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Kacapi
The kacapi is a traditional zither of Sundanese people in Indonesia. This musical instrument is similar to Chinese , Japanese '' koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen. The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling ( tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian), pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its form or physical appearance, there are two kinds of kacapis: #Kacapi Parahu (=Boat Kacapi) or Kacapi Gelung; and #Kacapi Siter The Kacapi Parahu is a resonance box with an uncovered underside to allow the sound out. The sides of this kind of kacapi are tapered inward from top to bottom, which gives the instrument a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi Noterange
The kacapi is a traditional zither of Sundanese people in Indonesia. This musical instrument is similar to Chinese , Japanese ''Koto (instrument), koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen. The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling (tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian language, Indonesian), Pantun Sunda, pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to Santol (fruit), santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its form or physical appearance, there are two kinds of kacapis: #Kacapi Parahu (=Boat Kacapi) or Kacapi Gelung; and #Kacapi Siter The Kacapi Parahu is a resonance box with an uncovered underside to allow the sound out. The sides of this kind of kacapi are t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Music Of Indonesia
Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles. Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional type of music is often accompanied by its very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India. The music of Java, Sumatra, Bali, Flores (Lesser Sunda Islands) and other islands have been well documented and recorded, and further research by Indonesian and international scholars is also ongoing. The music in Indonesia predates historical records, various Native Indonesian tribes often incorporate chants and songs accompanied with musical instruments in their rituals. The contemporary music of Indonesia today is also popular amongst neighbouring countries, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi Suling
Kacapi suling is a form of Sundanese music from Indonesia. It is essentially '' tembang Sunda'' minus vocals, and also at interludes between songs at a typical Tembang Sunda performance. The higher pitched kacapi rincik, the lower pitched kacapi indung and the suling flute are the instruments used for kacapi suling. Kacapi suling has instrumental pieces performed in two different scales; the first four in laras pelog convey a light mood, the last four, in laras sorog are more slow and grave. The change to laras sorog usually takes place at midnight and lasts until sunrise. Many hotels in Indonesia, especially in Bali, and other parts of the world like in Shenzhen China play this Sundanese music genre in their lobbies. Malaysia itself invited Sundanese Kacapi Suling experts from the Province of West Java West Java (, ) is an Indonesian Provinces of Indonesia, province on the western part of the island of Java, with its provincial capital in Bandung. West Java is border ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (instrument)
The is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese and the Kazakh . Koto are roughly in length, and made from Paulownia wood ('' Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , , , , , and so on. When read as , it indicates the Chinese instrument . The term is used today in the same way. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jetigen
The jetigen (, , or dzhetigan or zhetygen) is a Kazakh plucked zither. Similar to Chinese guzheng, yazheng and se, Japanese koto, Korean gayageum and ajaeng, Mongolian yatga, Vietnamese Ä‘Ã n tranh, and Sundanese kacapi. The strings were sometimes made of horsehair. The jetigen is played by plucking, in a similar manner to the gusli, tube zither The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox, it acoustic resonance, modifies the sound and ... or box zither. The most ancient type of zhetygen had seven strings over a box shape hollowed out of a block of wood. Such zhetygen did not have the upper sounding board and pins. The strings were stretched by hand from the outer side of the instrument. In later version of the instrument, the upper part of the zhetygen was covered with the wooden sounding board. Assyks were o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantun Sunda
