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Kettledrum
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettledrums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized beater called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naqareh
The ''naqareh'', ''naqqāra'', ''nagara'' or ''nagada'' is a Middle Eastern drum with a rounded back and a hide head, usually played in pairs. It is thus a membranophone of the kettle drum variety. The term ''naqqāra'' (), also ''naqqarat'', ''naqqarah'', ''naqqåre'', ''nakkare'', ''nagora'' comes from the Arabic verb ''naqr-'' that means "to strike, beat". The instrument was also adopted in Europe following the Crusades, and known as the naccaire or naker. Construction The rounded section of a naqqara is made of baked clay, while the flat side consists of treated skin fastened around the rim with string which is tightened over the back of the bow. Playing This percussion instrument is often played in pairs, where one ''naqqara'' will produce low pitch beats called ''nar'' and the other for the high pitch beats. The instruments are beaten with short wooden sticks bent outward at the upper ends called ''damka''. Varieties Iraq and the other Arab countries ''Naqqārāt'' is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Membranophone
A membranophone is any musical instrument which produces sound primarily by way of a acoustic membrane, vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Curt Sachs, Sachs, Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth Membranophones can also be divided into small divisions bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etymologiae
(Latin for 'Etymologies'), also known as the ('Origins'), usually abbreviated ''Orig.'', is an etymological encyclopedia compiled by the influential Christian bishop Isidore of Seville () towards the end of his life. Isidore was encouraged to write the book by his friend Braulio, Bishop of Saragossa. summarized and organized a wealth of knowledge from hundreds of classical sources; three of its books are derived largely from Pliny the Elder's ''Natural History''. Isidore acknowledges Pliny, but not his other principal sources, namely Cassiodorus, Servius, and Gaius Julius Solinus. covers an encyclopedic range of topics. Etymology, the origins of words, is prominent, but the work also covers, among other things, grammar, rhetoric, mathematics, geometry, music, astronomy, medicine, law, the church and heretical sects, pagan philosophers, languages, cities, humans, animals, the physical world, geography, public buildings, roads, metals, rocks, agriculture, war, ships, cloth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympanum (hand Drum)
In ancient Greece and ancient Rome, Rome, the () or , was a type of frame drum or tambourine. It was circular, shallow, and beaten with the palm of the hand or a stick. Some representations show decorations or zill-like objects around the rim. The instrument was played by worshippers in the rites of Dionysus, Cybele, and Sabazius. The instrument came to Rome from Greece and the Near East, probably in association with the cult of Cybele. The first depiction in Greek art appears in the 8th century BC, on a bronze votive disc found in a cave on Crete that was a cult site for Zeus. Dionysian rites The ''tympanum'' is one of the objects often carried in the ''thiasos'', the retinue of Dionysus. The instrument is typically played by a maenad, while wind instruments such as Pan flute, pipes or the ''aulos'' are played by satyrs. The performance of frenzied music contributed to achieving the Religious ecstasy, ecstatic state that Dionysian worshippers desired. The cult of Cybele The ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latinisation (literature)
Latinisation (or Latinization) of names, also known as onomastic Latinisation (or onomastic Latinization), is the practice of rendering a ''non''-Latin name in a modern Latin style. It is commonly found with historical proper names, including personal names and toponyms, and in the standard binomial nomenclature of the life sciences. It goes further than romanisation, which is the transliteration of a word to the Latin alphabet from another script (e.g. Cyrillic). For authors writing in Latin, this change allows the name to function grammatically in a sentence through declension. In a scientific context, the main purpose of Latinisation may be to produce a name which is internationally consistent. Latinisation may be carried out by: * transforming the name into Latin sounds (e.g. for ), or * adding Latinate suffixes to the end of a name (e.g. for '' Meibom),'' or * translating a name with a specific meaning into Latin (e.g. for Italian ; both mean 'hunter'), or * choosi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charanga (Cuba)
Charanga is a traditional ensemble that plays Cuban dance music. They made Cuban dance music popular in the 1940s and their music consisted of heavily son-influenced material, performed on European instruments such as violin and flute by a Charanga orchestra. (Chomsky 2004, p. 199). The style of music that is most associated with a Charanga is termed 'Danzón', and is an amalgam of both European classical music and African rhythms. Origins "Scholars agree that Spain and parts of West and Central Africa provided the most crucial influences in the development of Cuban popular and religious music. But in the case of charanga, the contributions of French and Haitian influences cannot be ignored. Charanga began its history in the early nineteenth century when Haitians, both African and French, escaped the island's revolution. They brought with them a love for the French contredanse, a multi-sectional dance form that evolved into the danzón, the quintessential charanga style. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sieve
A sieve (), fine mesh strainer, or sift is a tool used for separating wanted elements from unwanted material or for controlling the particle size distribution of a sample, using a screen such as a woven mesh or net or perforated sheet material. The word ''sift'' derives from ''sieve''. In cooking, a sifter is used to separate and break up clumps in dry ingredients such as flour, as well as to aerate and combine them. A strainer (see colander), meanwhile, is a form of sieve used to separate suspended solids from a liquid by filtration. Sieving Sieving is a simple technique for separating particles of different sizes. A sieve such as used for sifting flour has very small holes. Coarse particles are separated or broken up by grinding against one another and the screen openings. Depending upon the types of particles to be separated, sieves with different types of holes are used. Sieves are also used to separate stones from sand. Sieving plays an important role in food ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isidore Of Seville
Isidore of Seville (; 4 April 636) was a Spania, Hispano-Roman scholar, theologian and Roman Catholic Archdiocese of Seville, archbishop of Seville. He is widely regarded, in the words of the 19th-century historian Charles Forbes René de Montalembert, as "the last scholar of the ancient world". At a time of disintegration of classical culture, aristocratic violence, and widespread illiteracy, Isidore was involved in the conversion of the Arianism, Arian Visigothic kings to Chalcedonian Christianity, both assisting his brother Leander of Seville and continuing after Leander's death. He was influential in the inner circle of Sisebut, Visigothic king of Hispania. Like Leander, he played a prominent role in the Councils of Toledo and Seville. His fame after his death was based on his ''Etymologiae'', an etymology, etymological encyclopedia that assembled extracts of many books from classical antiquity that would otherwise have been lost. This work also helped to standardise the use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonia
Symphonia ( Greek ) is a much-discussed word, applied at different times to the bagpipe, the drum, the hurdy-gurdy, and finally a kind of clavichord. The sixth of the musical instruments enumerated in Book of Daniel, (verses 5, 10 and 15), translated " dulcimer" in the 17th-century King James Bible; in all probability it refers to the bagpipe. The symphonia, signifying drum, is mentioned in Isidore of Seville's ''Etymologiae'' under the entries for tympanum and sambuca. "Symphonia" or ''chifonie'' was applied during the 13th and 14th centuries, in the Latin countries more especially, to the hurdy-gurdy. "Symphonia" is applied by Praetorius to an instrument which he classed with the clavichord, cites spinet, regal and virginals The virginals is a keyboard instrument of the harpsichord family. It was popular in Europe during the Renaissance music, late Renaissance and early Baroque music, Baroque periods. Description A virginals is a smaller and simpler, rectang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
