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Khorāsānī Style (poetry)
Khorāsānī style (Persian: سبک خراسانی ''sabk-i Khorāsānī'' 'the style of Khurāsān', ', also transliterated ''Khurāsānī'') was a movement in Persian poetry associated with the court of the Ghaznavids, associated with Greater Khorasan (now divided between Iran, Afghanistan, Tajikistan, and Uzbekistan). History The term was coined in the early twentieth century. It is traditionally considered to characterise the first period of New Persian poetry, running from the ninth century CE into the second half of the twelfth. It is characterized by its plain poetic technique, concrete images and metaphors, and some archaic linguistic features. While showing limited use of Arabic loan-words, poetry in this style was influenced by Arabic verse, particularly in terms of its prosody, and the dominant genre was the praise-poem. The Khurāsānī period was succeeded by the '' sabk-i ‘Irāqī'' ('style of Iraq'), with its greater use of Arabisms, more elaborate metaphors and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghaznavids
The Ghaznavid dynasty ( ''Ġaznaviyān'') was a Persianate Muslim dynasty of Turkic peoples, Turkic ''mamluk'' origin. It ruled the Ghaznavid Empire or the Empire of Ghazni from 977 to 1186, which at its greatest extent, extended from the Oxus to the Indus Valley. The dynasty was founded by Sabuktigin upon his succession to the rule of Ghazni Province, Ghazna after the death of his father-in-law, Alp Tigin, who was an ex-general of the Samanid Empire from Balkh. Sabuktigin's son, Mahmud of Ghazni, expanded the Ghaznavid Empire to the Amu Darya, the Indus River and the Indian Ocean in the east and to Rey, Iran, Rey and Hamadan in the west. Under the reign of Mas'ud I of Ghazni, Mas'ud I, the Ghaznavid dynasty began losing control over its western territories to the Seljuk Empire after the Battle of Dandanaqan in 1040, resulting in a restriction of its holdings to modern-day Afghanistan, Pakistan and Northern India. In 1151, Sultan Bahram Shah lost Ghazni to the Ghurid dynasty, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greater Khorasan
KhorasanDabeersiaghi, Commentary on Safarnâma-e Nâsir Khusraw, 6th Ed. Tehran, Zavvâr: 1375 (Solar Hijri Calendar) 235–236 (; , ) is a historical eastern region in the Iranian Plateau in West Asia, West and Central Asia that encompasses western and northern Afghanistan, northeastern Iran, the eastern halves of Turkmenistan and Uzbekistan, western Tajikistan, and portions of Kyrgyzstan and Kazakhstan. The extent of the region referred to as ''Khorasan'' varied over time. In its stricter historical sense, it comprised the present territories of Khorasan Province, northeastern Iran, parts of Afghanistan and southern parts of Central Asia, extending as far as the Amu Darya (Oxus) river. However, the name has often been used in a loose sense to include a wider region that included most of Transoxiana (encompassing Bukhara and Samarqand in present-day Uzbekistan), extended westward to the Caspian Sea, Caspian coast and to the Dasht-e Kavir southward to Sistan, and eastward to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Persian
New Persian (), also known as Modern Persian () is the current stage of the Persian language spoken since the 8th to 9th centuries until now in Greater Iran and surroundings. It is conventionally divided into three stages: Early New Persian (8th/9th centuries), Classical Persian (10th–18th centuries), and Contemporary Persian (19th century to present). Dari is a name given to the New Persian language since the 10th century, widely used in Arabic (see Istakhri, al-Maqdisi and ibn Hawqal) and Persian texts. Since 1964, Dari has been the official name in Afghanistan for the Persian spoken there. Classification New Persian is a member of the Western Iranian group of the Iranian languages, which make up a branch of the Indo-European languages in their Indo-Iranian subdivision. The Western Iranian languages themselves are divided into two subgroups: Southwestern Iranian languages, of which Persian is the most widely spoken, and Northwestern Iranian lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bazgasht-e Adabi