Pantun Sunda is a type of Sundanese oral narrative performance interspersed with songs and music played on a '' kacapi'', a kind of zither. A pantun is intended to be recited during an evening-length performance during which a single performer relates the story of a hero's initiation: The protagonist leaves his kingdom to seek experiences, beautiful princesses to become his wife, power, other kingdoms to the subject, the realization of a dream (Rosidi 1984a:143); after having succeeded in reaching his goal he finally returns to his kingdom. Alongside descriptions of historical events, the stories often contain mythical elements. Pantun were originally not written down, the bards often being illiterate and in many cases blind. Originally the performances had a sacred character, as was clear from the offerings made at the beginning of the recitation and also from the content of the introductory part of the story, called rajah, which was an invocatory song, imploring the help of divine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yatga
The yatga (, Khalkha dialect: ; ; is a traditional plucked zither of Mongolia. Yatga may vary widely in size, tuning, and number of bridges and strings; The body is a long wooden box, one end of which is angled downward. The performer plucks the strings with the fingernails of the right hand; the left hand is used to put pressure on the strings, varying the note. The left hand can also be used to play the bass strings without plectrums (picks). Depending on style the higher strings are picked by fingers or by picks. Similar instruments include the Chinese ''se'' and '' yazheng'', Korean '' gayageum'' and '' ajaeng'', the Vietnamese '' Ä‘Ã n tranh'', the Japanese ''koto'',Description from the Silk Road Ensemble the Kazakh '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayageum
The ''gayageum'' or ''kayagum'' () is a traditional Korean musical instrument. It is a plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument.Jan. 11, 200''Korean Instruments'' Seoul Metropolitan Government It is based on the Chinese ''guzheng'' and is similar to the Japanese ''koto'', Mongolian '' yatga'', Vietnamese '' Ä‘Ã n tranh'', Sundanese ''kacapi'' and Kazakh '' jetigen''. History Pungryu gayageum (beopgeum, jeongak gayageum) According to the '' Samguksagi'' (1146), a history of the Three Kingdoms of Korea, the ''gayageum'' was developed around the sixth century in the Gaya confederacy by King Gasil (also known as Haji of Daegaya) after he observed an old Chinese instrument Guzheng. He ordered a musician named Wu Ruk to compose music that could be played on the instrument. The original name was ''gayago''(or ''gayatgo'') and later'' gayageum''. The ''gayag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ä‘Ã n Tranh
The ''Ä‘Ã n tranh'' (, ) or ''Ä‘Ã n tháºp lục''Le, Tuan Hung. Dan Tranh Music of Vietnam : Traditions and Innovations. Melbourne, Tokyo : Australia Asia Foundation, 1998. (hard back); (paperback), page 1 is a plucked zither of Vietnam, based on the Chinese ''guzheng'', from which are also derived the Japanese '' koto'', the Korean ''gayageum'' and ''ajaeng'', the Mongolian ''yatga'', the Sundanese ''kacapi'' and the Kazakh '' jetigen''. It has a long soundbox with the steel strings, movable bridges and tuning pegs positioned on its top. The ''Ä‘Ã n tranh'' can be used either as a solo instrument, as part of various instrumental ensembles or to accompany vocal performances. History The Vietnamese 's ''Ä‘Ã n tranh'' came from the Chinese Chaozhou zheng. In the late 13th and early 14th centuries, the ''Ä‘Ã n tranh'' had 14 strings.Le, Tuan Hung. ''Dan Tranh Music of Vietnam: Traditions and Innovations''. Melbourne, Tokyo: Australia Asia Foundation, 1998. (hard back); ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sundanese People
The Sundanese (; ) are an Austronesian people, Austronesian ethnic group native to Java in Indonesia, primarily West Java. They number approximately 42 million and form Ethnic groups in Indonesia, Indonesia's second most populous ethnic group. They speak the Sundanese language, which is part of the Austronesian languages. The western area of the island of Java, namely the provinces of West Java, Banten, and Jakarta, as well as the westernmost part of Central Java, is called by the Sundanese people ''Tatar Sunda'' or ''Pasundan'' (meaning Sundanese land). Sundanese migrants can also be found in Lampung, South Sumatra, and, to a lesser extent, in Central Java and East Java. The Sundanese people can also be found on several other islands in Indonesia such as Sumatra, Kalimantan, Sulawesi, Bali and Papua (province), Papua. Origins Migration theories The Sundanese are of Austronesian peoples, Austronesian origins and are thought to have originated in Taiwan. They migrated through th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
