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Jazz Piano
Jazz piano is a collective term for the techniques pianists use when playing jazz. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic and harmonic capabilities. For this reason it is an important tool of jazz musicians and composers for teaching and learning jazz theory and set arrangement, regardless of their main instrument. By extension the phrase 'jazz piano' can refer to similar techniques on any keyboard instrument. Along with the guitar, vibraphone, and other keyboard instruments, the piano is one of the instruments in a jazz combo that can play both single notes and chords rather than only single notes as does the saxophone or trumpet. Beginning A new style known as "stride" or "Harlem stride" emerged during the 1920s, predominantly in New York, United States. James P. Johnson was a prominent proponent. The left hand was used to esta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk, Minton's Playhouse, New York, N
Thelonious is a given name. Notable people with the name include: * Fred Thelonious Baker (born 1960) English guitarist * Thelo Aasgaard, Thelonious "Thelo" Aasgaard (born 2002), English and Norwegian footballer * Thelonious Bernard (born 1964) French actor * Thelonious Martin (born 1992) or King Thelonious, American Hip Hop record producer * Thelonious Monk (1917–82), American jazz pianist **Thelonious (composition), written by Monk * Thelonious Sphere Monk III (born 1949), known as T. S. Monk, son of Thelonious Monk Characters * Thelonious (Shrek), Thelonious (''Shrek''), one of Lord Farquaad's henchmen in the film ''Shrek'' * Thelonious Jagger 'TJ' Kippen, a character in the American television show ''Andi Mack#Cast and characters, Andi Mack'' * Thelonious Jaha, a character in the American television show ''The 100 (TV series)#Cast and characters, The 100'' * Thelonius "Theo" Faron, the main character in the film ''Children of Men'' * Thelonius "Monk" Ellison, the main characte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpeggios
An arpeggio () is a type of chord in which the notes that compose a chord are individually sounded in a progressive rising or descending order. Arpeggios on keyboard instruments may be called rolled chords. Arpeggios may include all notes of a scale or a partial set of notes from a scale, but must contain notes of at least three pitches (two-pitch sequences are known as trills). Arpeggios may sound notes within a single octave or span multiple octaves, and the notes may be sustained and overlap or be heard separately. An arpeggio for the chord of C major going up two octaves would be the notes (C, E, G, C, E, G, C). In musical notation, a very rapid arpeggiated chord may be written with a wavy vertical line in front of the chord. Typically these are read as to be played from the lowest to highest note, though composers may specify a high to low sequence by adding an arrow pointing down. Arpeggios enable composers writing for monophonic instruments that play one no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Shearing
Sir George Albert Shearing (13 August 191914 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 songs, including the jazz standards "Lullaby of Birdland" and "Conception (song), Conception", and had multiple albums on the Billboard charts, ''Billboard'' charts during the 1950s, 1960s, 1980s and 1990s. Early life Born in Battersea, London, Shearing was the youngest of nine children. He was born blind to working-class parents: his father delivered coal and his mother cleaned trains in the evening. He started to learn piano at the age of three and began formal training at Linden Lodge School, Linden Lodge School for the Blind, where he spent four years. Though he was offered several scholarships, Shearing opted to perform at a local public house, pub, the Mason's Arms in Lambeth, for "25 bob a week" playing piano and accordion. He joined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voicing (music)
In music theory, voicing refers to two closely related concepts: # How a musician or group distributes, or spaces, notes and chords on one or more instruments # The simultaneity (music), simultaneous vertical placement of notes in relation to each other; this relates to the concepts of spacing and Voicing (music)#Doubling, doubling It includes the instrumentation (music), instrumentation and vertical spacing and ordering of the musical notes in a chord (music), chord: which notes are on the top or in the middle, which ones are doubled, which octave each is in, and which instruments or voices perform each note. Vertical placement The following three chords are all C major, C-major triads in root (chord), root position with different voicings. The first is in close position (the most compact voicing), while the second and third are in Close and open harmony, open position (that is, with wider spacing). Notice also that the G is doubled at the octave in the third chord; that is, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Block Chord