''Bazgasht-e adabi'' (; "literary return") is the name of a literary style and movement that emerged in Fath Ali Shah Qajar Rule in 18th-century Iran, which advocated for the return of the Khorasani and Iraqi styles in Persian literature Persian literature comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day .... References Sources * * {{Encyclopaedia Iranica , volume=4 , fascicle=1 , title = Bāzgašt-e adabī , last = Hanaway , first = William L. , url = https://www.iranicaonline.org/articles/bazgast-e-adabi , pages = 58–60 Persian literature History of literature Persian-language literature 18th century in Iran 19th century in Iran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asjadi
Abu Nazar ʿAbdul ʿAziz bin Mansur ʿAsjadi () was a 10th-11th century royal Persian poet of the Ghaznavid empire located in the Ghazni province of today's Afghanistan. Originating from Merv, and in some accounts Herat, he was a follower of the panegyric school of poetry of Unsuri in Khorasan, and was a companion of Farrukhi Sistani and Ferdowsi as well. His Divan A divan or diwan (, ''dīvān''; from Sumerian ''dub'', clay tablet) was a high government ministry in various Islamic states, or its chief official (see ''dewan''). Etymology The word, recorded in English since 1586, meaning "Oriental cou ... was already unavailable by the 15th century (if not earlier) and is unknown though around 200 of his verses had been recorded elsewhere. A quatrain attributed to Asjadi was translated by Edward Granville Browne as follows:''I do repent of wine and talk of wine,'' ''Of idols fair with charms like silver fine:'' ''A lip-repentance and a lustful heart—'' ''O God ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farrukhi Sistani
Abu'l-Hasan Ali ibn Julugh Farrukhi Sistani (), better known as Farrukhi Sistani (; – 1040) was one of the most prominent Persian court poets in the history of Persian literature. Initially serving a ''dehqan'' in Sistan and the Muhtajids in Chaghaniyan, Farrukhi entered the service of the Ghaznavids in 1017, where he became the panegyrist of its rulers, Mahmud () and Mas'ud I (), as well as numerous viziers and princes. Background Farrukhi was born in in Sistan, a region extending across the border between eastern Iran and what is now southern Afghanistan. At that time Sistan was under Saffarid rule. Farrukhi's father Julugh was a high-ranking military slave (''ghulam'') of the Saffarid king Khalaf ibn Ahmad (). The origins of Julugh are unclear. Regardless, Farrukhi grew up in a Muslim Persian-speaking environment, and was essentially a Persian. In 1003, the Saffarid dynasty was abolished by the Ghaznavid monarch Mahmud (), who made Sistan a Ghaznavid province. Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unsuri
Abul Qasim Hasan Unsuri Balkhi (; died 1039/1040) was a 10th–11th century Persian poet. ‘Unṣurī is said to have been born in Balkh, today located in Afghanistan, and he eventually became a poet of the royal court of Mahmud of Ghazni Abu al-Qasim Mahmud ibn Sabuktigin (; 2 November 971 – 30 April 1030), usually known as Mahmud of Ghazni or Mahmud Ghaznavi (), was Sultan of the Ghaznavid Empire, ruling from 998 to 1030. During his reign and in medieval sources, he is usuall ..., and was given the title ''Malik-us Shu'ara'' (King of Poets) under Mahmud. His ''Divan'' is said to have contained 30,000 distichs, of which only 2500 remain today. It includes the romance epic '' Vāmiq u ‘Adhrā''. The following dialog between an eagle and a crow, translated by Iraj Bashiri, is an example. In it, Unsuri compares his own status vis-a-vis that of a young poet who has joined the court recently. The Eagle and The Crow: A Dialogue Translated by Iraj Bashiri: :A dialogue occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuchihri
Abu Najm Aḥmad ibn Qauṣ ibn Aḥmad Manūčihrī (), a.k.a. Manuchehri Dāmghānī (fl. 1031–1040), was an eleventh-century court poet in Persia and in the estimation of J. W. Clinton, 'the third and last (after ʿUnṣurī and Farrukhī) of the major panegyrists of the early Ghaznawid court'.J. W. Clinton, 'Manūčihrī', in ''Encyclopaedia of Islam'', ed. by P. Bearman and others, 2nd edn (Leiden: Brill, 1960-2007), , . Among his poems is " The Turkish harpist". Life According to J. W. Clinton, 'very little is known of his life, and that little is derived exclusively from his poetry. Later ''tadhkira'' writers have expanded and distorted this modicum of information with a few, readily refuted speculations'. Manuchehri's epithet ''Dāmghānī'' indicates that he was from Damghan in Iran, and his poetry shows an encyclopaedic familiarity with Arabic and Persian verse which was presumably acquired in youth. Manuchehri's activities can only be dated and localised via the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudaki
Rudaki (also spelled Rodaki; ; – 940/41) was a poet, singer, and musician who is regarded as the first major poet to write in New Persian. A court poet under the Samanids, he reportedly composed more than 180,000 verses, yet only a small portion of his work has survived, most notably parts of his versification of the '' Kalila wa-Dimna'', a collection of Indian fables. Born in the village of Banoj (located in the present-day Rudak area), the most important part of Rudaki's career was spent at the court of the Samanids. While biographical information connects him to the Samanid ''amir'' (ruler) Nasr II (), he may have already joined the court under the latter's predecessor, Ahmad Samani (). Rudaki's success was largely due to the support of his primary patron, the vizier Abu'l-Fadl al-Bal'ami (died 940), who played an important role in the blooming of New Persian literature in the 10th-century. Following the downfall of Bal'ami in 937, Rudaki's career deteriorated, even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arslan-Shah Of Ghazna
Arslan-Shah of Ghazna (full name: ''Sultan ad-Dawlah Abul-Moluk Arslan-Shah ibn Mas'ud'') ( 1092 – 1119) was the Sultan of the Ghaznavid Empire from 1116 to 1117. Biography In 1116, Arslan Shah overthrew his older brother Shir-Zad, took the Ghaznavid throne, and blinded or imprisoned his remaining brothers, except Bahram who was in Zamindawar. Arslan-Shah also appointed Abu'l-Fath Yusuf as his ''vizier''. After being initially defeated by Arslan at Tiginabad, Bahram, appealed to Seljuk Sultan Ahmad Sanjar, whose sister, Gawhar Khatun, was greatly offended at the conduct of her eldest son Arslan ibn Mas'ud, towards the rest. Incited by her and perhaps by his own ambitious views Sanjar called on Arslan to release his brothers and on his refusal marched against him with an army of 30,000 cavalry and 50,000 infantry. Arslan was defeated after an obstinate engagement and fled to Ghazna. There, on the plain outside Ghazna, Arslan was decisively defeated and fled to India, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
‘Uthmān Mukhtārī
Abū ‘Umar ‘Uthmān b. ‘Umar Mukhtārī Ghaznavī (born c. 467/1074-75, died 513×15/1118×21) was a Persian poet of the Ghaznavids, an empire originating from Ghazna located in Afghanistan. He had patrons at the courts of the Qarakhānids, the Seljūqs of Kirman, and the Ismaili ruler of Tabas. In the assessment of A. A. Seyed-Gohrab, in Persian literary history, he is known for his detailed and extensive poetic descriptions ('' vaṣf'') and his interest in literary riddles. His ability lies first of all in the minute description of courtly events such as royal banquets, hunting grounds, battlefields, and Islamic and pre-Islamic Persian festivals. Originating from Ghazna, he is thought to have written the ''Shahryar-nama'', which describes the struggles of Muslims against Indian heathens during the Ghaznavid era. The epic was composed in 3 years. Parts of it remain in the British Museum. While at Tabas in 500-508 (1105–13), he composed the '' Hunar-nāma'', dedicating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
