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Irregular Resolution
In music, an irregular resolution is resolution (music), resolution by a dominant seventh chord or diminished seventh chord to a chord (music), chord other than the tonic (music), tonic. Regarding the dominant seventh, there are many irregular resolutions including to a chord with which it has tones in common or if the parts move only a whole or half step.George Whitefield Chadwick, Chadwick, George Whitefield (2008). ''Harmony, a Course of Study'', p.160. . Consecutive fifths and octaves, augmentation (music), augmented intervals, and false relations should still be avoided. Voice leading may cause the seventh to ascend, to be prolonged into the next chord, or to be unresolved.Foote, Arthur (2007). ''Modern Harmony in its Theory and Practice'', p.93ff. . The following resolutions to a chord with tones in common have been identified: *Type I, in which the root (chord), root motion descends by minor third. C, E, G, B would resolve to C, E, G, A; two tones are common, two melody, v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irregular Resolution I
Irregular, irregulars or irregularity may refer to any of the following: Astronomy * Irregular galaxy * Irregular moon * Irregular variable, a kind of star Language * Irregular inflection, the formation of derived forms such as plurals in unpredictable ways ** Irregular verb Law * Against regulations * In canon law, an Canonical impediment#Irregularities, irregularity is an impediment for the Catholic priesthood or for exercising orders already received Mathematics * Irregularity of a surface * Irregularity of distributions * Irregularity index Medicine * Irregular bone * Arrhythmia, also known as an irregular heartbeat * Constipation, also called "irregularity" Other * ''The Irregulars'', a 2021 Netflix series * Accounting irregularity * Irregular military * Irregular chess opening See also * Anomaly (other) * Baker Street Irregulars * Regular (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or Part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a Musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coherence, cadence (music), cadence, and shape. Function and elements Johann Philipp Kirnberger arg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neapolitan Chord
In Classical music theory, a Neapolitan chord (or simply a "Neapolitan") is a major chord built on the lowered ( flat) second (supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, since in minor scales the chord is built on the notes of the corresponding Phrygian mode. The Neapolitan is found far more often in minor keys than in major keys. Although it is sometimes indicated by an "N6" rather than a "II", some analysts prefer the latter because it indicates the relation of this chord to the supertonic. The Neapolitan chord does not fall into the categories of mixture or tonicization. Moreover, even Schenkerians like Carl Schachter do not consider this chord as a sign for a shift to the Phrygian mode. Therefore, like the augmented sixth chords it should be assigned to a separate category of chromatic alteration. In European Classical music, the Neapolitan most commonly occurs in first inversion so that it is notated either as II6 or N6 and normally re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enharmonic Equivalence
In music, two written notes have enharmonic equivalence if they produce the same pitch (music), pitch but are musical notation, notated differently. Similarly, written Interval (music), intervals, Chord (music), chords, or key signatures are considered enharmonic if they represent identical pitches that are notated differently. The term derives from Latin , in turn from Late Latin , from Ancient Greek (), from ('in') and ('harmony'). Definition The predominant musical tuning, tuning system in Western music is 12 tone equal temperament, twelve-tone equal temperament (12 ), where each octave is divided into twelve equivalent half steps or semitones. The notes F and G are a whole step apart, so the note one semitone above F (F) and the note one semitone below G (G) indicate the same pitch. These written notes are ''enharmonic'', or ''enharmonically equivalent''. The choice of notation for a pitch can depend on its diatonic function, role in harmony; this notation keeps modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Sixth
In music theory, an augmented sixth chord contains the interval of an augmented sixth, usually above its bass note, bass tone. This chord (music), chord has its origins in the Renaissance music, Renaissance, was further developed in the Baroque music, Baroque, and became a distinctive part of the musical style of the Classical period (music), Classical and Romantic period (music), Romantic periods. Conventionally used with a predominant chord, predominant diatonic function, function (resolution (music), resolving to the dominant (music), dominant), the three most common types of augmented sixth chords are usually called the ''Italian sixth'', the ''French sixth'', and the ''German sixth''. Augmented sixth interval The augmented sixth interval is typically between the sixth scale degree, degree of the Major and minor, minor scale, , and the raised fourth degree, . With standard voice leading, the chord is followed directly or indirectly by some form of the dominant chord, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmented Sixth Chord