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in " locked-hands" rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. Block chord style (also known as chorale style) uses simple chordal harmony In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harm ... in which "the notes of each chord may be played all at once" as opposed to being "played one at a time (broken or arpeggiated chords). For example, a guitarist can strum the chord (this would be a "block" chord) or use a picking style to play "broken" chords". Notes Sources * * Further reading * Cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned jazz, popular music, popular and classical music. Among his best-known works are the songs "Swanee (song), Swanee" (1919) and "Fascinating Rhythm" (1924), the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930) and the opera ''Porgy and Bess'' (1935), which included the hit "Summertime (George Gershwin song), Summertime". His ''Of Thee I Sing'' (1931) was the first musical theater, musical to win the Pulitzer Prize for Drama. Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragtime
Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its Syncopation, syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott (composer), James Scott, and Joseph Lamb (composer), Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles. Ragtime music originated within African Americans, African American communities in the late 19th century and became a distinctly American form of popular music. It is closely related to American march music, marches. Ragtime pieces usually contain several distinct themes, often arranged in patterns of repeats and reprises. Scott Joplin, known as the "King of Ragtime", gained fame through compositions like "Maple Leaf Rag" and "The Entertainer (rag), The Entertainer". Ragtime influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stride Piano
Stride jazz piano, often shortened to stride, is a jazz piano style that arose from ragtime players. Prominent stride pianists include James P. Johnson, Willie "the Lion" Smith, Fats Waller, Luckey Roberts, and Mary Lou Williams. Technique Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. Compositions were written but were also intended to be improvised. The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. The left hand characteristically plays a four-beat pulse with a single bass note (or an octave, major seventh, minor seventh or major tenth interval) on the first and third beats, and a chord on the second and fourth beats. Occasionally this pattern is reversed by placing the chord on the downbeat and bass notes on the upbeat. Compared to the ragtime style popularized by Scott Joplin, stride players' left hands travel greater distances on the keyboard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upright Bass
The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions such as the octobass). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section, along with violins, violas, and cellos,''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rob Agerbeek
Robbert Arris Jules Agerbeek (28 September 1937 – 5 July 2023) was an Indo Dutch boogie-woogie and jazz pianist and winner of several jazz concourses in the Netherlands in the late 1950s. He was regarded as one of Europe's finest jazz pianists, covering the full spectrum of jazz styles from his early days of Boogie-Woogie to Chicago traditional Jazz, swing and contemporary jazz. Agerbeek gained recognition as a highly regarded accompanist for numerous renowned American jazz musicians who toured and resided in Europe during the 1960s and 1970s. Notable collaborations included performances with Gene Ammons, Art Blakey, Don Byas, Johnny Griffin, Dexter Gordon, Hank Mobley and Ben Webster. Agerbeek's ability to adapt to different musical styles impressed audiences and critics alike. In the 1980s, he surprised many by transitioning to traditional jazz and joining the Dutch Swing College Band. Early life and career In 1954 Agerbeek and his family arrived in the Netherlands. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie-woogie
Boogie-woogie is a genre of blues music that became popular during the late 1920s, but already developed in African-American communities since the 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from piano to piano duo and trio, guitar, big band, country and western, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly dance music (although not usually played for the competitive dance known as boogie-woogie, a term of convenience in that sport). The genre had a significant influence on rhythm and blues and rock and roll. Boogie-woogie waned in popularity in the 1930s, but enjoyed a resurgence and its greatest acclaim in the 1940s, reaching audiences around the world. Among its most famous acts was the "Boogie Woogie Trio" of Pete Johnson, Albert Ammons, and Meade "Lux" Lewis. Other famous boogie woogie pianists of this peak era were Maurice Rocco and Freddie Slack. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
