rancak''). It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death) (in kepatihan numbering); for slendro, the bars are 6-1-2-3-5-6-1; this can vary from gamelan to gamelan, or even among instruments in the same gamelan. Slendro instruments commonly have only six keys. It provides the core melody ( balungan) in the gamelan orchestra. Varieties Sarons typically come in a number often sizes, from smallest to largest: *Saron panerus (also: peking) *Saron barung (sometimes just saron) *Saron demung (often just called demung) Each one of those is pitched an octave below the previous. The slenthem or slentho performs a similar function to the sarons one octave below th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saron (instrument)
The saron is a musical instrument of Indonesia, which is used in the gamelan. It normally has seven bronze bars placed on top of a resonating frame (''rancak''). It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death) (in kepatihan numbering); for slendro, the bars are 6-1-2-3-5-6-1; this can vary from gamelan to gamelan, or even among instruments in the same gamelan. Slendro instruments commonly have only six keys. It provides the core melody ( balungan) in the gamelan orchestra. Varieties Sarons typically come in a number often sizes, from smallest to largest: *Saron panerus (also: peking) *Saron barung (sometimes just saron) *Saron demung (often just called demung) Each one of those is pitched an octave below the previous. The slenthem or slentho performs a similar function to the sarons one octave below the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Sumatra
West Sumatra () is a Provinces of Indonesia, province of Indonesia. It is on the west coast of the island of Sumatra and includes the Mentawai Islands off that coast. West Sumatra borders the Indian Ocean to the west, as well as the provinces of North Sumatra to the north, Riau to the northeast, Jambi to the southeast, and Bengkulu to the south. The province has an area of , or about the same size as Switzerland, with a population of 5,534,472 at the 2020 Indonesian census, 2020 census.Badan Pusat Statistik, Jakarta, 2021. The official estimate at mid 2023 was 5,757,210 (comprising 2,900,270 males and 2,856,940 females).Badan Pusat Statistik, Jakarta, 28 February 2024, ''Provinsi Sumatera Barat Dalam Angka 2024'' (Katalog-BPS 1102001.13) The province is List of regencies and cities in West Sumatra, subdivided into twelve Regency (Indonesia), regencies and seven City status in Indonesia#Kota, cities. It has relatively more cities than other provinces outside Java, although several o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
