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Kamānche
The kamancheh (also kamānche or kamāncha) (, , , ) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian kamancheh. There is also an instrument called ''kabak kemane'' literally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) (, , , ) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian kamancheh. There is also an instrument called ''kabak kemane'' lite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iran
Iran, officially the Islamic Republic of Iran (IRI) and also known as Persia, is a country in West Asia. It borders Iraq to the west, Turkey, Azerbaijan, and Armenia to the northwest, the Caspian Sea to the north, Turkmenistan to the northeast, Afghanistan to the east, Pakistan to the southeast, and the Gulf of Oman and the Persian Gulf to the south. With a Ethnicities in Iran, multi-ethnic population of over 92 million in an area of , Iran ranks 17th globally in both List of countries and dependencies by area, geographic size and List of countries and dependencies by population, population. It is the List of Asian countries by area, sixth-largest country entirely in Asia and one of the world's List of mountains in Iran, most mountainous countries. Officially an Islamic republic, Iran is divided into Regions of Iran, five regions with Provinces of Iran, 31 provinces. Tehran is the nation's Capital city, capital, List of cities in Iran by province, largest city and financial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Digital Library
The World Digital Library (WDL) is an international digital library operated by UNESCO and the United States Library of Congress. The WDL has stated that its mission is to promote international and intercultural understanding, expand the volume and variety of cultural content on the Internet, provide resources for educators, scholars, and general audiences, and to build capacity in partner institutions to narrow the digital divide within and among countries. It aims to expand non-English and non-western content on the Internet, and contribute to scholarly research. The library intends to make available on the Internet, free of charge and in multilingual format, significant primary materials from cultures around the world, including manuscripts, maps, rare books, musical scores, recordings, films, prints, photographs, architectural drawings, and other significant cultural materials. The WDL opened with 1,236 items. As of early 2018, it lists more than 18,000 items from nearly 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Uzbekistan
The music of Uzbekistan has reflected the diverse influences that have shaped the country. It is very similar to the music of the Middle East and is characterized by complicated rhythms and Meter (music), meters. Because of the long history of music in the country and the large variety of music styles and musical instruments, Uzbekistan is often regarded as one of the most musically diverse countries in Central Asia. Classical music of Uzbekistan The music of what is now Uzbekistan has a very long and rich history. Shashmaqam, a Central Asian classical music style, is believed to have arisen in the cities of Bukhara and Samarqand in the late 16th century. The term "shashmaqam" translates as ''six maqams'' and refers to the structure of music with six sections in different musical modes, similar to classical Persian traditional music. Interludes of spoken Sufi poetry interrupt the music, typically beginning at a low Register (music), register and gradually ascending to a climax be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Turkmenistan
The music of contemporary nomadic and rural Turkmen people is closely related other Central Asian folk forms and is descended from Arab and Persian forms of the Middle Ages. Important musical traditions in Turkmen music include traveling singers and shamans called '' bagshy'', who act as healers and magicians and sing either a cappella or accompanied by the dutar, a two-stringed lute. The Central Asian classical music tradition, mugam, is also present in Turkmenistan under the name mukamlar. Classical Turkmen folk music According to Soviet musicologist Viktor Belyayev, Turkmen classical folk music is directly descended from Arabic music as taught and performed in Khorezm, particularly in Bukhara, which was the musical center of the Islamic world in the 13th century. The Turkic tribes of Central Asia, including the predecessors of today's Turkmen, abandoned their own culture in the 9th century and shifted to Arab culture, including music, with their adoption of Islam.The Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Georgia (country)
Georgia has rich and still vibrant traditional music, primarily known for arguably the earliest polyphonic tradition of the Christian world. Situated on the border of Europe and Asia, Georgia is also the home of a variety of urban singing styles with a mixture of native polyphony, Middle Eastern monophony and late European harmonic languages. Georgian performers are well represented in the world's leading opera troupes and concert stages. Folk music The folk music of Georgia consists of at least fifteen regional styles, known in Georgian musicology and ethnomusicology as "musical dialects". According to Edisher Garaqanidze, there are sixteen regional styles in Georgia. These sixteen regions are traditionally grouped into two, eastern and western Georgian groups. The Eastern Georgian group of musical dialects consists of the two biggest regions of Georgia, Kartli and Kakheti (Garakanidze united them as "Kartli-Kakheti"); several smaller north-east Georgian mountain regions, K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurdish Music