In music theory, an augmented sixth chord contains the interval (music), interval of an augmented sixth, usually above its bass note, bass tone. This chord (music), chord has its origins in the Renaissance music, Renaissance, was further developed in the Baroque music, Baroque, and became a distinctive part of the musical style of the Classical period (music), Classical and Romantic period (music), Romantic periods. Conventionally used with a predominant chord, predominant diatonic function, function (resolution (music), resolving to the dominant (music), dominant), the three most common types of augmented sixth chords are usually called the ''Italian sixth'', the ''French sixth'', and the ''German sixth''. Augmented sixth interval The augmented sixth interval is typically between the sixth scale degree, degree of the Major and minor, minor scale, , and the raised fourth degree, . With standard voice leading, the chord is followed directly or indirectly by some form of the do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deceptive Cadence
In Western musical theory, a cadence () is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. The word "cadence" sometimes slightly shifts its meaning depending on the context; for example, it can be u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Edward Wilson
Richard Edward Wilson (born May 15, 1941) is an American composer and pianist. Rejecting serialism, to some extent Wilson engages in tonality, though often with the use of considerable chromaticism. His ''oeuvre'' includes orchestral, operatic, instrumental, and chamber music among other genres. Life and career Wilson was born in Cleveland, Ohio, where he was at a young age drawn to the concerts of George Szell and the Cleveland Orchestra. His studied piano with Roslyn Raish, Egbert Fischer, and Leonard Shure. He studied cello with Robert Ripley and Ernst Silberstein. In 1963, Wilson graduated ''magna cum laude'' and Phi Beta Kappa from Harvard University, where he studied with Robert Moevs and Randall Thompson. He later received an MA from Rutgers University. From 1966 to 2016, he taught at Vassar College, where he was Mary Conover Mellon Professor of Music. Since 1992 he has been composer-in-residence with the American Symphony Orchestra. Music Richard Wilson's composit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regular Resolution
Regular may refer to: Arts, entertainment, and media Music * "Regular" (Badfinger song) * Regular tunings of stringed instruments, tunings with equal intervals between the paired notes of successive open strings Other uses * Regular character, a main character who appears more frequently and/or prominently than a recurring character * Regular division of the plane, a series of drawings by the Dutch artist M. C. Escher which began in 1936 Language * Regular inflection, the formation of derived forms such as plurals in ways that are typical for the language ** Regular verb * Regular script, the newest of the Chinese script styles Mathematics Algebra and number theory * Regular category, a kind of category that has similarities to both Abelian categories and to the category of sets * Regular chains in computer algebra * Regular element (other), certain kinds of elements of an algebraic structure * Regular extension of fields * Regular ideal (multiple definitions) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tritone Substitution
The tritone substitution is a common chord substitution found in both jazz and classical music. Where jazz is concerned, it was the precursor to more complex substitution patterns like Coltrane changes. Tritone substitutions are sometimes used in improvisation—often to create tension during a solo. Though examples of the tritone substitution, known in the classical world as an augmented sixth chord, can be found extensively in classical music since the Renaissance period, they were not heard outside of classical music until they were brought into jazz by musicians such as Dizzy Gillespie and Charlie Parker in the 1940s, as well as Duke Ellington, Art Tatum, Coleman Hawkins, Roy Eldridge and Benny Goodman. The tritone substitution can be performed by exchanging a dominant seventh chord for another dominant seventh chord which is a tritone away from it. For example, in the key of C major one can use D7 instead of G7 (D is a tritone away from G, and G is the dominant of C). Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tritone
In music theory, the tritone is defined as a interval (music), musical interval spanning three adjacent Major second, whole tones (six semitones). For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adjacent whole tones F–G, G–A, and A–B. Narrowly defined, each of these whole tones must be a step in the scale (music), scale, so by this definition, within a diatonic scale there is only one tritone for each octave. For instance, the above-mentioned interval F–B is the only tritone formed from the notes of the C major scale. More broadly, a tritone is also commonly defined as any interval with a width of three whole tones (spanning six semitones in the chromatic scale), regardless of scale degrees. According to this definition, a diatonic scale contains two tritones for each octave. For instance, the above-mentioned C major scale contains the tritones F–B (from F to the B above it, also called augment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrapuntal Motion
In music theory, contrapuntal motion is the general Melodic motion, movement of two or more melody, melodic lines with respect to each other. In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.Free-Ed.NeTraditional Harmony: Voice Motion Retrieved 2011-09-15. Parallel motion Parallel motion is motion in the same direction, keeping the same interval between them. For example : : Parallel motion at an interval of a perfect fifth is known as parallel or consecutive fifths, and at an interval of an octave is known as parallel or consecutive octaves. Perfect intervals, i.e. the (perfect) unison, fifth and octave, are generally avoided in traditional counterpoint because they offer the lines so little independence from each other. In Counterpoint#First species, first-species counterpoint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