Kurdish music (, or ''مۆسیقای کوردی'') refers to music performed in the Kurdish languages and Zaza-Gorani languages. The earliest study of Kurdish music was initiated by the renowned Armenian priest and composer Komitas in 1903, when he published his work ''" Chansons kurdes transcrites par le pere Komitas"'' which consisted of twelve Kurdish melodies which he had collected. The Armenian Karapetê Xaço also preserved many traditional Kurdish melodies throughout the 20th century by recording and performing them. In 1909, Scholar Isya Joseph published the work "''Yezidi works''" in which he documented the musical practice of the Yazidis including the role of the musician-like qewal figures and the instruments used by the minority. Kurdish music appeared in phonographs in the late 1920s, when music companies in Baghdad began recording songs performed by Kurdish artists. Despite being secondary to vocals, Kurds use many instruments in traditional music. Musical i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peeters (publishing Company)
Peeters Publishers is an international academic publisher founded in Leuven in 1857, joining a tradition of book printing in Leuven dating back to the 15th century. Peeters publishes 200 new titles and 75 journals a year. Humanities and social sciences are the main fields of the publishing house, with series focusing on Biblical studies, Religious studies, Patristics, Classical and Oriental studies, Egyptology, Philosophy, Ethics, Medieval studies, and the Arts The arts or creative arts are a vast range of human practices involving creative expression, storytelling, and cultural participation. The arts encompass diverse and plural modes of thought, deeds, and existence in an extensive range of m .... History In 1857 the Peeters family began its printing house and bookshop in the center of Leuven. The company grew rapidly and had more than 100 employees at the turn of the twentieth century. The Fire of Leuven in 1914 destroyed the company. After the First World ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armenian Music
The music of Armenia ( ''haykakan yerazhshtut’yun'') has its origins in the Armenian highlands, dating back to the 3rd millennium BCE, and is a long-standing musical tradition that encompasses diverse secular and religious, or sacred, music (such as the ''sharakan'' Armenian chant and '' taghs'', along with the indigenous '' khaz'' musical notation). Folk music was notably collected and transcribed by Komitas Vardapet, a prominent composer and musicologist, in the late 19th and early 20th centuries, who is also considered the founder of the modern Armenian national school of music. Armenian music has been presented internationally by numerous artists, such as composers Aram Khachaturian, Alexander Arutiunian, Arno Babajanian, Haig Gudenian, and Karen Kavaleryan as well as by traditional performers such as duduk player Djivan Gasparyan. Melodic basis Traditional Armenian folk music as well as Armenian church music is not based on the European tonal system but on a system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azerbaijani Music
Azerbaijani music (Azerbaijani language, Azerbaijani: Azərbaycan musiqisi) is the musical tradition of the Azerbaijani people from the Azerbaijan Republic. Azerbaijani music has evolved under the badge of monody, producing rhythmically diverse melodies.Энциклопедический музыкальный словарь, 2-е изд., Москва, 1966 (''Encyclopedical Music Dictionary'' (1966-1967), 2nd ed., Moscow) Music from Azerbaijan has a branch Musical mode, mode system, where Chromaticism, chromatisation of major and minor Musical scale, scales is of great importance. Classical music In 1920, Azerbaijani classical music had undergone a renaissance and the Baku Academy of Music was founded to give classical musicians the same support as folk musicians. Modern-day advocates of Western classical music in Azerbaijani include Farhad Badalbeyli, Fidan Gasimova and Franghiz Alizadeh. Opera and Ballet The emergence of opera and ballet in Azerbaijan is associated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Traditional Music
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, refers to the classical music of Iran (historically known as '' Persia''). It consists of characteristics developed through the country's classical, medieval, and contemporary eras. It also influenced areas and regions that are considered part of Greater Iran. Due to the exchange of musical science throughout history, many of Iran's classical modes are related to those of its neighboring cultures. Iran's classical art music continues to function as a spiritual tool, as it has throughout history, and much less of a recreational activity. It belongs, for the most part, to the social elite, as opposed to the folkloric and popular music, in which the society as a whole participates. However, components of Iran's classical music have also been incorporated into folk and pop music compositions. History The history of musical development in Iran dates back tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
